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Mouse Mat : Cartoon, The Reconciliation

Cartoon, The Reconciliation



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Cartoon, The Reconciliation

Cartoon, The Reconciliation, by James Gillray, with a quotation from the parable of the Prodigal Son. Showing a reconciliation between King George III and his son, the Prince of Wales. Looking on are Queen Charlotte, William Pitt and others. Date: 1804

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14230273

© The Sharp Illustration Collection / Mary Evans Picture Library

1800s 1804 Charlotte Comment Criticism Gillray Harsh Hugging Parable Pitt Prodigal Quotation Reconciliation Satire Satirical


Mouse Pad

Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


The Reconciliation,

EDITORS COMMENTS
a poignant and satirical print by James Gillray, captures a rare moment of unity between King George III and his estranged son, the Prince of Wales, in the year 1804. The political cartoon, a powerful commentary on the tumultuous relationship between the monarch and his heir, is set against the backdrop of the parable of the Prodigal Son. The image shows the two men, once at odds, embracing each other warmly, with tears streaming down their faces. The reconciliation is witnessed by Queen Charlotte, the king's consort, and William Pitt, the Prime Minister, among other dignitaries. The tender scene is a stark contrast to the harsh criticism and political upheaval that had long plagued their relationship. King George III, depicted with a crown on his head and a scepter in hand, is shown with a look of relief and acceptance on his face. The Prince of Wales, wearing a military uniform, appears contrite and penitent, his arms wrapped around his father's waist. The emotional reunion is a testament to the power of forgiveness and the importance of family, themes that resonate deeply with the parable of the Prodigal Son. The print, created in the early 19th century, is a fascinating glimpse into the complexities of British royalty during a time of political turmoil and personal strife. The reconciliation between the king and his son, however brief, serves as a reminder of the enduring power of love and understanding, even in the face of harsh criticism and political opposition.

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