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Mouse Mat : Master of the Well of Life. Active c. 1500. Epitaph of Jan C

Master of the Well of Life. Active c. 1500. Epitaph of Jan C



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Master of the Well of Life. Active c. 1500. Epitaph of Jan C

Master of the Well of Life. Active in the Northen Neterlands c. 1500. Epitaph of Jan Cleemenssoen with the well of life, 1511. National Gallery. Prague. Czech Republic

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14338258

© Thaliastock / Mary Evans

1511 Angel Angels Bishop Crucifixion Czech Epitaph Gallery Master Netherlands Painter Prague Renaissance Well


Mouse Pad

Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
Jan Cleemenssoen, also known as the Master of the Well of Life, was an accomplished painter active in the Northern Netherlands during the early 16th century. This epitaph, created in his honor in 1511, is now housed in the National Gallery in Prague, Czech Republic. The intricately carved and painted stonework depicts the artist in prayer, surrounded by angels and various Christian symbols. At the center of the composition, a well, or font, represents the "Well of Life," a common motif in European art of the time. The well is topped with a crucifixion scene, symbolizing the source of eternal life through faith in Christ. The Master of the Well of Life was known for his intricate detail and masterful use of color. This epitaph is a testament to his artistic skill and the reverence in which he was held by his community. The angels, with their serene expressions and delicate wings, seem to offer a blessing to the deceased artist. The bishop figure, perhaps representing the patron or commissioner of the work, looks on approvingly. This epitaph is a significant example of the Renaissance art produced in the Northern Netherlands during this period. It reflects the religious and artistic influences of the time, as well as the patronage and support of the local community. The National Gallery in Prague is fortunate to have this important work in its collection, providing a window into the artistic and cultural history of Europe during the 16th century.

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