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Historical views of Switzerland
Historical views of Switzerland. Swiss peasants in the Alps 46, William Tell shooting an arrow at his son 47, and an avalanche or mountain snowball 48. Handcoloured copperplate engraving from Rev. Isaac Taylors Scenes in Europe, for the Amusement and Instruction of Little Tarry-at-Home Travelers, John Harris, London, 1819
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Media ID 23391998
© Florilegius
Amusement Danube Educational Encampment Georgian Gypsies Hungarian Hungary Instruction Isaac Peasants Regency Roma Romani Romany Tarry Taylor Tent Childrens
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Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
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Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This triptych of historical views showcases the rich tapestry of Switzerland's past, as depicted in Rev. Isaac Taylor's Scenes in Europe, published in London in 1819 by John Harris. The first image (No. 46) presents a panoramic scene of Swiss peasants in the Alps, dressed in traditional attire, tending to their livestock and going about their daily chores. The second vignette (No. 47) is the iconic tale of William Tell, the legendary Swiss patriot, taking aim and shooting an arrow at his son, as a symbol of defiance against tyranny. The final scene (No. 48) portrays the awe-inspiring power of nature, with an avalanche or mountain snowball cascading down a steep Alpine slope. These handcoloured copperplate engravings were created for the amusement and instruction of young readers, providing an educational journey through Europe. The intricate details of the costumes, the bustling activity of the peasant encampment, the serene beauty of the Danube river scene, and the dramatic contrasts of the mountain vistas all contribute to the vivid and engaging narrative. The Hungarian connection to these Swiss views is evident in the depiction of a Romani encampment along the Danube, with Romani people shown in their colourful costumes, tending to their horses and children. This representation of Romani life adds an additional layer of historical and cultural significance to these captivating images.
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