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Mouse Mat : Out upon the wharfs they came. Illustration by Florence Harrison from Tennysons poem
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Out upon the wharfs they came. Illustration by Florence Harrison from Tennysons poem
Out upon the wharfs they came. Illustration by Florence Harrison from Tennysons poem, The Lady of Shallott. Date: c.1920
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Media ID 23372322
© The Estate of Florence Susan Harrison / Mary Evans Picture Library
Apr20 Arthurian Dead Florence Harrison Legend Legends Nouveau Poem Poems Poetry Tennyson Wharfs
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Out upon the wharfs they came,
EDITORS COMMENTS
a line from Alfred Lord Tennyson's iconic poem "The Lady of Shallott," comes to life in this illustration by Florence Harrison. Dated around 1920, this artwork transports us to the medieval world of Arthurian legends. The image opens with a woman in ethereal beauty, dressed in flowing robes, gazing intently out of her window. Her enchanting reflection in the glass mirrors her radiance, as if beckoning the viewer to join her in her mystical journey. The window frames a serene scene of the Shallot, a small boat tied to the wharf, gently bobbing in the tranquil water. The anticipation builds as the woman, the Lady of Shallott, prepares for her departure. She gathers her long, golden hair, binds it with a delicate ribbon, and steps into her boat. The wharfs are bustling with activity as onlookers gather to witness this enigmatic figure's departure. Their faces are etched with curiosity and awe, reflecting the legend's allure. The art nouveau style of Florence Harrison adds an extra layer of magic to this scene. The fluid lines and organic shapes evoke a sense of movement and transformation, fitting perfectly with the narrative of Tennyson's poem. The intricate details in the illustration, from the intricately patterned fabrics to the textures of the water and the wharfs, immerse us in the medieval world of "The Lady of Shallott." This illustration is a testament to the enduring power of poetry and art to transport us to other worlds and ignite our imagination. It invites us to ponder the beauty, mystery, and legend that lies within the lines of Tennyson's verse.
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