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Mouse Mat : A Young Woman Warming her Hands over a Brazier: Allegory of

A Young Woman Warming her Hands over a Brazier: Allegory of



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A Young Woman Warming her Hands over a Brazier: Allegory of

Cesar Boetius van Everdingen (1617-1678). Dutch painter. A Young Woman Warming her Hands over a Brazier: Allegory of Winter, c. 1644-1648. Rijksmuseum. Amsterdam. Holland

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14335028

© Thaliastock / Mary Evans

1644 1648 Allegorical Allegory Amsterdam Attired Baroque Brazier Cesar Coal Cold Dish Dressed Glowing Hands Holland Netherlandish Netherlands Richly Rijksmuseum Season Warm Warming Boetius Everdingen


Mouse Pad

Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


A Young Woman Warming her Hands over a Brazier - Allegory of Winter

EDITORS COMMENTS
is a captivating painting by the Dutch Baroque artist Cesar Boetius van Everdingen, created around 1644-1648. This masterpiece is currently housed in the prestigious Rijksmuseum in Amsterdam, Holland. The painting depicts a young woman, attired in richly dressed clothes, standing near a brazier, her face turned towards the glowing coal. The scene is an allegory of winter, with the woman representing the season. The cold, harsh weather is symbolized by the barren trees and the wintry landscape in the background. The young woman's expression is one of contentment, as she warms her hands over the brazier. Her dress, which is adorned with intricate patterns and folds, adds to the opulence of the painting. The dish on the table beside her suggests the simple pleasures of home and hearth, providing a sense of comfort and warmth in the midst of the cold winter. Boetius van Everdingen's use of light and shadow in this painting is remarkable. The warm glow of the brazier contrasts with the cold, dark landscape outside, creating a striking visual effect. The artist's attention to detail is evident in the textures of the woman's clothes and the intricacies of the brazier. This painting is a prime example of the Baroque style, with its emphasis on drama, emotion, and the use of light and shadow. It is a testament to the artistic talent of Cesar Boetius van Everdingen and the rich cultural heritage of the Netherlands during the 17th century. The Rijksmuseum's acquisition of this painting is a significant addition to its European art collection, showcasing the beauty and complexity of the Baroque period.

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