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Photo Mug : Faults on Both Sides, 1861, (1911). Artist: Thomas Faed
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Faults on Both Sides, 1861, (1911). Artist: Thomas Faed
Faults on Both Sides, 1861, (1911). Painting held at the Tate, London. From Bibbys Annual 1911. [J. Bibby & Sons, Liverpool, 1911]
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Media ID 14991821
© The Print Collector
Annual Bibby Bibbys Annual Difficult Difficulty Faed Ignoring J Bibby Sons Joseph Bibby Relationship Side By Side Tate Gallery Tate London Thomas Faed Metaphor
Photo Mug
Add a touch of history and art to your daily routine with our Media Storehouse Photo Mug featuring Thomas Faed's iconic painting, "Faults on Both Sides, 1861, (1911)." This captivating image, held at the Tate, London, from Bibbys Annual 1911, showcases intriguing details from the past. Each sip from this high-quality mug brings you closer to the rich storytelling of this 19th-century masterpiece. Perfect for art enthusiasts, history buffs, or anyone who appreciates the beauty of a well-crafted mug. Embrace the past, one sip at a time.
A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Mug Size is 9.6cm high x 8.1cm diameter (3.8" x 3.2")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print titled "Faults on Both Sides, 1861" by Thomas Faed evokes a sense of complexity and introspection. The painting, housed at the Tate in London, showcases an intimate scene between a man and a woman seated side by side in an interior setting. Their body language suggests a deep connection yet also hints at underlying difficulties within their relationship. The artist skillfully captures the essence of love's complexities through his use of color and metaphorical imagery. The couple is engrossed in their own worlds, seemingly ignoring each other while immersed in literature. This concept highlights the challenges that can arise even within the closest relationships. Set against the backdrop of a 19th-century gallery, this artwork transports us to another era where emotions were often suppressed or hidden beneath societal expectations. Faed's portrayal invites viewers to reflect upon their own relationships and consider how misunderstandings and faults exist on both sides. As we gaze upon this oil-on-canvas portrait from Bibbys Annual 1911, we are reminded that love is not always straightforward but rather requires patience, understanding, and acceptance of one another's flaws. Through Faed's masterful brushstrokes and Joseph Bibby's preservation efforts as depicted by The Print Collector29, this timeless piece continues to resonate with audiences today at Tate London Art Centre.
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