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Photo Mug : Woman is displeased by her portrait photograph
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Woman is displeased by her portrait photograph
A woman criticises a photographer after viewing the portrait he has captured of her. She believes he has manipulated her appearance, changing the shape of her nose and the size of her mouth. The photographer is stood patiently beside his camera as he confidently knows he has not altered her appearance. Date: circa 1855
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23210684
© Mary Evans Picture Library
1850s Appearance Attire Camera Criticism Lies Manipulated Photographer Portraiture Satire Truth Ugly
Photo Mug
Transform your morning brew into a personal statement with Media Storehouse's Photo Mugs. This beautifully crafted mug features an evocative image of a woman expressing her displeasure towards a portrait photographer. Captured from Mary Evans Prints Online, this rights-managed photograph adds a touch of wit and humor to your daily routine. Each mug is expertly printed with high-quality images that not only look great but are also dishwasher safe. Give your mug collection a unique twist and relive the story behind this intriguing scene every time you take a sip.
A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Mug Size is 8.1cm high x 9.6cm diameter (3.2" x 3.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
In this intriguing photograph from the 1850s, a woman sternly criticizes the portrait her photographer has created, believing that he has manipulated her appearance to an unflattering extent. The artist, calmly standing beside his camera, confidently asserts that he has not altered her features. The woman's displeased expression, accentuated by her furrowed brow and pursed lips, conveys a sense of disappointment and frustration. Her elaborate Victorian dress and attire, adorned with intricate patterns and textures, add an air of elegance and sophistication to the scene. The art of portraiture in the 19th century was a highly regarded and meticulously crafted process. Photographers, like their predecessors in painting, sought to capture the essence and likeness of their subjects. However, the emergence of photography as a new medium raised questions about the relationship between truth and artifice in portraiture. Some critics argued that the camera could not lie, while others believed that the photographer's interpretation and manipulation of the image could distort reality. This image, with its satirical undertones, invites us to ponder the complexities of beauty and self-perception in the 19th century. The woman's criticism of her portrait raises questions about the role of the artist and the subject in shaping the final image. Was the photographer's intention to capture an unflattering truth, or was the woman's perception clouded by her own insecurities and expectations? Ultimately, this photograph serves as a reminder that the relationship between the artist, the subject, and the viewer is a dynamic and multifaceted one, shaped by the interplay of truth and artifice, beauty and ugliness, and the ever-changing nature of perception.
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