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Photo Mug : St Just Tin Miners, Harold Harvey (1874-1941)

St Just Tin Miners, Harold Harvey (1874-1941)



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Royal Cornwall Museum

Home Decor from Royal Cornwall Museum

St Just Tin Miners, Harold Harvey (1874-1941)

Oil on canvas, Newlyn School, 1935. Harold Harvey was one of the few successful artists of the period who was born and raised in Cornwall. He grew up surrounded by the industry he would later paint and counted many of the working people he depicted as friends. He originally studied under Norman Garstin, but also visited Paris as a young man where he was greatly influenced by the Post-Impressionist movement. His earlier work was very much influenced by Stanhope Forbes, though it changed as he grew older, his brushwork becoming less thick and his forms more simple. Some of his later work shows a period stylisation but without the Picasso influences of his contemporaries Ernest and Dod Procter. Harvey continued to work right up to his death in 1941. The painting is, in essence, a portrait of two miners, Nicholas Grenfell and Sydney Angove, who were lifelong friends of the artist. They had both worked at Botallack and Geevor mines before each retired due to ill health. They are posed in Harveys studio in front of a backdrop of a scene from a Malayan tin mine. In the late 1920s cheaper tin from Malaya undercut the price of Cornish tin and many miners emigrated in search of work. The painting, therefore, could be seen as much a comment on the decline of the tin mining industry in Cornwall as it is a celebration of the Cornish diaspora

Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture

TRURI : 1991.94

Media ID 18848161

© RIC

Artist Artwork Blue British Brown Cornwall Donkey English Green Grey Harness Head Headgear Industrial Industry Miner White Yellow Blinkers Cigarette Pit Pony Pithead Torch


Photo Mug

Bring a piece of Cornwall's rich history to your daily routine with our Media Storehouse Photo Mugs. Featuring the captivating oil painting of Harold Harvey's "St Just Tin Miners" from the Royal Cornwall Museum, these mugs showcase the Newlyn School artist's unique depiction of Cornish tin miners. Each mug holds a 12 oz capacity and comes with a high-quality full-color print on both sides, ensuring a beautiful and personalized drinking experience. Celebrate Cornish heritage and tradition with every sip.

A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Mug Size is 9.6cm high x 8.1cm diameter (3.8" x 3.2")

These are individually made so all sizes are approximate


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> Animals > Farm > Donkeys > Related Images

> Architecture > Industrial

> Arts > Artists > Related Images

> Arts > Artists > Y > Art Young

> Arts > Contemporary art > Contemporary painting

> Arts > Contemporary art > Portraits

> Arts > Contemporary art

> Arts > Impressionist paintings > Impressionist art > Impressionist paintings

> Arts > Impressionist paintings > Impressionist art

> Arts > Impressionist paintings

> Royal Cornwall Museum > Fine Art


EDITORS COMMENTS
The print captures a poignant moment in time, showcasing the renowned painting "St Just Tin Miners" by Harold Harvey. Born and raised in Cornwall, Harvey had a deep connection to the local tin mining industry, which he beautifully depicted on canvas. This particular artwork portrays two miners, Nicholas Grenfell and Sydney Angove, who were not only subjects of Harvey's art but also his lifelong friends. Painted in 1935 during the Newlyn School period, this piece reflects Harvey's evolution as an artist. Influenced by Post-Impressionism after visiting Paris as a young man, he developed his own unique style over time. While initially inspired by Stanhope Forbes and Norman Garstin's teachings, Harvey gradually transitioned into simpler forms and less thick brushwork. The backdrop of the painting features a scene from a Malayan tin mine—a symbolic representation of the decline faced by Cornish tin mining due to cheaper imports from Malaya during the late 1920s. This serves as both a commentary on the industry's downturn and an homage to those who emigrated from Cornwall in search of work. Harvey continued creating art until his passing in 1941. His ability to capture not just scenes but also emotions is evident in this masterpiece that immortalizes Grenfell and Angove against their beloved trade's fading background. The print preserves this significant piece of history while reminding us of the profound impact that industrial changes can have on communities like Cornwall.

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