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Photographic Print : The Wake, or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy, by Charles Molloy Westmacott (1788-1868) published London, 1825 (colour litho)
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The Wake, or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy, by Charles Molloy Westmacott (1788-1868) published London, 1825 (colour litho)
STC255135 The Wake, or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy, by Charles Molloy Westmacott (1788-1868) published London, 1825 (colour litho) by Cruikshank, Isaac Robert (1789-1856); Private Collection; The Stapleton Collection
Media ID 25462482
© The Stapleton Collection / Bridgeman Images
Bawdy Chaos Corpse Crucifix Deathbed Deceased Drank Drunk Drunken Drunkenness Kissing Mourners Rowdy Taboo Brawl Brawling Disrespectful Dying Lovers Mourning Regency Send Off
15"x10" (37.5x25cm) Poster
Experience the captivating allure of the past with our exquisite offering from the Media Storehouse range of Photographic Prints. This stunning image, titled "The Wake, or last appearance of Teddy O Rafferty, a scene in the Holy Land," is taken from Charles Molloy Westmacott's renowned work, "The English Spy," published in London in 1825. The image, beautifully rendered in color lithography by Bridgeman Images, showcases a poignant moment in the Holy Land, captured by the brilliant artistic mind of Westmacott. Bring the rich history and intrigue of this iconic scene into your home or office with our high-quality, museum-grade photographic prints. A perfect addition to any art collection, this print is sure to inspire and delight.
High-quality poster prints are available in a range of sizes and are printed on 270 gsm semi-glossy silk finish poster paper. An affordable option for decorating any space, they are perfect for fixing straight onto walls. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 37.5cm x 25cm (14.8" x 9.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Wake, or last appearance of Teddy O Rafferty
EDITORS COMMENTS
is a captivating and controversial scene captured in this 1825 lithograph by Isaac Robert Cruikshank. Set in the Holy Land, the image depicts a chaotic and rowdy gathering that breaks all boundaries of decorum and respect. In this Georgian-era cartoon, mourners are seen engaging in inappropriate behavior such as brawling, breaking furniture, and indulging in excessive drinking. The satirical drawing highlights the taboo nature of their actions while poking fun at societal norms. The focal point of the print is Teddy O Rafferty's deceased body lying on a deathbed adorned with a crucifix. Surrounding him are his grieving family members who seem to have lost control amidst their sorrow. Lovers can be seen kissing passionately nearby, adding an element of scandal to an already tumultuous scene. Cruikshank's scathing satire aims to critique both Irish stereotypes and Regency society's penchant for excesses. Through his exaggerated caricatures and clever composition, he presents a biting commentary on drunkenness and unruly behavior during times of mourning. This satirical cartoon serves as a reminder that even in moments of grief, human folly knows no bounds. It challenges viewers to reflect on societal expectations surrounding death rituals while simultaneously providing entertainment through its humorous depiction of chaos and disorder.
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