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Photographic Print : Nearing completion: The new Underground Railway offices, 1929

Nearing completion: The new Underground Railway offices, 1929



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Nearing completion: The new Underground Railway offices, 1929

Nearing completion: The new Underground Railway offices, 1929. Headquarters of London Underground (55 Broadway) was described on its 1929 opening as the cathedral of modernity. Designed by Charles Henry Holden (1875-1960) its exterior features sculptures by eminent artists including Henry Moore, Jacob Epstein and Eric Gill. From The Studio Volume 98 [London Offices of the Studio, London, 1929.]

Heritage Images features heritage image collections

Media ID 14962048

© The Print Collector

Charles Henry Eric Gill Grade I Headquarters Henry Henry Moore Holden Jacob Listed Building Modern Moore Office Office Block Station Studio Publications Studio Volume 98 Tube Station Underground Station Epstein Eric Gill Faaade Jacob Epstein


10"x8" (25x20cm) Photo Print

Step back in time with this captivating photograph from the Media Storehouse collection. Witness the grandeur of the past as the new Underground Railway offices, later known as 55 Broadway, approach completion in 1929. This iconic building, hailed as the 'cathedral of modernity' during its opening, is a testament to London's rich history and architectural evolution. Bring this piece of heritage into your home or office with our high-quality photographic print, perfect for adding character and intrigue to any space.

Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Abstract Art > Sculpture > Henry Moore

> Architecture > Cathedrals

> Architecture > Country > England

> Architecture > Related Images

> Arts > Artists > E > Jacob Epstein

> Arts > Artists > G > Eric Gill

> Arts > Artists > J > Jacob Jacobs

> Arts > Artists > M > Henry Moore

> Arts > Artists > Related Images

> Arts > Artists > W > Charles White


Nearing completion - The new Underground Railway offices, 1929

EDITORS COMMENTS
. This photograph captures the grandeur of the newly constructed Underground Railway offices in London, England. Known as the headquarters of London Underground, this architectural masterpiece was hailed as the cathedral of modernity upon its opening in 1929. Designed by Charles Henry Holden, a visionary architect of his time, this office building stands tall with its striking facade adorned with sculptures created by renowned artists such as Henry Moore, Jacob Epstein, and Eric Gill. These artistic elements add an exquisite touch to the already impressive structure. The photograph showcases the building's location in a bustling cityscape. It is evident that this monumental edifice has become an integral part of London's urban landscape. Its presence signifies progress and innovation during a transformative era. Listed as a Grade I listed building, it is no wonder that this architectural marvel continues to captivate viewers even today. The monochrome aesthetics further emphasize its timeless appeal and highlight every intricate detail meticulously crafted by Holden and his team. As we gaze at this print from 1929 captured by The Studio Volume 98 publication, we are transported back to an era where architecture merged seamlessly with artistry. This image serves as a testament to human creativity and ambition while showcasing how buildings can transcend their purpose to become iconic symbols within society.

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