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Poster Print : Intercepted, 1881. Artist: Joseph Swain

Intercepted, 1881. Artist: Joseph Swain



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Intercepted, 1881. Artist: Joseph Swain

The Liberal Prime Minister, Gladstone, also held the office of Chancellor of the Exchequer and this cartoon shows him in a chefs outfit feeding his dog from the bowl of surplus. However, whilst he concentrates on the dog, John Bull, his bowl is being emptied by the crows named Transvaal and Afghanistan. This relates to Gladstones 1881 Budget. It proved to be a modest affair, due to the heavy expenses relating to the Afghan and Boer Wars. However, he was able to reduce Income Tax by 1d to 5d in the pound. From Punch, or the London Charivari

Heritage Images features heritage image collections

Media ID 14831715

© The Print Collector / Heritage-Images

1880 1881 Afghan War Boer War Budget Bull Dog Chancellor Of The Exchequer Chef Crow Feeding Gladstone Heritage Image Partnership John Bull John Tenniel Joseph Swain Kennel Liberal Liberal Party Prime Minister Sir John Tenniel Swain Tenniel William Ewart William Ewart Gladstone Allegorical Figure


A4 (29.7 x 21cm) Poster Print

Introducing the stunning Media Storehouse Poster Print of "Intercepted, 1881" by John Tenniel. This iconic political cartoon, created by artists Joseph Swain and John Tenniel, depicts William Ewart Gladstone, the Liberal Prime Minister of the time, in an unexpected role as a chef feeding his dog from a bowl labeled "Surplus." A witty commentary on Gladstone's tenure as both Prime Minister and Chancellor of the Exchequer, this captivating print is a must-have for history enthusiasts and art collectors alike. Bring a piece of historical humor into your home or office with this beautifully printed and framed poster.

Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 21.6cm x 30.3cm (8.5" x 11.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Passerines > Crows And Jays > Related Images

> Arts > Artists > B > John Bird

> Arts > Artists > B > John Bowles

> Arts > Artists > Related Images

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Arts > Artists > W > William White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Asia > Afghanistan > Related Images


EDITORS COMMENTS
This print titled "Intercepted, 1881" by Joseph Swain captures the essence of political satire during the late 19th century. The image portrays William Ewart Gladstone, the Liberal Prime Minister and Chancellor of the Exchequer, donning a chef's outfit as he feeds his loyal dog from a bowl labeled "surplus". However, while Gladstone is engrossed in attending to his pet, two crows named Transvaal and Afghanistan seize the opportunity to empty his bowl. The cartoon symbolizes Gladstone's 1881 Budget which was overshadowed by heavy expenses incurred due to ongoing conflicts such as the Afghan and Boer Wars. Despite these financial burdens, Gladstone managed to reduce Income Tax by one penny to five pence in the pound. Through this clever allegory featuring John Bull (representing Britain), Swain highlights how politicians can become preoccupied with minor matters while crucial issues go unnoticed. The monochrome engraving adds depth and intensity to this satirical piece, emphasizing its historical significance. Created for Punch magazine or The London Charivari at that time, it reflects both public sentiment towards politics and society's reliance on visual media for commentary. This remarkable print serves as a reminder of the intricate relationship between finance, war, and politics during that era. It showcases Joseph Swain's artistic talent alongside John Tenniel's collaboration in creating thought-provoking caricatures that continue to resonate today. As an invaluable heritage image capturing an iconic statesman like William Ewart Gladstone amidst turbulent times, this print remains a testament to our rich political history.

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