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Poster Print : Cartoon, A new way to pay the National Debt

Cartoon, A new way to pay the National Debt



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Cartoon, A new way to pay the National Debt

Cartoon, A new way to pay the National Debt, by James Gillray. Showing King George III and Queen Charlotte receiving bags of money from the Treasury, handed over from a wheelbarrow by the Prime Minister, William Pitt. The Prince of Wales (later George IV, right) seems disappointed by a note for 200, 000 from his friend Louis Philippe Joseph, Duke of Orleans. A disabled man sits on the ground (left) with an upturned and empty hat. Date: 1786

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14229724

© The Sharp Illustration Collection / Mary Evans Picture Library

1780s 1786 Bags Charlotte Corrupt Corruption Criticism Debt Disabled Finance Financial Georgian Gillray Greed Greedy Harsh Inequality Injustice Minister Money Moneybags Orleans Philippe Pitt Prime Satire Satirical Treasury Unjust Wheelbarrow


A4 (29.7 x 21cm) Poster Print

Introducing the Media Storehouse collection of high-quality poster prints featuring the iconic "Cartoon, A new way to pay the National Debt" by James Gillray. This thought-provoking cartoon, sourced from Mary Evans Prints Online, offers a fascinating glimpse into historical financial woes. King George III and Queen Charlotte are depicted receiving sacks of money from the Treasury, highlighting the immense burden of the national debt during their reign. The detailed and intricate artistry of this 18th-century masterpiece comes to life in these vibrant and engaging poster prints. Bring a touch of history and wit to your home or office with this captivating piece of art. Perfect for history enthusiasts, educators, or anyone interested in the intricacies of financial history, our poster prints are sure to ignite conversation and inspire curiosity. Order yours today and add a piece of history to your space.

Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 30.3cm x 21.6cm (11.9" x 8.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This intriguing and thought-provoking cartoon by James Gillray, titled "A new way to pay the National Debt," offers a satirical commentary on the political and financial landscape of late 18th-century Britain. The image depicts King George III and Queen Charlotte seated on their thrones, each receiving overflowing bags of money from the Treasury, which is being unloaded from a wheelbarrow by the Prime Minister, William Pitt. The King and Queen appear unfazed by the influx of wealth, while the Prince of Wales, later George IV, looks displeased as he receives a mere note for 200,000. In the foreground, a disabled man sits on the ground with an upturned and empty hat, symbolizing the plight of the common people who bear the brunt of the national debt. This poignant detail adds a layer of social commentary to the cartoon, highlighting the stark inequality between the rich and the poor. The presence of the Duke of Orleans, Louis Philippe Joseph, adds an international dimension to the cartoon. He is shown handing a note to the Prime Minister, suggesting a connection between foreign influence and the financial corruption of the British government. This powerful and provocative cartoon reflects the harsh criticism and unjust realities of the time, shedding light on the corrupt and greedy practices of the political elite. The image is a testament to the enduring power of satire as a tool for social and political commentary, and a reminder of the injustices and inequalities that have shaped history.

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