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Poster Print : Satirical print of tulipmania
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Satirical print of tulipmania
Satirical print of tulipmania. Etching from De drie t Zamenspracken ---- Roman A. [or author unknown], De drie tZamenspraecken Tusschen Waermondt en Gaergoedt, over de op- en ondergang van flora; als mede Floraes zotte-bollen, Troost-brief, en een register der tegenwoordighe meets geachte hyacinthen met der zelver prysen. Gedruckt by Johannes Marshoorn, 1734, 219+24 p. Date: 1734
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Media ID 10290363
© The John Innes Centre/The John Innes Foundation/Mary Evans
1734 Etching Flora Satirical Unknown Mede
A3 (42 x 29.7cm) Poster Print
"Step back in time with our Satirical Print of Tulipmania from Media Storehouse. This captivating etching, sourced from Mary Evans Prints Online, offers a humorous take on the infamous 17th-century Dutch tulip bulb market bubble. The intricate details and vibrant colors bring the chaotic scene to life, making this a must-have addition to any history or art enthusiast's collection. Our high-quality poster prints are perfect for adorning walls in homes, offices, or classrooms, and are sure to spark conversation and intrigue."
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Estimated Product Size is 42.6cm x 30.6cm (16.8" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This satirical etching, titled "De drie tZamenspraecken Tusschen Waermondt and Gaergoedt, over de op- en ondergang van flora; als mede Floraes zotte-bollen, Troost-brief, en een register der tegenwoordighe meets geachte hyacinthen met der zelver prysen," was created in 1734 by an unknown artist, likely from the Netherlands. The title translates to "The Three Agreements Between Waermondt and Gaergoedt, Concerning the Rise and Fall of Flora: Also Flora's Naughty Bulbs, Consolation Letter, and a Register of the Current Fashioned Hyacinths with Their Own Praise." The print satirizes the infamous Dutch Tulip Mania, a period of economic bubble and speculation in the late 1630s. The two figures, Waermondt and Gaergoedt, are depicted in the foreground, engaged in a heated negotiation over the sale of tulip bulbs. The bulbs, personified as voluptuous women, are displayed in the background, surrounded by admirers and onlookers. The scene is filled with humor and exaggeration, as the bulbs are shown being carried on litters, dressed in fine clothing, and even being offered as a substitute for a missing child. The print also includes a register of the current fashions in hyacinths, further highlighting the obsession with these flowers during the Tulip Mania. The satire serves as a commentary on the excesses and folly of human nature, particularly in regards to the pursuit of material wealth and status. The etching is a fascinating glimpse into the cultural and historical context of the time, and a reminder of the enduring power of satire to critique and entertain.
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