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Poster Print : Cartoon, Don t Touch the Queen (Irish Church)

Cartoon, Don t Touch the Queen (Irish Church)



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Cartoon, Don t Touch the Queen (Irish Church)

Cartoon, Don t Touch the Queen -- a satirical comment on Gladstones Irish Church Suspensory Bill, which was carried against the Conservative government by a large majority. Disraeli protects the Queen (representing the Irish Church) against the reforming intentions of Gladstone and Bright. The legislation, which came into force the following year, separated the Church of Ireland from the Church of England, and meant that the Church of Ireland was no longer entitled to collect tithes from the Irish people. A controversial law, it helped to dismantle the Protestant Ascendancy. Date: 1868

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23361504

© Mary Evans Picture Library

1868 Bill Comment Conservative Difference Disraeli Legislation Reaction Satire Satirical Separated Threat Threaten Tory Disestablishment


A4 (29.7 x 21cm) Poster Print

Introducing the Media Storehouse collection of captivating poster prints, featuring the iconic cartoon "Don't Touch the Queen (Irish Church)" by Mary Evans Prints Online. This satirical masterpiece, created in response to Gladstone's Irish Church Suspensory Bill, showcases the wit and political commentary of the time. Each print is produced with the highest quality standards, bringing the intriguing history and artistry of this cartoon to your space. Add a touch of humor and historical significance to your home or office décor with this unique and thought-provoking addition to your collection.

Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 21.6cm x 30.3cm (8.5" x 11.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Mary Evans Prints Online > New Images August 2021

> Arts > Art Movements > Medieval Art

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > Politics

> Europe > United Kingdom > England > Related Images

> Popular Themes > Politics


Don't Touch the Queen - A Satirical Comment on Gladstone's Irish Church Suspensory Bill of 1868

EDITORS COMMENTS
is a powerful and provocative political cartoon from the Victorian era, created in response to the contentious legislation that separated the Church of Ireland from the Church of England. The cartoon, published in 1868, depicts Prime Minister Benjamin Disraeli shielding Queen Victoria from the threatening hands of reformers William Gladstone and John Bright, who are attempting to pass the Irish Church Suspensory Bill. The bill, which came into force the following year, disestablished the Church of Ireland and ended its entitlement to collect tithes from the Irish people. This controversial law marked a significant step towards dismantling the Protestant Ascendancy in Ireland and was a major point of contention between the Conservative and Liberal parties. The cartoon's title, "Don't Touch the Queen," is a clear reference to the attempt to protect the Church of Ireland, represented by the Queen, from the reforming intentions of Gladstone and Bright. Disraeli's protective stance towards the Queen highlights the Conservative Party's opposition to the bill and their desire to preserve the status quo. The medieval-style setting of the cartoon adds an air of historical significance and emphasizes the deep-rooted religious and political differences between the two countries. The cartoon serves as a fascinating commentary on the political climate of the time and the complex relationship between religion, politics, and national identity in Victorian Britain and Ireland.

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