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Poster Print : Cartoon, Edward, Prince of Wales, Masonic Grand Master

Cartoon, Edward, Prince of Wales, Masonic Grand Master



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Cartoon, Edward, Prince of Wales, Masonic Grand Master

Cartoon, EDWARD, Prince of Wales, as Masonic Grand Master - Mr Punch hopes for an improvement to public architecture, especially the dwellings of the poor. Date: 1875

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 20149753

© Bubblepunk

1875 Apron Bull Conscience Dwellings Freemason Freemasonry Freemasons Hopes Improvement Masonic Master Poor Punch


A4 (29.7 x 21cm) Poster Print

Bring history and humor into your home or office with our exclusive Media Storehouse range of poster prints. This captivating print features a charming cartoon of Edward, Prince of Wales, in his role as Masonic Grand Master. Drawn in 1875 by an unknown artist, this print was originally published by Mr. Punch, a renowned British satirical magazine. The cartoon shows Prince Edward expressing his hopes for an improvement in public architecture, particularly the dwellings of the poor. Add a touch of whimsy and historical significance to your space with this unique and intriguing print from Media Storehouse.

Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 21.6cm x 30.3cm (8.5" x 11.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Mary Evans Prints Online > New Images July 2020

> Architecture > Country > Wales

> Architecture > Related Images

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> Europe > United Kingdom > Wales > Related Images


EDITORS COMMENTS
This intriguing cartoon from 1875, titled "Cartoon, Edward, Prince of Wales, as Masonic Grand Master - Mr Punch hopes for an improvement to public architecture, especially the dwellings of the poor," offers a satirical commentary on the role of the British royalty in addressing social issues during the Victorian era. The image depicts Prince Edward, the Prince of Wales, dressed in full Masonic regalia as the Grand Master, surrounded by other Freemasons, including the iconic figure of Mr. Punch. The scene takes place in a dilapidated urban setting, with crumbling buildings and shanty houses in the background. Mr. Punch, a symbol of the common people, stands before the Prince, holding a drawing of a well-designed, modern dwelling for the poor. He implores the Prince to use his influence and power to improve the living conditions of the less fortunate. The Prince, with a look of indifference, responds by pointing to a masonic apron on the ground, emblazoned with the motto "Charity," suggesting that the Freemasons and the royalty have a moral obligation to help the needy. The cartoonist uses the symbolism of the Masonic apron to highlight the contradiction between the ideals of Freemasonry and the reality of the living conditions of the poor during the Victorian era. The image serves as a reminder of the social conscience that the Freemasons and the British royalty were expected to uphold, and the public's hope for meaningful change in the built environment to address the housing crisis. The 1870s, a period of significant urban growth and industrialization in Britain, saw an increasing awareness of the need for better living conditions for the working class. This cartoon, published in Punch magazine, adds to the ongoing public discourse on the role of the elite in addressing social issues and the expectations of the common people.

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