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Canvas Print : Convent Thoughts, 1850-51 (oil on canvas)
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Convent Thoughts, 1850-51 (oil on canvas)
AMO98746 Convent Thoughts, 1850-51 (oil on canvas) by Collins, Charles Alston (1828-73); 84x59 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright
Media ID 23369228
© Ashmolean Museum / Bridgeman Images
Goldfish Habit Lily Passion Flower Pond Symbolism Temptation Westernart Pre Raphaelite
20"x16" (51x41cm) Canvas Print
"Breathe new life into your space with a Media Storehouse Canvas Print of "Convent Thoughts, 1850-51" by Charles Alston Collins. This exquisite oil on canvas painting, originally housed at the Ashmolean Museum in Oxford, UK, now comes to life in vibrant and high-quality canvas form. Immerse yourself in the captivating details of this 19th-century masterpiece, now a stunning addition to your home or office decor. Experience the timeless beauty of art, reimagined in a contemporary and versatile format."
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Convent Thoughts, 1850-51 - A Captivating Glimpse into the Inner World of a Pre-Raphaelite Nun
EDITORS COMMENTS
. This mesmerizing oil on canvas painting by Charles Alston Collins transports us to a serene garden within the walls of a convent. The composition is filled with symbolism and intricate details that invite contemplation. At the center of the image stands a young nun, her full-length habit gracefully flowing around her. She gazes thoughtfully at a manuscript in her hands, perhaps pondering spiritual matters or engaging in deep introspection. Surrounding her are vibrant flowers, including delicate lilies and an enchanting passion flower, each carrying its own symbolic meaning. A tranquil pond adorned with golden fish adds an element of tranquility to the scene while also representing temptation and desire. These contrasting elements hint at inner struggles faced by those devoted to religious life. Collins' meticulous attention to detail is evident in every brushstroke; from the texture of petals to the shimmering scales on each fish, he captures nature's beauty flawlessly. This work showcases his adherence to Pre-Raphaelite ideals - vivid colors, precise rendering, and rich symbolism. Displayed at Ashmolean Museum in Oxford, this artwork continues to captivate viewers today as it did when first created over 150 years ago. It serves as a testament not only to Collins' artistic talent but also offers us an intimate glimpse into the complex emotions experienced by individuals living within cloistered communities during this era.
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