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Canvas Print : The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)
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The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)
652084 The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour) by Ibbetson, Julius Caesar (1759-1817); 21.5x27.9 cm; Private Collection; (add.info.: The Recalcitrant Donkey. Julius Caesar Ibbetson (1759-1817). Pen and grey ink and watercolour. Signed and dated 1798 (?). 21.5 x 27.9cm.); Photo © Christies Images
Media ID 25467900
© Christie's Images / Bridgeman Images
022012upload 1790s 1798 18th Century Painting Active Aggression Aggressive Animal Theme Animal Themes Animosity Arm Raised Arms Raised Back Back View Backview Bare Feet Barefoot Beaten Behaviour Behind Blue Sky British Art British Art On Paper Convince Country Road Crop Cruel Cruelty Destitute Feet Foot Forcing Four People From The Back Grey Ink Hardship Hills Hillside Hilly Hitting Hooved Mammal In Ink Ink Drawing Kicking Late 18th Century Late Eighteenth Century Mane Mule Negative Concept Opressed Pen And Ink Persuasion Physical Activity Plant Part Pulled Pulling Pushing Raised Arm Rear View Small Group Small Group Of Animals Small Group Of People Social Issues Stick Stubborn Temperament Third Class Thoroughfare Thrashing Three Animals Twig Using Hands Vicious View From Behind Violent Watchful Water Color Water Colour Whip Artist British British Artist Ethnic Origin Ibbetson Julius Caesar Ibbetson Natural Space Youthful
20"x16" (51x41cm) Canvas Print
Bring the timeless beauty of art into your home with Media Storehouse's Canvas Prints. This exquisite piece features "The Recalcitrant Donkey," a captivating work by Julius Caesar Ibbetson from Bridgeman Images. Dated back to 1798, this pen and grey ink and watercolor masterpiece from Fine Art Finder showcases the artist's exceptional skill in capturing the character and spirit of a stubborn donkey. Add this stunning print to your collection and enjoy the rich details and vibrant colors that only a canvas print can deliver. A perfect addition to any room in your home, this artwork is sure to inspire and delight.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Recalcitrant Donkey, 1798
EDITORS COMMENTS
by Julius Caesar Ibbetson captures a moment of intense struggle and aggression in the countryside. In this pen and grey ink watercolor print, we see a small group of people gathered around a young boy who is desperately trying to control a stubborn donkey. The scene is set against a backdrop of rolling hills and a vibrant blue sky. The artist skillfully portrays the tension and violence of the situation through his expressive brushstrokes. The donkey's posture is defiant, with its back raised and its front legs kicking out aggressively. The boy, barefooted and poor-looking, strains to hold onto the animal's reins while others watch on with concern. This artwork raises important social issues such as poverty and cruelty towards animals. It serves as a reminder of the hardships faced by those living in rural areas during the late eighteenth century. Ibbetson's attention to detail brings forth emotions of empathy for both the struggling boy and the recalcitrant donkey. "The Recalcitrant Donkey" is not only an exquisite example of British art on paper but also an exploration into human behavior and temperament. Through this image, Ibbetson invites us to reflect upon our own interactions with nature and how we navigate challenges in our lives. This print from Bridgeman Images allows us to appreciate Ibbetson's masterful technique while contemplating deeper themes surrounding power dynamics between humans and animals in historical contexts.
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