Canvas Print > TopFoto > 1920s
Canvas Print : King Sobhusa coming to London. The High Priest of Swaziland. His long finger nails
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King Sobhusa coming to London. The High Priest of Swaziland. His long finger nails
King Sobhusa coming to London.
The High Priest of Swaziland. His long finger nails are a testimony to his exalted position. He can make but little use of his hands or the nails would break.
3 January 1923
TopFoto independent historic photographs and images all subjects and eras
Media ID 11030456
© TopFoto.co.uk
Alone Ceremonies And Customs Costume Indigenous Single Traditional Tradition Tribe Tribal Prestige Religion Religious
20"x16" (51x41cm) Canvas Print
Experience the rich history and culture of Swaziland with our stunning Canvas Print of "King Sobhusa coming to London. The High Priest of Swaziland. His long finger nails" by Central News from TopFoto. This captivating image showcases the King in his regal attire, with his iconic long finger nails, a symbol of his exalted position and divine connection. Bring the essence of history into your home or office with our premium quality Canvas Prints, expertly printed on heavy-duty canvas and coated with a protective varnish to preserve the vibrant colors and details. Each print comes ready to hang with a sturdy backing and hardware. Order now and add a touch of world history to your space.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print captures the momentous arrival of King Sobhusa in London. As the High Priest of Swaziland, his exalted position is evident through his striking feature - long finger nails that serve as a testament to his status. These meticulously maintained nails are symbolic of his revered role within the Swazi nation. Intriguingly, the King's hands remain idle, for he dare not risk breaking these delicate extensions. This limitation highlights the sacrifices made by those who hold positions of power and prestige. Despite this constraint, King Sobhusa's presence emanates strength and dignity. The image transports us back to 3 January 1923, an era when monochrome photography was prevalent. It offers a glimpse into a time when indigenous cultures were celebrated and respected worldwide. The traditional costume worn by the King showcases the rich heritage and customs deeply rooted in African traditions. As we observe this solitary figure against a backdrop unknown to him, it sparks curiosity about his purpose in London during that period. Perhaps he embarked on this journey to forge diplomatic ties or share insights into Swazi religious practices with other nations. This photograph serves as a reminder of our interconnectedness across continents and cultures throughout history. It invites us to appreciate diversity while honoring ancient traditions that shape our world today.
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