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Photo Mug : King Sobhusa coming to London. The High Priest of Swaziland. His long finger nails
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King Sobhusa coming to London. The High Priest of Swaziland. His long finger nails
King Sobhusa coming to London.
The High Priest of Swaziland. His long finger nails are a testimony to his exalted position. He can make but little use of his hands or the nails would break.
3 January 1923
TopFoto independent historic photographs and images all subjects and eras
Media ID 11030456
© TopFoto.co.uk
Alone Ceremonies And Customs Costume Indigenous Single Traditional Tradition Tribe Tribal Prestige Religion Religious
Photo Mug
Bring a piece of history to your morning routine with our Media Storehouse Photo Mug featuring King Sobhusa, the High Priest of Swaziland. This unique mug showcases a captivating image of King Sobhusa's historic visit to London, as published by Central News from TopFoto. His long, ornate finger nails are a symbol of his exalted position and add an intriguing touch to this collectible mug. Perfect for sipping your favorite beverage and starting your day with a rich dose of history. Embrace the past, one sip at a time.
A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Mug Size is 9.6cm high x 8.1cm diameter (3.8" x 3.2")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This print captures the momentous arrival of King Sobhusa in London. As the High Priest of Swaziland, his exalted position is evident through his striking feature - long finger nails that serve as a testament to his status. These meticulously maintained nails are symbolic of his revered role within the Swazi nation. Intriguingly, the King's hands remain idle, for he dare not risk breaking these delicate extensions. This limitation highlights the sacrifices made by those who hold positions of power and prestige. Despite this constraint, King Sobhusa's presence emanates strength and dignity. The image transports us back to 3 January 1923, an era when monochrome photography was prevalent. It offers a glimpse into a time when indigenous cultures were celebrated and respected worldwide. The traditional costume worn by the King showcases the rich heritage and customs deeply rooted in African traditions. As we observe this solitary figure against a backdrop unknown to him, it sparks curiosity about his purpose in London during that period. Perhaps he embarked on this journey to forge diplomatic ties or share insights into Swazi religious practices with other nations. This photograph serves as a reminder of our interconnectedness across continents and cultures throughout history. It invites us to appreciate diversity while honoring ancient traditions that shape our world today.
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