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Greetings Card : King Sobhusa coming to London. The High Priest of Swaziland. His long finger nails
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King Sobhusa coming to London. The High Priest of Swaziland. His long finger nails
King Sobhusa coming to London.
The High Priest of Swaziland. His long finger nails are a testimony to his exalted position. He can make but little use of his hands or the nails would break.
3 January 1923
TopFoto independent historic photographs and images all subjects and eras
Media ID 11030456
© TopFoto.co.uk
Alone Ceremonies And Customs Costume Indigenous Single Traditional Tradition Tribe Tribal Prestige Religion Religious
Greetings Card (7"x5")
Experience the rich cultural heritage of Swaziland with our unique and captivating greetings card from Media Storehouse. Featuring an iconic image by Central News from TopFoto, this card showcases King Sobhusa, the High Priest of Swaziland, making his historic visit to London. His distinctive long finger nails, a symbol of his exalted position, add an intriguing element to this stunning photograph. Perfect for sending a thoughtful and personal message, this card is sure to leave a lasting impression.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 17.5cm x 12.5cm (6.9" x 4.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print captures the momentous arrival of King Sobhusa in London. As the High Priest of Swaziland, his exalted position is evident through his striking feature - long finger nails that serve as a testament to his status. These meticulously maintained nails are symbolic of his revered role within the Swazi nation. Intriguingly, the King's hands remain idle, for he dare not risk breaking these delicate extensions. This limitation highlights the sacrifices made by those who hold positions of power and prestige. Despite this constraint, King Sobhusa's presence emanates strength and dignity. The image transports us back to 3 January 1923, an era when monochrome photography was prevalent. It offers a glimpse into a time when indigenous cultures were celebrated and respected worldwide. The traditional costume worn by the King showcases the rich heritage and customs deeply rooted in African traditions. As we observe this solitary figure against a backdrop unknown to him, it sparks curiosity about his purpose in London during that period. Perhaps he embarked on this journey to forge diplomatic ties or share insights into Swazi religious practices with other nations. This photograph serves as a reminder of our interconnectedness across continents and cultures throughout history. It invites us to appreciate diversity while honoring ancient traditions that shape our world today.
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