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Cushion : Maud Jeffries and Wilson Barrett in The Sign of the Cross
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Maud Jeffries and Wilson Barrett in The Sign of the Cross
Maud Jeffries (1869-1946) as " Mercia" and Wilson Barrett (1846-1904) as " Marcus" in " The Sign of the Cross" an 1895 four-act historical tragedy, by Barrett and popular for several decades. Barrett said its Christian theme was his attempt to bridge the gap between Church and Stage. Marcus: " Is it her Faith makes her so beautiful? Or doth she beautify her faith? I would give much to know." Date: 1895
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Media ID 14415986
© Mary Evans / Grenville Collins Postcard Collection
Acting Actors Barrett Beautiful Chains Drama Faith Jeffries Kitch Marcus Maud Mercia Morality Prayer Praying Prays Shackles Theme Toga Victoriana Wilson
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Image Size (if not cropped) is 26.2cm x 40cm (10.3" x 15.7")
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures the intensity and drama of the stage production of "The Sign of the Cross" from 1895, featuring the renowned actors Maud Jeffries as Mercia and Wilson Barrett as Marcus. The four-act historical tragedy, written by Barrett, was a popular theatrical sensation for several decades and marked Barrett's attempt to bridge the gap between Church and Stage. Maud Jeffries, portraying Mercia, is shown in a poised and prayerful pose, her eyes closed in deep concentration, her hands clasped in supplication, and her toga draped elegantly around her. The image exudes a sense of piety and devotion, with the chains and shackles at her feet serving as a stark reminder of the challenges and sacrifices of her faith. Wilson Barrett, as Marcus, gazes intently at Mercia, his expression a mixture of admiration and intrigue. He ponders aloud, "Is it her Faith makes her so beautiful? Or doth she beautify her faith?" The question hangs in the air, adding to the moral complexity of the production. The scene is set in ancient Rome, and the classical setting, costumes, and themes of the play transported audiences to another time and place. The Sign of the Cross was a testament to the power of drama to explore the depths of human emotion, faith, and morality, making it a must-see theatrical event of the Victorian era.
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