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Home Decor from Mary Evans Picture Library
Kelmscott House Curtain Of Woollen Tissue
A patterned curtain of woollen tissue, designed for the drawing room at Kelmscott House, the home of English textile designer and Pre-Raphaelite craftsman, William Morris between 1878 and 1896. Date: late 1800s
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 32262438
© CLM Archive Collection / Mary Evans
1800s 1878 1896 Craftsman Curtain Designer Kelmscott Morris Patterned Pre Raphaelite Textile Tissue Woollen Designed
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This exquisite photograph showcases a patterned curtain of woollen tissue, designed for the drawing room at Kelmscott House, the former residence of the renowned English textile designer and Pre-Raphaelite craftsman, William Morris. The image transports us back to the late 1800s, a period when Morris' innovative approach to design and his commitment to reviving traditional craftsmanship were at the forefront of the arts and crafts movement. Located in Hammersmith, London, Kelmscott House served as Morris' home from 1878 until his death in 1896. The curtain, made of intricately patterned woollen tissue, is a testament to Morris' dedication to creating beautiful and functional textiles for the home. The design, with its rich colors and intricate motifs, reflects the influence of the Pre-Raphaelite movement and the Arts and Crafts ethos. Morris' design philosophy emphasized the importance of craftsmanship, authentic materials, and the harmony between art and industry. This curtain, with its handcrafted details and high-quality materials, embodies these principles. The photograph, from the Mary Evans Prints Online collection, offers a glimpse into the past, allowing us to appreciate the beauty and craftsmanship of Morris' work and the historical significance of Kelmscott House as a center of artistic innovation during the late 19th century.
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