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Election Candidate, or the Republican Goose at the Top of the Pole

Election Candidate, or the Republican Goose at the Top of the Pole


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Election Candidate, or the Republican Goose at the Top of the Pole

NCO193106 Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Richard Brinsley Sheridan (1751-1816) dressed as a harlequin; ); English, out of copyright

Media ID 22602010

© Bridgeman Images

7 Deadly Sins Anger Angry Anthropomorphic Beams Beer Bicorn Chimney Clerical Dress Climbing Club Devil Dustpan And Brush Falling Fool Furor Gleaming Hustings Jeering Naval Officer Pole Political Satire Protest Rage Rays Reformer Sailor Seven Deadly Sins Shouting Striped Trousers Tumbling Westminster Election Beaming Feeling Quassia


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EDITORS COMMENTS
The captivating print titled "Election Candidate, or the Republican Goose at the Top of the Pole" takes us back to a time when political satire was both humorous and thought-provoking. Created by James Gillray in 1807, this hand-coloured etching showcases Richard Brinsley Sheridan, dressed as a harlequin, amidst a chaotic election scene. Sheridan's attire symbolizes his role as an entertainer turned politician, highlighting the theatrical nature of politics during that era. As he climbs up the pole with a walking stick in hand, we see various elements representing different aspects of society - from urban houses to reformers and even an angry mob. The satirical imagery is rich with symbolism: a crown atop the pole represents power while wings allude to ambition. A devilish figure jeering from below adds an element of mischief and chaos to the scene. Meanwhile, politicians brandishing axes and wielding canes reflect their aggressive tactics in pursuit of victory. Amidst this uproar, one cannot help but notice Paul Goose - anthropomorphized as a sailor - beaming rays of light upon Sheridan. This whimsical touch suggests that even amid political turmoil, there are moments of joy and levity. Gillray's engraving skillfully captures not only the absurdity but also the underlying emotions associated with elections: anger, rage, and furor among those vying for power. It serves as a reminder that despite changing times and evolving political landscapes since its creation over two centuries ago; some things remain constant – our desire for representation coupled with our ability to find humor within it all.

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Related Images


A Scene at the New Theatre, Covent Garden: satire depicting a political hustings in Covent Garden, London, 1784 (engraving)
A Scene at the New Theatre, Covent Garden: satire depicting a political hustings in Covent Garden, London, 1784 (engraving)

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