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Religious man or shaman of the Algonquin town of Secota. 1859-1860 (engraving)
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Religious man or shaman of the Algonquin town of Secota. 1859-1860 (engraving)
7234183 Religious man or shaman of the Algonquin town of Secota. 1859-1860 (engraving) by Bry, Theodore de (1528-98), after White, John (d.1593); Private Collection; (add.info.: Religious man or shaman of the Algonquin town of Secota (Secotan, North Carolina). An Indian priest; hair partly shaven with roach, wearing tunic. Costumes des pretres Secotiens de l ile Virginie. Adapted from an engraving by Theodor de Bry after a portrait by John White. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after Christoph Krieger from Cesare Vecellios Costumes anciens et modernes, Habits antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.); © Florilegius
Media ID 25155340
© Florilegius / Bridgeman Images
Aborogines American Indian American Native Indians Amerindian Civilisation Cree Indians Cultural Customs And Traditions Haida Indians Indigenous Americans Indigenous Peoples Of The Americas Indigineous Mauri National Costume Native America Native Americam Native American Indian Native American Indians Native Americans Navajo Indian Shaman Shamanism America Continent Americhe Costume Design Fancy Dress Fancy Dress Costume Gents Only One Person Societies Summer Clothes
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EDITORS COMMENTS
This engraving from 1859-1860 showcases a religious man or shaman of the Algonquin town of Secota. The image, adapted from a portrait by John White and engraved by Theodore de Bry, provides a glimpse into the Native American culture and traditions of the late 16th century. The shaman depicted in this print is adorned in traditional attire, with his hair partly shaved and styled into a roach. He wears a tunic that signifies his role as an Indian priest within the Secotan community. The intricate details of his costume are beautifully captured in black and white, adding to the historical significance of this artwork. The engraving not only serves as a visual representation but also offers insights into the religious practices and beliefs prevalent among Native Americans during this time period. It highlights their deep-rooted connection to nature, spirituality, and ancestral traditions. Through this image, we are transported back in time to witness the rich cultural heritage of North America's indigenous people. It reminds us of their resilience and enduring legacy despite centuries of colonization and displacement. This engraving serves as both an artistic masterpiece and an important historical document that allows us to appreciate and honor the diverse cultures that have shaped our world today.
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