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Fine Art Print : Coat of arms 17th century Morgan and Tomkins
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Coat of arms 17th century Morgan and Tomkins
This image is from a copperplate engraving, and shows part of a roll of arms from Richard Blomes Britannia, an atlas published in 1673. It features the coats of arms of people who contributed towards the completion of the work a starting with King Charles II. Each page includes 35 coats of arms, presented here in pairs. These two coats of arms are from folio (page) 23 of the work. In old English, ans appeared as a longs (which looks like an f ), while ss appeared as fs. Com was an abbreviation for County. A number is assigned to each benefactor. Here are the accompanying texts (followed by modernised English where appropriate): 748. William MORGAN of Newton in Brecknockfhire Efq (Brecknockshire / Breconshire, Wales). 749. Vuedale TOMKYNS of Monnington Upon Wye Com Hereford (Uvedale Tomkins of Monnington-on-Wye)
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Whiteway
Media ID 15387395
© Whiteway
Acknowledgement Armorial British Culture Coat Of Arms Copperplate Decoration Family Family Tree Friendship Heraldic Image Created 17th Century Kitty1 Ornate Paper Publication Roll Of Arms Sign Symbol Traditional Culture Tomkins
21"x14" (+3" Border) Fine Art Print
Step back in time with our exquisite 17th century Coat of Arms print from the Media Storehouse Fine Art collection. This stunning reproduction, taken from the copperplate engraving found in Richard Blomes Britannia atlas published in 1673, showcases the intricate and ornate design of the Morgan and Tomkins Coat of Arms. Add an air of history and sophistication to any room with this beautiful fine art print, a timeless addition to your decor.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 53.3cm x 30.3cm (21" x 11.9")
Estimated Product Size is 68.6cm x 50.8cm (27" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a 17th-century copperplate engraving of the Coat of Arms belonging to Morgan and Tomkins. The image is taken from Richard Blome's Britannia, an esteemed atlas published in 1673. Within this remarkable work, each page features pairs of coats of arms representing individuals who contributed to its completion, beginning with King Charles II. The two coats of arms depicted here can be found on folio (page) 23. It is important to note that during this era, the old English style used "ans" as a longs (resembling an f), while "ss" was represented by fs. Additionally, "com" served as an abbreviation for County. Accompanying these intricate illustrations are texts providing information about the benefactors assigned numbers within the atlas. William MORGAN hails from Newton in Brecknockshire, Wales (modernized as Breconshire). He holds the title Efq (Esquire). Vuedale TOMKYNS represents Monnington Upon Wye in Hereford County and is acknowledged as Uvedale Tomkins of Monnington-on-Wye. This antique engraved image not only serves as a visual delight but also offers insights into historical connections and friendships among influential families during that time period. With its ornate design and rich symbolism, this print beautifully captures British culture and traditional values associated with family heritage and decoration. Overall, Whiteway's print presents us with a fascinating glimpse into heraldic history through its portrayal of armorial acknowledgements within Blome's roll of arms from the late 17th century.
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