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Fine Art Print : The Great Khan at Damascus, 1841. Artist: W Kelsall

The Great Khan at Damascus, 1841. Artist: W Kelsall



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The Great Khan at Damascus, 1841. Artist: W Kelsall

The Great Khan at Damascus, 1841. Illustration from Syria, the Holy land and Asia Minor, Volume I, by John Carne, series of views drawn from nature by W H Bartlett, William Purser, and Thomas Allom, (Fisher, Son & Co, London, 1841-1842)

Heritage Images features heritage image collections

Media ID 14942197

© The Print Collector / Heritage-Images

Anatolia Asia Minor Bartlett Carne Damascus Holy Land John Carne Khan Syria Syrian The Holy Land And Asia Minor W H Bartlett Wh Bartlett William Henry William Henry Bartlett Print Collector7


20"x16" (+3" Border) Fine Art Print

Step into the past with our exquisite Fine Art Print of 'The Great Khan at Damascus, 1841' by W Kelsall. This captivating illustration is taken from the highly regarded series 'Syria, the Holy Land and Asia Minor' by John Carne. The image, drawn from nature by skilled artists William Henry Bartlett, William Purser, and Thomas Allom, showcases The Great Khan in Damascus, a powerful and intriguing figure of history. Transport yourself to another era with this stunning and authentic work of art, now available as a Fine Art Print from Media Storehouse.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Related Images

> Arts > Artists > A > Thomas Allom

> Arts > Artists > B > William Henry Bartlett

> Arts > Artists > F > William Fisher

> Arts > Artists > H > Thomas Henry

> Arts > Artists > P > William Purser

> Arts > Artists > Related Images

> Arts > Artists > S > Syrian Syrian

> Arts > Artists > W > John White

> Arts > Artists > W > William White


EDITORS COMMENTS
This print titled "The Great Khan at Damascus, 1841" takes us back to the enchanting landscapes of Asia Minor in the 19th century. The artist, W Kelsall, masterfully captures a moment in time when the bustling city of Damascus was graced by the presence of an illustrious figure known as The Great Khan. In this intricate engraving, we witness an impressive architectural marvel that serves as a backdrop for this historic encounter. The grandeur of the building reflects both the rich history and cultural significance of Syria's holy land. As we delve into every detail within this monochrome masterpiece, it becomes evident that Kelsall's attention to intricacy is unparalleled. Amidst this majestic setting stands The Great Khan himself – a powerful male figure who exudes authority and charisma. His presence commands respect from those around him, as evidenced by other men who surround him in awe. This image not only transports us to another era but also offers a glimpse into Middle Eastern society during that time. "The Great Khan at Damascus" is part of a larger publication called "Syria, the Holy land and Asia Minor" which sought to document various views drawn from nature by renowned artists such as William Henry Bartlett and Thomas Allom. Through their collective efforts, they aimed to capture the essence of these lands with utmost precision. As we admire this remarkable print created by W Kelsall under John Carne's guidance, we are reminded once again of how

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