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Framed Print : The Great Khan at Damascus, 1841. Artist: W Kelsall

The Great Khan at Damascus, 1841. Artist: W Kelsall



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The Great Khan at Damascus, 1841. Artist: W Kelsall

The Great Khan at Damascus, 1841. Illustration from Syria, the Holy land and Asia Minor, Volume I, by John Carne, series of views drawn from nature by W H Bartlett, William Purser, and Thomas Allom, (Fisher, Son & Co, London, 1841-1842)

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Media ID 14942197

© The Print Collector / Heritage-Images

Anatolia Asia Minor Bartlett Carne Damascus Holy Land John Carne Khan Syria Syrian The Holy Land And Asia Minor W H Bartlett Wh Bartlett William Henry William Henry Bartlett Print Collector7


21.5"x17.5" (55x44cm) Premium Frame

Step back in time with our exquisite framed print of "The Great Khan at Damascus, 1841" by W Kelsall. Originally published in John Carne's "Syria, the Holy Land and Asia Minor," this captivating illustration showcases the legendary Khan at Damascus, brought to life by the skilled hand of W Kelsall and the meticulous detail of William Henry Bartlett. Add an air of history and culture to any room with this beautifully preserved piece of art, expertly framed to preserve its timeless beauty.

Framed and mounted 17x12 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 21.5x17.5 inches (546x444mm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 41.8cm x 41.8cm (16.5" x 16.5")

Estimated Product Size is 54.6cm x 44.4cm (21.5" x 17.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Related Images

> Arts > Artists > A > Thomas Allom

> Arts > Artists > B > William Henry Bartlett

> Arts > Artists > F > William Fisher

> Arts > Artists > H > Thomas Henry

> Arts > Artists > P > William Purser

> Arts > Artists > Related Images

> Arts > Artists > S > Syrian Syrian

> Arts > Artists > W > John White

> Arts > Artists > W > William White


EDITORS COMMENTS
This print titled "The Great Khan at Damascus, 1841" takes us back to the enchanting landscapes of Asia Minor in the 19th century. The artist, W Kelsall, masterfully captures a moment in time when the bustling city of Damascus was graced by the presence of an illustrious figure known as The Great Khan. In this intricate engraving, we witness an impressive architectural marvel that serves as a backdrop for this historic encounter. The grandeur of the building reflects both the rich history and cultural significance of Syria's holy land. As we delve into every detail within this monochrome masterpiece, it becomes evident that Kelsall's attention to intricacy is unparalleled. Amidst this majestic setting stands The Great Khan himself – a powerful male figure who exudes authority and charisma. His presence commands respect from those around him, as evidenced by other men who surround him in awe. This image not only transports us to another era but also offers a glimpse into Middle Eastern society during that time. "The Great Khan at Damascus" is part of a larger publication called "Syria, the Holy land and Asia Minor" which sought to document various views drawn from nature by renowned artists such as William Henry Bartlett and Thomas Allom. Through their collective efforts, they aimed to capture the essence of these lands with utmost precision. As we admire this remarkable print created by W Kelsall under John Carne's guidance, we are reminded once again of how

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