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Greetings Card : The Great Khan at Damascus, 1841. Artist: W Kelsall
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The Great Khan at Damascus, 1841. Artist: W Kelsall
The Great Khan at Damascus, 1841. Illustration from Syria, the Holy land and Asia Minor, Volume I, by John Carne, series of views drawn from nature by W H Bartlett, William Purser, and Thomas Allom, (Fisher, Son & Co, London, 1841-1842)
Heritage Images features heritage image collections
Media ID 14942197
© The Print Collector / Heritage-Images
Anatolia Asia Minor Bartlett Carne Damascus Holy Land John Carne Khan Syria Syrian The Holy Land And Asia Minor W H Bartlett Wh Bartlett William Henry William Henry Bartlett Print Collector7
Greetings Card (7"x5")
Step back in time with our exquisite greeting cards from Media Storehouse, featuring the captivating illustration of The Great Khan at Damascus, 1841. This stunning artwork, created by W Kelsall and originally published in "Syria, the Holy Land and Asia Minor" by John Carne, showcases the grandeur and mystery of The Great Khan in his encounter with Damascus. Bring history to life with this unique and intriguing greeting card, perfect for any history enthusiast or as a thoughtful and distinctive gift.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 12.5cm x 17.5cm (4.9" x 6.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "The Great Khan at Damascus, 1841" takes us back to the enchanting landscapes of Asia Minor in the 19th century. The artist, W Kelsall, masterfully captures a moment in time when the bustling city of Damascus was graced by the presence of an illustrious figure known as The Great Khan. In this intricate engraving, we witness an impressive architectural marvel that serves as a backdrop for this historic encounter. The grandeur of the building reflects both the rich history and cultural significance of Syria's holy land. As we delve into every detail within this monochrome masterpiece, it becomes evident that Kelsall's attention to intricacy is unparalleled. Amidst this majestic setting stands The Great Khan himself – a powerful male figure who exudes authority and charisma. His presence commands respect from those around him, as evidenced by other men who surround him in awe. This image not only transports us to another era but also offers a glimpse into Middle Eastern society during that time. "The Great Khan at Damascus" is part of a larger publication called "Syria, the Holy land and Asia Minor" which sought to document various views drawn from nature by renowned artists such as William Henry Bartlett and Thomas Allom. Through their collective efforts, they aimed to capture the essence of these lands with utmost precision. As we admire this remarkable print created by W Kelsall under John Carne's guidance, we are reminded once again of how
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