Fine Art Print : Assyrian Art. Reliefs from Sargon IIs Palace. Civil servan
Fine Art Prints from Mary Evans Picture Library
Assyrian Art. Reliefs from Sargon IIs Palace. Civil servan
Assyrian Art. Lamasu or Bull-man. Reliefs from Sargon IIs Palace. Functionary. Dur-Sharrukin (Khorsabad). Assyria, 721-705 BC. Alabaster. 8th century BC. Louvre Museum. Paris. France
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Media ID 14317841
© Thaliastock / Mary Evans
Archeology Assyria Assyrian Assyrians Christ Civilitation Creature Fortress Genius Having Khorsabad Mesopotamia Mesopotamian Mythology Near Sargon Viii Viiith Winged Wings Easterm Lamassu
21"x14" (+3" Border) Fine Art Print
Discover the captivating world of Assyrian art with our exquisite range of Fine Art Prints from Media Storehouse. This collection showcases the intricate reliefs from Sargon II's Palace, including this mesmerizing image of a Functionary serving before the mighty Lamasu or Bull-man. Hailing from Dur-Sharrukin (Khorsabad) in Assyria around 721-705 BC, this masterpiece is crafted from alabaster and now resides in the esteemed Louvre Museum in Paris, France. Bring the ancient grandeur of Assyrian civilization into your home or office with our high-quality, rights-managed prints from Mary Evans Prints Online.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 35.5cm x 53.3cm (14" x 21")
Estimated Product Size is 50.8cm x 68.6cm (20" x 27")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases a relief from Sargon II's Palace, showcasing the ancient Assyrian civilization's distinctive art. Dated back to the 8th century BC in Dur-Sharrukin, now known as Khorsabad in modern-day Iraq, this alabaster carving is a testament to the rich artistic heritage of Assyria. The central figure in this relief is a civil servant or functionary, depicted with an air of authority and dignity. Flanking him are two powerful and mythical creatures, known as Lamasu or Bull-men, also referred to as Shedu or winged geniuses. These creatures were believed to protect against evil and bring good fortune in Assyrian mythology. Lamasu is depicted as a bull-man with the head of a god, having wings on its back. The intricate details of the wings, the muscular body of the bull, and the human face all convey a sense of strength and power. The relief's intricate details, such as the textured skin and the delicate folds of the clothing, demonstrate the exceptional craftsmanship of the Assyrian artists. This relief is now housed in the Louvre Museum in Paris, France, a testament to the enduring legacy of Assyrian art and civilization. The relief's intricate details and historical significance make it a must-see for anyone interested in ancient history, Mesopotamian art, or Assyrian mythology. The relief's intricate details and historical significance make it a must-see for anyone interested in ancient history, Mesopotamian art, or Assyrian mythology. The 8th, 7th, and 6th centuries BC were a golden age for Assyrian art, with numerous palaces and temples adorned with intricate reliefs, showcasing the civilization's unique artistic style and mythology. This relief is a reminder of the rich cultural heritage of the Assyrian civilization and the enduring influence of its art on world history.
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