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Framed Print : Assyrian Art. Reliefs from Sargon IIs Palace. Civil servan

Assyrian Art. Reliefs from Sargon IIs Palace. Civil servan



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Assyrian Art. Reliefs from Sargon IIs Palace. Civil servan

Assyrian Art. Lamasu or Bull-man. Reliefs from Sargon IIs Palace. Functionary. Dur-Sharrukin (Khorsabad). Assyria, 721-705 BC. Alabaster. 8th century BC. Louvre Museum. Paris. France

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Media ID 14317841

© Thaliastock / Mary Evans

Archeology Assyria Assyrian Assyrians Christ Civilitation Creature Fortress Genius Having Khorsabad Mesopotamia Mesopotamian Mythology Near Sargon Viii Viiith Winged Wings Easterm Lamassu


A2 Premium Frame with A3 Poster

Discover the rich history and intricate beauty of Assyrian art with our Framed Prints from Media Storehouse. This exquisite piece showcases a relief from Sargon II's Palace, featuring a functionary in attendance before the mighty Lamasu or Bull-man figure. Originating from Dur-Sharrukin (Khorsabad), Assyria, around 721-705 BC, this alabaster relief is now housed in the Louvre Museum in Paris, France. Bring the grandeur of ancient civilizations into your home or office with our high-quality framed prints, enhancing any decor while adding a touch of history and culture to your space.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases a relief from Sargon II's Palace, showcasing the ancient Assyrian civilization's distinctive art. Dated back to the 8th century BC in Dur-Sharrukin, now known as Khorsabad in modern-day Iraq, this alabaster carving is a testament to the rich artistic heritage of Assyria. The central figure in this relief is a civil servant or functionary, depicted with an air of authority and dignity. Flanking him are two powerful and mythical creatures, known as Lamasu or Bull-men, also referred to as Shedu or winged geniuses. These creatures were believed to protect against evil and bring good fortune in Assyrian mythology. Lamasu is depicted as a bull-man with the head of a god, having wings on its back. The intricate details of the wings, the muscular body of the bull, and the human face all convey a sense of strength and power. The relief's intricate details, such as the textured skin and the delicate folds of the clothing, demonstrate the exceptional craftsmanship of the Assyrian artists. This relief is now housed in the Louvre Museum in Paris, France, a testament to the enduring legacy of Assyrian art and civilization. The relief's intricate details and historical significance make it a must-see for anyone interested in ancient history, Mesopotamian art, or Assyrian mythology. The relief's intricate details and historical significance make it a must-see for anyone interested in ancient history, Mesopotamian art, or Assyrian mythology. The 8th, 7th, and 6th centuries BC were a golden age for Assyrian art, with numerous palaces and temples adorned with intricate reliefs, showcasing the civilization's unique artistic style and mythology. This relief is a reminder of the rich cultural heritage of the Assyrian civilization and the enduring influence of its art on world history.

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