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Fine Art Print : Cartoon, Up In A Balloon (Disraeli and Britannia)

Cartoon, Up In A Balloon (Disraeli and Britannia)



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Cartoon, Up In A Balloon (Disraeli and Britannia)

Cartoon, Up In A Balloon -- a satirical comment on Benjamin Disraelis Conservative government. He is depicted with Britannia in a balloon representing Conservative Policy, with the ominous word Destruction written in the sky below them, and predatory birds representing other politicians flying around them. Date: 1874

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23361628

© Mary Evans Picture Library

1874 Analogy Benjamin Britannia Comment Conservative Disraeli Dizzy Metaphor Parliament Parliamentary Ridicule Satire Satirical Tory


20"x16" (+3" Border) Fine Art Print

Introducing the captivating Cartoon, Up In A Balloon by Rights Managed from Mary Evans Prints Online, part of our Media Storehouse Fine Art Prints collection. This satirical cartoon, created in the late 19th century, offers a witty commentary on the Conservative government led by Benjamin Disraeli. The iconic image of Disraeli and Britannia ascending in a balloon symbolizes the lofty Conservative policies of the time. Add a touch of historical humor and artistic flair to your space with this intriguing piece of political satire, expertly printed on high-quality archival paper for lasting beauty and vibrancy.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Politics > Benjamin Disraeli

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images

> People > Politicians

> Popular Themes > Politics

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
Up in a Balloon: A Satirical Comment on Benjamin Disraeli's Conservative Government (Cartoon, Up In A Balloon, 1874) This intriguing political cartoon, created in 1874, offers a satirical commentary on the Conservative government led by Benjamin Disraeli. The image features Disraeli and Britannia, the symbol of Britain, ascending in a balloon, representing the Conservative policy. The ominous word "Destruction" written in the sky below them foreshadows the potential consequences of this government's actions. Disraeli, depicted as a portly, somewhat dizzy-looking figure, clings to Britannia, who appears stern and unamused. The predatory birds flying around them represent other politicians, eager to take advantage of the situation. This analogy and metaphorical use of a balloon to symbolize government policy was a common satirical device during the Victorian era. The cartoon's creator intended to ridicule Disraeli and his government, highlighting the potential dangers and instability of their policies. The use of a female figure as Britannia adds an interesting layer to the commentary, as women were not typically involved in politics during this time. The comic and humorous nature of the cartoon belies its sharp political critique, making it a fascinating glimpse into the political climate of the 1870s. This cartoon is an excellent example of the satirical commentary that was common during the Victorian era, offering insight into the political landscape and the role of humor in public discourse. Its enduring appeal lies in its timeless commentary on the complexities and challenges of governance, as well as the human tendency to use satire and humor to engage with important issues.

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