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Framed Print : Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovid

Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovid



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Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovid

STC415814 Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P. Ovidii Nasonis Metamorphoseon Libri XV cum Appositis Italico Carmine* Interpretationibus ac Notis, 5 Vols (Florence, 1824, repr. 1832); Book I; Daphne, daughter of the river-god Peneus, Daphne is a wood nymph who wishes to live chaste, like Diana. When she flees the love of Apollo, she prays to her father to save her and he transforms her into a Laurel tree.
); The Stapleton Collection; Italian, out of copyright

Media ID 23475638

© The Stapleton Collection / Bridgeman Images

Apollo Book I Daphne Greek Myth Laurel Lyre Metamorphosis Mythologyical Ovid


A2 Premium Frame with A3 Poster

Transform your space with the enchanting beauty of our Media Storehouse Framed Prints featuring Daphne in Apollo's Incoronasi de Lauro illustration. This captivating artwork, inspired by Ovid's Metamorphoses, showcases the iconic moment when Apollo crowns Daphne with laurel leaves as she metamorphoses into a tree to escape his advances. The intricate details and vibrant colors of this hand-coloured engraving by Ademollo, from the Florence edition of 1832, come alive in our premium framed prints. Elevate your home or office décor with this timeless piece of art that tells a classic mythological tale.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Luigi Ademollo

> Fine Art Finder > Mythological

> Arts > Artists > A > Luigi Ademollo

> Arts > Artists > R > Roman Roman

> Europe > Greece > Posters

> Europe > Greece > Related Images

> Europe > Greece > Rivers

> Europe > Italy > Florence

> Europe > Italy > Rivers

> Europe > Italy > Tuscany > Florence

> Historic > Ancient civilizations > Ancient Greece > Greek history

> Historic > Ancient civilizations > Ancient Greece > Greek mythology


EDITORS COMMENTS
Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection. This print captures the mythical transformation of Daphne into a laurel tree as depicted in Ovid's Metamorphoses. The intricate hand-colored engraving by Luigi Ademollo brings to life the enchanting tale of Daphne, daughter of the river-god Peneus. In this scene, we witness Daphne fleeing from the relentless pursuit of Apollo who has fallen deeply in love with her. Desperate for escape and determined to preserve her chastity like Diana, she calls upon her father for salvation. As her plea reaches his ears, he grants her wish but not without consequence - transforming her into a graceful laurel tree. The artist skillfully portrays this metamorphosis with delicate details and vibrant colors that enhance the ethereal quality of the scene. The viewer is drawn into the moment as Daphne's body merges seamlessly with branches and leaves while Apollo watches helplessly nearby. This print serves as a testament to both Ovid's enduring storytelling and Ademollo's artistic prowess. It invites us to contemplate themes of sacrifice, nature's power over mortals' desires, and the eternal beauty found within mythology. A true masterpiece from Florence in 1832 now preserved in private collection; it continues

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