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Framed Print : Coat of arms 17th century Russell and Foulis

Coat of arms 17th century Russell and Foulis



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Coat of arms 17th century Russell and Foulis

This image is from a copperplate engraving, and shows part of a roll of arms from Richard Blomes Britannia, an atlas published in 1673. It features the coats of arms of people who contributed towards the completion of the work a starting with King Charles II. Each page includes 35 coats of arms, presented here in pairs. These two coats of arms are from folio (page) 9 of the work. In old English, ans appeared as a longs (which looks like an f ), while ss appeared as fs. Com was an abbreviation for County. A number is assigned to each benefactor. Here are the accompanying texts (followed by modernised English where appropriate): 278. Will: RUSSELL Second fon to ye Rt. Hon ble Will E. of Bedford of Now Southampton Buildings in Middlefex (William Russell second son of William Earl of Bedford). 279. Sr. David FOULIS of Ingleby manour in Cleeveland in ye North riding of yorkfhire Bart. (Sir David Foulis of Ingleby Manor)

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Whiteway

Media ID 15387393

© Whiteway

Acknowledgement Armorial Aspirations British Culture Coat Of Arms Copperplate Decoration Family Family Tree Friendship Heraldic Image Created 17th Century Kitty1 Ornate Paper Publication Roll Of Arms Russell Sign Symbol Traditional Culture


A1 Premium Frame with A2 Poster

Step back in time with our exquisite Framed Print of the 17th century Russell and Foulis Coat of Arms by Whiteway, available at Media Storehouse. This stunning piece is derived from a copperplate engraving taken from Richard Blomes' Britannia, an atlas published in 1673. The intricate details of the coat of arms are beautifully preserved, transporting you back to an era of grandeur and history. Add a touch of timeless elegance to your home or office with this unique and captivating work of art.

Premium Paradise Wooden Range A1 Premium Poster Frame (86x62cm) with A2 Poster (59x42cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 57.8cm x 57.8cm (22.8" x 22.8")

Estimated Product Size is 86.6cm x 62cm (34.1" x 24.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Storehouse > History > Coats of Arms and Heraldic Badges > Coat Of Arms Engravings 17th Century

> Fine Art Storehouse > History > Coats of Arms and Heraldic Badges

> Arts > Artists > C > King Charles

> Arts > Artists > C > William Charles

> Arts > Artists > P > William Page

> Arts > Artists > R > Charles Russell

> Europe > United Kingdom > England > Ely

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Posters

> Europe > United Kingdom > England > Related Images

> Europe > United Kingdom > England > Southampton


EDITORS COMMENTS
This print showcases a stunning piece of history, an intricately engraved copperplate image depicting the coat of arms from the 17th century. Taken from Richard Blomes Britannia atlas published in 1673, this particular page features the coats of arms of individuals who contributed to the completion of this remarkable work, starting with King Charles II. The image displays two coats of arms side by side, each representing a different benefactor. The first coat belongs to William Russell, the second son of William Earl of Bedford. Located in Middlesex at Now Southampton Buildings, his contribution is acknowledged with great honor and respect. The second coat represents Sir David Foulis from Ingleby Manor in Cleeveland within North Riding Yorkshire. As we delve into these ancient texts and symbols, it becomes apparent that every detail holds immense significance. This antique print not only serves as a visual delight but also offers us a glimpse into British culture and traditional values during that era. It symbolizes aspirations, friendship, family heritage, and acknowledges those who played their part in creating something extraordinary like Blome's Britannia. With its ornate design and meticulous craftsmanship captured through copperplate engraving techniques, this illustration transports us back to a time when such art forms were highly valued and appreciated. A true testament to England's rich history and cultural heritage preserved on paper for generations to come.

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