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Framed Print : Cartoon, Bank Notes, Paper Money, French Alarmists

Cartoon, Bank Notes, Paper Money, French Alarmists



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Cartoon, Bank Notes, Paper Money, French Alarmists

Cartoon, Bank Notes, Paper Money, French Alarmists, o the Devil, the Devil! ah! poor John Bull!!! by James Gillray. Showing the Prime Minister, William Pitt, offering paper money (rather than gold coins, which are stashed under the counter) to John Bull. On either side of Bull are opposition politicians Richard Sheridan and Charles James Fox, advising him to insist on gold rather than paper. Date: 1797

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14230227

© The Sharp Illustration Collection / Mary Evans Picture Library

1790s 1797 Advice Advising Bank Bull Bumpkin Cash Coins Comment Counter Criticism Deception Devil Finance Financial Gillray Harsh Innocent Minister Money Naive Notes Offering Opposition Pitt Politicians Poor Prime Satire Satirical Sheridan


A2 Premium Frame with A3 Poster

Introducing the captivating and historically significant "Cartoon, Bank Notes, Paper Money, French Alarmists" framed print from our Media Storehouse collection. This exquisite piece, sourced from Mary Evans Prints Online, is an enchanting work by renowned English satirical artist James Gillray. The cartoon, titled "o the Devil, the Devil! ah! poor John Bull!!!" depicts a worried and alarmed John Bull, the symbol of England, as he faces off against a devilish figure, representing the French threat. The intricate details of the prime minister, William Pitt, and the various bank notes and paper money add depth and intrigue to this fascinating historical artifact. Add this masterpiece to your collection and bring a touch of history and charm to your home or office.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This satirical print by James Gillray, titled 'Cartoon, Bank Notes, Paper Money, French Alarmists, or, the Devil, the Devil! ah! poor John Bull!!!!' dates back to 1797, during the tumultuous 1790s in British politics. The image depicts a worried-looking John Bull, the symbol of the common man in England, being offered paper money by the Prime Minister, William Pitt, instead of gold coins. Pitt's actions are contrasted with the gold coins hidden under the counter, highlighting the deception and potential financial instability of relying on paper currency. On either side of John Bull, opposition politicians Richard Sheridan and Charles James Fox are shown advising him to demand gold instead. The image is a harsh criticism of Pitt's financial policies, particularly during a time when France was experiencing hyperinflation and Britain was facing its own economic challenges. The cartoon's title, 'French Alarmists,' suggests a connection to the ongoing tensions between Britain and France, as well as the fear of French-style financial instability spreading to Britain. The image of the devil lurking in the background adds a sinister element, emphasizing the potential consequences of accepting paper money over gold. Overall, this print is a powerful commentary on the political and financial climate of the time, using satire and visual imagery to convey complex ideas and criticisms. It is a valuable historical artifact that sheds light on the public discourse and concerns of the late 18th century.

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