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Framed Print : King George I of England boarding the royal coach

King George I of England boarding the royal coach



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King George I of England boarding the royal coach

King George I of England boarding the royal coach to Osnabruck on the night of his death, 22 June 1727. King Gorge the First in crown, wig and ermine robes, with orb and sceptre, wearing sandals. Six servants in livery hang on to the rear of the carriage. Georgey Porgey the First going out for a ride in his state coachy poachy. Handcoloured steel engraving after an illustration by John Leech from Gilbert Abbott A Becketts Comic History of England, Bradbury, Agnew & Co. London, 1880

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23388434

© Florilegius

Boarding Bunting Coach Comical Gentleman Humor Jack Leech Plain Rejected Rejection Ride Rider Ringlets Surtees Smith


A2 Premium Frame with A3 Poster

Add a touch of historical elegance to your home or office with our beautiful framed print of King George I of England, as depicted in this iconic image from Mary Evans Picture Library. This exquisite print shows the monarch in regal attire, boarding the royal coach on the fateful night of his death in 1727. With intricate details that bring the past to life, this framed print is a must-have for history enthusiasts and art collectors alike. Each print is carefully framed in a stylish and contemporary design, ensuring a timeless and sophisticated addition to any space.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Plains Mouse

> Arts > Artists > G > John Gilbert

> Arts > Artists > J > John June

> Arts > Artists > L > John Leech

> Arts > Artists > S > George Smith

> Arts > Artists > S > Mary Smith

> Arts > Artists > S > Robert Smith

> Europe > United Kingdom > England > London > Royalty

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
King George I of England, the first Hanoverian monarch of Britain, is depicted in this handcoloured steel engraving as he prepares to embark on a fateful journey in his royal coach on the night of his death, 22 June 1727. The elderly monarch, dressed in his ermine robes, crown, and wig, holds the orb and sceptre as six liveried servants hang on to the rear of the carriage for support. The horse, an old nag, appears unenthusiastic about the journey. The scene is reminiscent of the English gentleman taking a leisurely ride, but the mood is tinged with a sense of rejection and finality. The illustration is taken from "A Comic History of England" by Gilbert Abbott A Beckett, published by Bradbury, Agnew & Co. in London in 1880. It was produced by the renowned illustrator John Leech, with assistance from Robert Smith, Surtees, Plain, and Ringlets. The Victorian era caricature, with its comical and humorous elements, offers a unique perspective on the historical event. The image captures the essence of the old king's regal attire and the grandeur of the royal coach, while also highlighting the human element of the scene with the horse's apparent reluctance to move. The bunting and other decorative elements add to the festive atmosphere, creating a visual contrast to the underlying sense of finality. Overall, this engraving provides a fascinating glimpse into the past, offering a humorous and engaging interpretation of a significant historical moment.

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