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Photographic Print : King George I of England boarding the royal coach

King George I of England boarding the royal coach



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King George I of England boarding the royal coach

King George I of England boarding the royal coach to Osnabruck on the night of his death, 22 June 1727. King Gorge the First in crown, wig and ermine robes, with orb and sceptre, wearing sandals. Six servants in livery hang on to the rear of the carriage. Georgey Porgey the First going out for a ride in his state coachy poachy. Handcoloured steel engraving after an illustration by John Leech from Gilbert Abbott A Becketts Comic History of England, Bradbury, Agnew & Co. London, 1880

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23388434

© Florilegius

Boarding Bunting Coach Comical Gentleman Humor Jack Leech Plain Rejected Rejection Ride Rider Ringlets Surtees Smith


15"x10" (37.5x25cm) Poster

Experience history come to life with our exquisite photographic print from the Media Storehouse collection, featuring the iconic image of King George I of England by Mary Evans Picture Library. Witness the moment of royal tradition as King George, adorned in his regal attire including crown, wig, ermine robes, orb, and sceptre, prepares to board his coach on the fateful night of his death in 1727. This stunning print, sourced from Mary Evans Prints Online, is a must-have for history enthusiasts and art collectors alike. Bring a piece of historical significance into your home or office with this beautiful and authentic photographic print.

High-quality poster prints are available in a range of sizes and are printed on 270 gsm semi-glossy silk finish poster paper. An affordable option for decorating any space, they are perfect for fixing straight onto walls. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 37.5cm x 25cm (14.8" x 9.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Animals > Mammals > Muridae > Plains Mouse

> Arts > Artists > G > John Gilbert

> Arts > Artists > J > John June

> Arts > Artists > L > John Leech

> Arts > Artists > S > George Smith

> Arts > Artists > S > Mary Smith

> Arts > Artists > S > Robert Smith

> Europe > United Kingdom > England > London > Royalty


EDITORS COMMENTS
King George I of England, the first Hanoverian monarch of Britain, is depicted in this handcoloured steel engraving as he prepares to embark on a fateful journey in his royal coach on the night of his death, 22 June 1727. The elderly monarch, dressed in his ermine robes, crown, and wig, holds the orb and sceptre as six liveried servants hang on to the rear of the carriage for support. The horse, an old nag, appears unenthusiastic about the journey. The scene is reminiscent of the English gentleman taking a leisurely ride, but the mood is tinged with a sense of rejection and finality. The illustration is taken from "A Comic History of England" by Gilbert Abbott A Beckett, published by Bradbury, Agnew & Co. in London in 1880. It was produced by the renowned illustrator John Leech, with assistance from Robert Smith, Surtees, Plain, and Ringlets. The Victorian era caricature, with its comical and humorous elements, offers a unique perspective on the historical event. The image captures the essence of the old king's regal attire and the grandeur of the royal coach, while also highlighting the human element of the scene with the horse's apparent reluctance to move. The bunting and other decorative elements add to the festive atmosphere, creating a visual contrast to the underlying sense of finality. Overall, this engraving provides a fascinating glimpse into the past, offering a humorous and engaging interpretation of a significant historical moment.

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