Constable Collection (page 2)

The Tulip and the Butterfly Appear in gayer Coats than I, 1832, (1947). Creator: Unknown
The Tulip and the Butterfly Appear in gayer Coats than I, 1832, (1947). Two children, one reading and the other wearing a sheer dress. Illustration to a hymn tilted Against Pride In Clothes

NFU Farmwatch, Lostwithiel, Cornwall. March 1991
Lostwithiel Community PC Martin Bennett helps Bill Clarke of Grey Mare Farm fix signs to his farm buildings at the launch of the Farmwatch scheme

Chapel of the Constable of the Cathedral of Burgos

Wivenhoe Park, Essex, 1816. Artist: John Constable
Wivenhoe Park, Essex, 1816. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Ceiling of Constable chapel, Cathedral of Saint Mary of Burgos, Burgos, Castile and Leon, Spain

United Kingdom, England, Suffolk. View of Willy LotA¢€™s house and the River Stour at Flatford - made famous by John ConstableA¢€™s paintings, including the Haywain and Flatford Mill

Victorian Policeman Date: circa 1900s

Constable's Mill, Flatford, Suffolk - Painted by William Carruthers Affleck for the Sevenoaks based publishing and printing company J

Comic Postcard - Oxford - A Run with the Man-pursuing Hounds
A Run with the ανθρϖπο θηρϖμενοι Hounds has sketches of the proctors and bulldogs (Oxford University constables)

WW2 Home Front Special Constable
A portrait illustration of a British Special Constable of the Home Front during WW2, looking over his shoulder. Date: circa 1941

Still Life, They also serve who only stand and wait, WW1
Still Life, They also serve who only stand and wait - George Robinson, Special Constable. Date: circa 1916

Constable Close, Hampstead Garden Suburb
A pair of architectural drawings showing the garden and entrance front of a house at Constable Close, Hampstead Garden Suburb

Frank Swift serving as special constable, WW2
Frank Swift, Manchester City goalkeeper, serving as a Special Constable during the Second World War - he later joined the RAF Date: circa 1940s

Henty & Constable's XXX Ale

Flatford Mill, Flatford, Suffolk by W. Carruthers Affleck

Willy Lott's cottage Flatford Suffolk Landscape
Willy, Lott's, cottage, Flatford, Suffolk, Landscape, scene, England, John, Constable, Watercolour, painting, William, Carruthers, Affleck, 12023260

Flatford Mill (John Constable) by Terry Whitworth

Installation of Sir W M Gomm, GCB; GCSI, as Constable of the Tower, inspecting the Beefeaters (engraving)
1058195 Installation of Sir W M Gomm, GCB; GCSI, as Constable of the Tower, inspecting the Beefeaters (engraving) by Durand

David Dewar, c. 1909 (oil on canvas)
6198981 David Dewar, c.1909 (oil on canvas) by Mitchell, Charles Louis (1860-1918); 152.4x96.5 cm; The McManus, Dundee, UK; (add.info.: David Dewar (1836-1920)

Installation of Sir Richard Dacres, GCB, as Constable of the Tower of London (engraving)
1054497 Installation of Sir Richard Dacres, GCB, as Constable of the Tower of London (engraving) by Durand, Godefroy (1832-1896); Private Collection; (add.info.: Installation of Sir Richard Dacres)

Mexican Gendarmes asking the Way, 1890 (pen and brush and black ink on paper laid
650904 Mexican Gendarmes asking the Way, 1890 (pen and brush and black ink on paper laid on board) by Remington, Frederic (1861-1909); 35.6x59.6 cm; Private Collection; (add.info)

The Arrest, 1882 (oil on canvas)
658553 The Arrest, 1882 (oil on canvas) by Lambeaux, Jules (1858-90); 39x50 cm; Private Collection; (add.info.: The Arrest. Jules Lambeaux (1858-1890). Oil on canvas. Dated 1882

There was a young Woman of Lancing (engraving)
3622934 There was a young Woman of Lancing (engraving) by English School, (19th century); Private Collection; (add.info.: There was a young Woman of Lancing)

At Hampstead, looking towards Harrow, before 1837 (oil on paper)
5938227 At Hampstead, looking towards Harrow, before 1837 (oil on paper) by Constable, John (1776-1837); 17.5x23.4 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Portrait of Marie Vignon (detail) (oil on canvas)
5905987 Portrait of Marie Vignon (detail) (oil on canvas) by French School, (17th century); Musee Dauphinois, Grenoble, France; (add.info)

The Adventures of the Reverend Archibald Jones (engraving)
1046493 The Adventures of the Reverend Archibald Jones (engraving) by English School, (19th century); Private Collection; (add.info.: The Adventures of the Reverend Archibald Jones)

The Proposed Addition to Westminster Abbey (engraving)
1041770 The Proposed Addition to Westminster Abbey (engraving) by Brewer, Henry William (fl.1858-d.1903); Private Collection; (add.info.: The Proposed Addition to Westminster Abbey)

The Land Agitation in Ireland, Departure of the Boycott Expedition from Lough Mask (engraving)
1060395 The Land Agitation in Ireland, Departure of the Boycott Expedition from Lough Mask (engraving) by English School, (19th century); Private Collection; (add.info)

"There was an Old Person of Cheadle was put in the stocks by the Beadle", from A Book of Nonsense
LLM386684 " There was an Old Person of Cheadle was put in the stocks by the Beadle", from A Book of Nonsense, published by Frederick Warne and Co

Comic postcard, two policeman in wartime, WW2 - Special Constable in need of some training Date: circa 1940s

John Constables Paint Box (mixed media)
3066545 John Constables Paint Box (mixed media) by English School, (18th century); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: Tin box with hinged lid)

General Sir J F Burgoyne, GCB, receiving the Keys as Constable of the Tower of London (engraving)
1610319 General Sir J F Burgoyne, GCB, receiving the Keys as Constable of the Tower of London (engraving) by English School, (19th century); Private Collection; (add.info.: General Sir J F Burgoyne)

Scene of the Conflict between Moonlighters and Constabulary at Lisdoonvarna, County Clare (engraving)
1591409 Scene of the Conflict between Moonlighters and Constabulary at Lisdoonvarna, County Clare (engraving) by Paget, Walter (1863-1935); Private Collection; (add.info)

General Sir W Fenwick Williams, of Kars, GCB, the Newly Appointed Constable of the Tower (engraving)
1590371 General Sir W Fenwick Williams, of Kars, GCB, the Newly Appointed Constable of the Tower (engraving) by English School

Identification of... Cars. Illegible Number. Sec. 2-(4)
STC193233 Identification of...Cars. Illegible Number. Sec. 2-(4)...If the mark is in any way obscured...the person driving the car shall be guilty of an offence under this Act

New York Crossing (oil on canvas)
985260 New York Crossing (oil on canvas) by Davis, Warren B. (1865-1928); 40.5x55.8 cm; Private Collection; (add.info.: New York Crossing. Warren Davis (1865-1928). Oil on canvas

A temporary wartime policeman in uniform, September 1939
A temporary wartime " bobby" wearing his armband and helmet, and carrying his gas mask in London, a few weeks after the outbreak of World War Two. Date: 1939

Field Marshal Sir William Gomm (colour litho)
612945 Field Marshal Sir William Gomm (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: Field Marshal Sir William Gomm, The constable of The Tower)

Bicolor, Australian race horse, owned by E I Baillieu and Constable, trainer J Carey. Date: circa late 1920s

Jeanne de Sancerre, sister of Louis de Sancerre, Constable of France. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de

Helmets, crests, chainmail hoods, armour, etc
Jousting helm 1, horned helmet of the Earl of Dammartin 2, winged helm of the Constable of Clisson 3, royal helm 4 and chainmail hood and cap 5

Arthur III Duke of Brittany, Earl of Richmond, 1393-1458
Arthur III Duke of Brittany, Earl of Richmond, Artus de Bretagne, duc de Richemont, connetable de France 1393-1458. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres

Hocktide at Hungerford, Constable and Tutti Men (b / w photo)
3091593 Hocktide at Hungerford, Constable and Tutti Men (b/w photo) by Stone, J. Benjamin (1838-1914); Private Collection; (add.info.: Hocktide at Hungerford, Constable and Tutti Men)

The Bobbies of the Queen by Eardley Turner and Maud Santley
Promotional music sheet for The Bobbies of the Queen music hall song of 1897 by Eardley Turner and Maud Santley. The artist shows Maud Santley in the title role

Mounted aborigine police with white officer, Queensland, Australia. Date: circa 1900s

Mounted police, HQ Barracks, Perth, West Australia
Mounted police in the yard of Headquarters Barracks, Perth, West Australia. Date: circa 1900s

Mounted police troopers on camels, South Australia
Mounted police troopers on camels in the stony desert of South Australia. circa 1900s

Mounted police, New South Wales, Sydney, Australia
Police troopers at mounted drill, Redfern Barracks, New South Wales, Sydney, Australia. Date: circa 1900s

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"Capturing the Essence of Constable: From Salisbury to Stratford St Mary" Step into the world of renowned artist John Constable as we explore the various facets of a constable's role throughout history. In his famous painting, "Stratford St Mary from the Coombs, " Constable beautifully depicts the idyllic English countryside where these dedicated officers once patrolled. Transporting us to bustling London, we encounter a symbol synonymous with law enforcement - the iconic Police Public Call Box. These blue boxes served as beacons of safety and assistance for both officers and citizens alike. A glimpse inside reveals a scene that reassures us with its sign proclaiming "Police Box in Use. " But it's not just about maintaining order on foot; our constables were known for their versatility. An intriguing image captures an officer skillfully maneuvering on a unicycle, showcasing their adaptability in unexpected situations. Venturing further into rural landscapes, Parham Mill at Gillingham, Dorset stands tall as a testament to constables' dedication in safeguarding local communities. This historic mill reminds us that their duty extended beyond urban boundaries. During times of adversity like World War II, women stepped up to serve alongside their male counterparts. Two brave female police officers don gas masks while patrolling war-torn streets in London, highlighting their unwavering commitment even amidst chaos. Accidents happen unexpectedly, but our they are always there to lend support and maintain order. A woman police officer attends diligently to an accident scene – her presence providing comfort during moments of distress. The evolution of uniforms reflects changing times and societal norms. We witness the transformation through images capturing women police officers sporting different attire – from Surrey uniform to Hartnell uniform designed by Norman Hartnell himself. In bustling city stations or parade rooms filled with camaraderie and shared experiences, policemen gather before heading out onto the streets they protect day after day.