Jacobean Collection (page 4)

Queen Tomyris of the Massagetai, c. 1609 (pen & ink on paper)
CTS407509 Queen Tomyris of the Massagetai, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Francis Manners, 6th Earl of Rutland, c. 1675 (oil on canvas)
465971 Francis Manners, 6th Earl of Rutland, c.1675 (oil on canvas) by Eyden, Jeremias van der (d.1697); Belvoir Castle, Leicestershire, UK; (add.info.: Francis Manners, 6th Earl of Rutland)

Portrait of a Lady, c. 1612 (oil on panel)
470211 Portrait of a Lady, c.1612 (oil on panel) by English School, (17th century); 110x87 cm; Breamore House, Hampshire, UK; English, out of copyright

A porter laden (pen & ink on paper)
CTS407580 A porter laden (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Albanactus, preliminary sketch (pen & ink on paper)
CTS407566 Albanactus, preliminary sketch (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: Albanactus)

Pool Fold Hall, Manchester, 1819 (pen & ink and wash on paper)
CHL404795 Pool Fold Hall, Manchester, 1819 (pen & ink and wash on paper) by Barritt, Thomas (d.1820); 14.2x18.5 cm; Chethams Library, Manchester, UK; (add.info.: Pool Fold Hall)

Old houses, Fleet Street, c. 1884 (b / w photo)
JHL394942 Old houses, Fleet Street, c.1884 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info.: Middle house reputed to be the home of poet Michael Drayton (1563-1631)

Aldersgate Street, c. 1879 (b / w photo)
JHL394918 Aldersgate Street, c.1879 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info.: From a series of 120 photographs by the Society for Photographing Relics of Old London)

Portrait of George Villiers, Duke of Buckingham, illustration from
745943 Portrait of George Villiers, Duke of Buckingham, illustration from Heads of Illustrious Persons of Great Britain, pub

Portrait of Sir Edward Coke, Lord Chief Justice, illustration from
745942 Portrait of Sir Edward Coke, Lord Chief Justice, illustration from Heads of Illustrious Persons of Great Britain, pub

Portrait George Abbot, Archbisop of Canterbury, illustration from
745939 Portrait George Abbot, Archbisop of Canterbury, illustration from Heads of Illustrious Persons of Great Britain, pub

Effigies of Sir Charles Somerset, his lady and daughter
2832280 Effigies of Sir Charles Somerset, his lady and daughter, in St Jamess (pencil & w/c on paper)) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Portrait in Council House of Alderman John Whitson (w / c on paper)
2832579 Portrait in Council House of Alderman John Whitson (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Persecuted, but not Forsaken, 1882 (oil on canvas)
2829629 Persecuted, but not Forsaken, 1882 (oil on canvas) by Field, Walter (1837-1901); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of Lord Winterstoke

Greshams School, Holt, Norfolk (b / w photo)
3094752 Greshams School, Holt, Norfolk (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Greshams School, Holt, Norfolk)

Titlepage of Phylaster by Beaumont and Fletcher, 1620 (woodcut)
2653542 Titlepage of Phylaster by Beaumont and Fletcher, 1620 (woodcut) by English School, (17th century); Private Collection; (add.info)

Jacobean lily, Sprekelia formosissima. Chromolithograph from an illustration by Desire Bois from Edward Steps Favourite Flowers of Garden and Greenhouse, Frederick Warne, London, 1896

Aston Hall, Jacobean house in Birmingham, seat of James Watt (1769-1848), son of the Scottish inventor and engineer James Watt. Handcoloured copperplate engraving after an illustration by W

Elevation of a hunting lodge and plan of a verandah. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1816

Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont
Enmore Castle, Somerset, the seat of John James Perceval, 3rd Earl of Egmont. Gothic rectangular castle with dry foss and drawbridge, crenellated church nearby

View of the new villa, old house and stables from across Burlington Lane
CTS336414 View of the new villa, old house and stables from across Burlington Lane, Chiswick Villa (oil on canvas) by Rysbrack

View of Warwick House, engraved by Samuel Rawle (1771-1860
GHL254049 View of Warwick House, engraved by Samuel Rawle (1771-1860) and published by John Booth (1794-1855) 1818 (engraving) by Warren

Master Philip Perceval (b. 1599) c. 1620 (oil on canvas)
JEF144621 Master Philip Perceval (b.1599) c.1620 (oil on canvas) by English School, (17th century); 143.5x70.5 cm; The Geffrye Museum of the Home, London, UK; eGeffrye Museum; English

Charles Stuart (1639-72) 3rd Duke of Richmond, c. 1665-70 (bodycolour on paper)
XYC252280 Charles Stuart (1639-72) 3rd Duke of Richmond, c.1665-70 (bodycolour on paper) by Cooper, Samuel (1609-72); 7x5.7 cm; Yale Center for British Art, Paul Mellon Collection

Edmond Halley (1656-1742) from Gallery of Portraits
KW189094 Edmond Halley (1656-1742) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; English, out of copyright

Portrait of a Woman, probably Eleanor Packington, Lady Scudamore, 1601 (oil on panel)
XYC222366 Portrait of a Woman, probably Eleanor Packington, Lady Scudamore, 1601 (oil on panel) by Gheeraerts, Marcus, the Younger (c.1561-1635); 113.7x83.8 cm; Yale Center for British Art

The Thames at Richmond, with the Old Royal Palace, c. 1620 (oil on canvas)
FIT65997 The Thames at Richmond, with the Old Royal Palace, c.1620 (oil on canvas) by Flemish School, (17th century); 152.1x304.2 cm; Fitzwilliam Museum, University of Cambridge

Crewe Hall, Cheshire (w / c & gouache)
MAL64243 Crewe Hall, Cheshire (w/c & gouache) by Nash, Joseph (1809-78); Private Collection; eMallett Gallery, London, UK; English, out of copyright

Armchair with arcaded back and boxed sides, early 17th century (oak)
BAL2885 Armchair with arcaded back and boxed sides, early 17th century (oak) by English School, (17th century); Private Collection; English, out of copyright

Anne Leighton, Lady St. John, c. 1615
MFI32303 Anne Leighton, Lady St. John, c.1615 by Larkin, William (fl.1608-19); Private Collection; (add.info.: Wife of Sir John St John, 1st Baronet (1585-1648) of Lydiard Tregoze

Jacobean window coronets (litho)
5996436 Jacobean window coronets (litho) by English School, (19th century); Private Collection; (add.info.: Jacobean window coronets.); © Look and Learn

Portrait of Sir Giles Allington, c. 1620 (oil on panel)
692987 Portrait of Sir Giles Allington, c.1620 (oil on panel) by Flemish School, (17th century); 74.4x62.3 cm; Private Collection; (add.info)

Portrait of A Lady Called Mary, Countess of Pembroke, 1619 (oil on panel)
CH137853 Portrait of A Lady Called Mary, Countess of Pembroke, 1619 (oil on panel) by Janssen van Ceulen, Cornelius (1593-1661); 68x50.8 cm; Private Collection; Photo eChristies Images; English

Collection of miniatures, LtoR, top row: Frederich V (1596-1632) Elector Palatine
CH7734 Collection of miniatures, LtoR, top row: Frederich V (1596-1632) Elector Palatine, King of Bohemia, 1621; Sir Henry Trotter, 1649; Lettice Knollys (1541-1634) 3rd wife of Robert Dudley

The White Devil by John Webster: Brachiano calls for his Beaver (litho)
5988817 The White Devil by John Webster: Brachiano calls for his Beaver (litho) by Keen, Henry Weston (1899-1935); Private Collection; (add.info.: Brachiano calls for his Beaver)

The Duchess Of Malfi by John Webster: I am Bosola, your Friend (litho)
5988814 The Duchess Of Malfi by John Webster: I am Bosola, your Friend (litho) by Keen, Henry Weston (1899-1935); Private Collection; (add.info.: I am Bosola, your Friend)

William Camden, English antiquary, historian and geographer (engraving)
6014802 William Camden, English antiquary, historian and geographer (engraving) by English School, (18th century); Private Collection; (add.info.: William Camden (1551-1623), English antiquary

Arrest of Guy Fawkes for attempting to blow up the Houses of Parliament in the Gunpowder Plot
6029837 Arrest of Guy Fawkes for attempting to blow up the Houses of Parliament in the Gunpowder Plot, 5 November 1605 (engraving) by English School

Wedgwood black basalt bust of the playwright Ben Jonson, 1775 (autotype)
6014484 Wedgwood black basalt bust of the playwright Ben Jonson, 1775 (autotype) by English Photographer, (19th century); Private Collection; (add.info)

Ludovic Stuart, 1600-17 (parchment, metal and glass)
5670577 Ludovic Stuart, 1600-17 (parchment, metal and glass) by Oliver, Isaac (c.1565-1617); 5x4 cm; Rijksmuseum, Amsterdam

Admiral George Clifford, 3rd Earl of Cumberland, c. 1600 (w / c on parchment)
5671842 Admiral George Clifford, 3rd Earl of Cumberland, c.1600 (w/c on parchment) by Oliver, Isaac (c.1565-1617); 5.4x4.3 cm; National Museum, Stockholm, Sweden; (add.info.: Sir George Clifford)

William Shakespeare, English playwright and poet (engraving)
5233733 William Shakespeare, English playwright and poet (engraving) by English School, (18th century); Private Collection; (add.info.: William Shakespeare (1564-1616)

The History of Tom Long the Carrier, illustration from
489647 The History of Tom Long the Carrier, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho) by English School

Frontispiece to Bartholomew Fayre: A Comedie by Benjamin Jonson (1572 / 3-1637
XJF137483 Frontispiece to Bartholomew Fayre: A Comedie by Benjamin Jonson (1572/3-1637) 1631 (engraving) (b/w photo) by English School

Portrait of Thomas Osborne, 1st Duke of Leeds (1631-1712) (oil on canvas)
HLK106940 Portrait of Thomas Osborne, 1st Duke of Leeds (1631-1712) (oil on canvas) by Kneller, Godfrey (1646-1723); 236.2x135.9 cm; By kind permission of the Earl of Leicester

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Step back in time and immerse yourself in the captivating world architecture and history. From the haunting ruins of Brambletye House, near East Grinstead, Sussex, to the grandeur of Hatfield House and Wroxton Abbey, these structures stand as testaments to an era long gone. Transport yourself to a pivotal moment in British history with "The Capture Of Guy Fawkes" painting from 1605. This dramatic scene captures the tension and intrigue surrounding the infamous Gunpowder Plot. Theatrical performances were also a significant part culture, as depicted by David Garrick alongside William Burton and John Palmer in Ben Jonson's play "The Alchemist. " Charlton House, a stunning C18 mansion, showcases the opulence that defined this period. Its intricate details and elegant design are truly awe-inspiring. Plas Teg in Wales is another remarkable example architecture owned by Cornelia Bayley—an enchanting house steeped in tales from centuries past. Delve into local history at Hertford Castle and Castle Yard—surveyed meticulously by Symon Basyll—a glimpse into life within its fortified walls during this era. Aston Hall Gateway Birmingham offers a snapshot of wartime Britain with its image captured in 1941—a reminder that even amidst turmoil, beauty endures. Nature lovers will marvel at the vibrant Crimson Jacobean lily (Sprekelia formosissima), showcasing nature's own interpretation of this historical period's rich color palette. And for art enthusiasts, Queen Artemisia's pen & ink portrait transports us directly to her regal presence circa 1609. Finally, we have Joseph Cundall's depiction of The Alms House from 1855—an enduring symbol of compassion during times when societal support was crucial. Jacobean hints scattered across different realms invite exploration into an age marked by architectural splendor, political intrigue, artistic expression, and natural beauty.