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Persuasion Collection (page 3)

"Persuasion: A Powerful Tool in Shaping History" From the iconic WW2 poster urging citizens to stand strong with the words "We shall not flag

Background imagePersuasion Collection: Poster, Freedom is in Peril, WW2

Poster, Freedom is in Peril, WW2
Poster, Freedom is in Peril, defend it with all your might, Ministry of Information. 1939

Background imagePersuasion Collection: Poster, Please Keep Britain Tidy

Poster, Please Keep Britain Tidy, design by Reginald Mount. circa 1950

Background imagePersuasion Collection: The Dockers Strike at Southampton (litho)

The Dockers Strike at Southampton (litho)
1596691 The Dockers Strike at Southampton (litho) by Almond, William Douglas (1866-1916); Private Collection; (add.info.: The Dockers Strike at Southampton)

Background imagePersuasion Collection: British recruitment poster, WW1

British recruitment poster, WW1
British recruitment poster, First World War -- Have you a reason, or only an excuse, for not enlisting NOW! 1914-1918

Background imagePersuasion Collection: American poster, Shoot Ships to Germany, WW1

American poster, Shoot Ships to Germany, WW1
American poster, design by Adolph Treidler, Shoot Ships to Germany and help America Win, First World War. 1917

Background imagePersuasion Collection: Aeneas and the Cumaean Sibyl presenting the Golden Bough to Charon (oil on canvas)

Aeneas and the Cumaean Sibyl presenting the Golden Bough to Charon (oil on canvas)
3433209 Aeneas and the Cumaean Sibyl presenting the Golden Bough to Charon (oil on canvas) by Testa, Pietro (Il Lucchesino) (1611-50)

Background imagePersuasion Collection: Illustration for Persuasion (colour litho)

Illustration for Persuasion (colour litho)
3651263 Illustration for Persuasion (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info.: " Of all the consequence in their power." Illustration for)

Background imagePersuasion Collection: Elizabeth signs Marys death-warrant, illustration from Hutchinson

Elizabeth signs Marys death-warrant, illustration from Hutchinson
STC373633 Elizabeth signs Marys death-warrant, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by Schrader

Background imagePersuasion Collection: Sketch to Illustrate Jealousy, 1853 (pen, ink, w / c and graphite on paper)

Sketch to Illustrate Jealousy, 1853 (pen, ink, w / c and graphite on paper)
XYC291016 Sketch to Illustrate Jealousy, 1853 (pen, ink, w/c and graphite on paper) by Dadd, Richard (1817-86); 35.6x25.9 cm; Yale Center for British Art, Paul Mellon Collection

Background imagePersuasion Collection: Title page to Northanger Abbey and Persuasion by Jane Austen, first edition

Title page to Northanger Abbey and Persuasion by Jane Austen, first edition
XJF466207 Title page to Northanger Abbey and Persuasion by Jane Austen, first edition, 1818 (engraving) by English School

Background imagePersuasion Collection: Prince Charles appeals to Cameron of Lochiel, illustration from Hutchinson

Prince Charles appeals to Cameron of Lochiel, illustration from Hutchinson
STC373551 Prince Charles appeals to Cameron of Lochiel, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by Draper

Background imagePersuasion Collection: Punch cartoon: photographers trying to drum up business (engraving)

Punch cartoon: photographers trying to drum up business (engraving)
6034717 Punch cartoon: photographers trying to drum up business (engraving) by English School, (19th century); Private Collection; (add.info.: Punch cartoon: photographers trying to drum up business)

Background imagePersuasion Collection: Man and Woman on a Bed, c. 1880-1882 (oil on board)

Man and Woman on a Bed, c. 1880-1882 (oil on board)
1767674 Man and Woman on a Bed, c.1880-1882 (oil on board) by Sargent, John Singer (1856-1925); 28.6x22.2 cm; Private Collection; (add.info.: Man and Woman on a Bed. John Singer Sargent (1856-1925)

Background imagePersuasion Collection: The Happy Valley, (oil on canvas)

The Happy Valley, (oil on canvas)
1199542 The Happy Valley, (oil on canvas) by Stott, William (1857-1900); 125x150 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePersuasion Collection: On the Brink, 1865 (oil on canvas)

On the Brink, 1865 (oil on canvas)
FIT58805 On the Brink, 1865 (oil on canvas) by Elmore, Alfred W. (1815-81); 113.7x82.7 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imagePersuasion Collection: Courtship in the Park, 1797 (oil on canvas)

Courtship in the Park, 1797 (oil on canvas)
NTS28414 Courtship in the Park, 1797 (oil on canvas) by Opie, John (1761-1807); Fyvie Castle, Scotland, UK; eNational Trust for Scotland; Photo eNational Trust for Scotland; English, out of copyright

Background imagePersuasion Collection: Illustration for Persuasion by Jane Austen (colour litho)

Illustration for Persuasion by Jane Austen (colour litho)
5210525 Illustration for Persuasion by Jane Austen (colour litho) by Mills, Arthur Wallis (1878-1940); Private Collection; (add.info.: She feared to move lest she should be seen)

Background imagePersuasion Collection: Coriolanus persuaded by his Family to raise the Siege of Rome, c. 1660-61 (oil on canvas)

Coriolanus persuaded by his Family to raise the Siege of Rome, c. 1660-61 (oil on canvas)
827890 Coriolanus persuaded by his Family to raise the Siege of Rome, c.1660-61 (oil on canvas) by Abbiati, Filippo (1640-1715); 202.3x305.5 cm; Private Collection; Photo eChristies Images; Italian

Background imagePersuasion Collection: An Allegory of Temperance, 1625 (oil on panel)

An Allegory of Temperance, 1625 (oil on panel)
827860 An Allegory of Temperance, 1625 (oil on panel) by Cornelisz. van Haarlem, Cornelis (1562-1638); 29.8x44.2 cm; Private Collection; (add.info.: An Allegory of Temperance. Cornelis Cornelisz)

Background imagePersuasion Collection: Portrait of Jane Austen (engraving)

Portrait of Jane Austen (engraving)
3557543 Portrait of Jane Austen (engraving) by English School, (19th century); Private Collection; (add.info.: Jane Austen (1775 - 1817)

Background imagePersuasion Collection: A Travers Le Cayor (engraving)

A Travers Le Cayor (engraving)
2789104 A Travers Le Cayor (engraving) by French School, (19th century); Private Collection; (add.info.: A Travers Le Cayor. Illustration for Journal Des Voyages, 27 September 1891)

Background imagePersuasion Collection: Hamlet attempts to make Guildenstern play a pipe, from Hamlet

Hamlet attempts to make Guildenstern play a pipe, from Hamlet
IL388129 Hamlet attempts to make Guildenstern play a pipe, from Hamlet by William Shakespeare, edition published by Hodder & Stoughton in 1915 (colour litho) by Simmonds, W. G

Background imagePersuasion Collection: Illustration for Persuasion (colour litho)

Illustration for Persuasion (colour litho)
3651266 Illustration for Persuasion (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info.: " The unwelcome hints of Mr Shepherd)

Background imagePersuasion Collection: Photographing a Dog (engraving)

Photographing a Dog (engraving)
1038208 Photographing a Dog (engraving) by English School, (19th century); Private Collection; (add.info.: Photographing a Dog)

Background imagePersuasion Collection: The Knight and the Lady (colour litho)

The Knight and the Lady (colour litho)
1040902 The Knight and the Lady (colour litho) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: The Knight and the Lady)

Background imagePersuasion Collection: The Fox and the Grapes, 1858 (oil on canvas)

The Fox and the Grapes, 1858 (oil on canvas)
658744 The Fox and the Grapes, 1858 (oil on canvas) by Solomon, Abraham (1824-62); 61x76.7 cm; Private Collection; (add.info.: The Fox and the Grapes. Abraham Solomon (1824-1862). Oil on canvas

Background imagePersuasion Collection: USSR 'Would you volunteer in the Red Army?'- against the backdrop of growing

USSR "Would you volunteer in the Red Army?"- against the backdrop of growing
6203487 USSR " Would you volunteer in the Red Army?" - against the backdrop of growing industry, an indicator and apostrofa directly the reader of the manifesto (poster) by Moor

Background imagePersuasion Collection: The Rebellion in the Soudan (engraving)

The Rebellion in the Soudan (engraving)
1061389 The Rebellion in the Soudan (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: The Rebellion in the Soudan)

Background imagePersuasion Collection: Sir Walter Raleigh and Queen Elizabeth, 1875 (oil on panel)

Sir Walter Raleigh and Queen Elizabeth, 1875 (oil on panel)
989917 Sir Walter Raleigh and Queen Elizabeth, 1875 (oil on panel) by Boutibonne, Charles Edouard (1816-97); 55.8x78.7 cm; Private Collection; (add.info.: Sir Walter Raleigh and Queen Elizabeth)

Background imagePersuasion Collection: Pandora Attired (engraving)

Pandora Attired (engraving)
973766 Pandora Attired (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Pandora Attired. Illustration for Flaxmans Classical Outlines by John C L Sparkes (Seeley)

Background imagePersuasion Collection: Illustration for Persuasion (colour litho)

Illustration for Persuasion (colour litho)
3651288 Illustration for Persuasion (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info.: " Oh God! her father and mother)

Background imagePersuasion Collection: Columbus and the egg (chromolitho)

Columbus and the egg (chromolitho)
979630 Columbus and the egg (chromolitho) by Melrose, Andrew (1826-1901); Private Collection; (add.info.: Columbus and the egg)

Background imagePersuasion Collection: Martin Luther restrains the iconoclasts at Wittenberg (engraving)

Martin Luther restrains the iconoclasts at Wittenberg (engraving)
3647749 Martin Luther restrains the iconoclasts at Wittenberg (engraving) by Konig, Gustav Ferdinand Leopold (1808-69); Private Collection; (add.info)

Background imagePersuasion Collection: Illustration for Persuasion (colour litho)

Illustration for Persuasion (colour litho)
3651265 Illustration for Persuasion (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info.: " She very soon heard Captain Wentworth)

Background imagePersuasion Collection: Sir John Falstaff by his extraordinary powers of persuasion not only induces Mrs Quickly to

Sir John Falstaff by his extraordinary powers of persuasion not only induces Mrs Quickly to withdraw her Action but
1093011 Sir John Falstaff by his extraordinary powers of persuasion not only induces Mrs Quickly to withdraw her Action but also to lend him more money

Background imagePersuasion Collection: The Rustic Couple (The Peasant and his Wife), 1497-1498. Creator: Albrecht Durer

The Rustic Couple (The Peasant and his Wife), 1497-1498. Creator: Albrecht Durer
The Rustic Couple (The Peasant and his Wife), 1497-1498

Background imagePersuasion Collection: Eve Giving Adam the Forbidden Fruit;from 'The Story of Adam and Eve'

Eve Giving Adam the Forbidden Fruit;from "The Story of Adam and Eve"
Eve Giving Adam the Forbidden Fruit; from " The Story of Adam and Eve". After Abraham Bloemaert

Background imagePersuasion Collection: STAGE GESTURE / REPULSING

STAGE GESTURE / REPULSING
PERSUASION REPULSED Date: 1807

Background imagePersuasion Collection: Interview Between John Zimisces and Sviatoslaf, (969 AD), 1890. Creator: Unknown

Interview Between John Zimisces and Sviatoslaf, (969 AD), 1890. Creator: Unknown
Interview Between John Zimisces and Sviatoslaf, (969 AD), 1890. John I Tzimiskes (c925 -976) Byzantine emperor attempts to persuade Sviatoslav I of Kiev (c942- 972)

Background imagePersuasion Collection: Pleading, 1876. Artist: Sir Lawrence Alma-Tadema

Pleading, 1876. Artist: Sir Lawrence Alma-Tadema
Pleading, 1876

Background imagePersuasion Collection: Manning the navy, Tower Hill, London, 1790. Artist: John Barlow

Manning the navy, Tower Hill, London, 1790. Artist: John Barlow
Manning the navy, London, 1790; showing a press gang with sabres and bludgeons on Tower Hill

Background imagePersuasion Collection: Oranges!, Cries of London, c1840. Artist: TH Jones

Oranges!, Cries of London, c1840. Artist: TH Jones
Oranges! An orange seller trying to sell her produce to a passing gentleman. From Cries of London, c1840

Background imagePersuasion Collection: Twist your arm for an order, 1967. Artist: Michael Walters

Twist your arm for an order, 1967. Artist: Michael Walters
Twist your arm for an order, 1967. A Stanley Tools rep uses a little gentle persuasion to secure an order

Background imagePersuasion Collection: Speech of the Marquis del Vasto, c1540, (c1934). Artist: Titian

Speech of the Marquis del Vasto, c1540, (c1934). Artist: Titian
Speech of the Marquis del Vasto, c1540, (c1934). Alfonso d Avalos, Marchese del Vasto, (1502-1546) was a noble Neapolitan, who participated in the Battle of Pavia and the conquest of Tunisia in 1535

Background imagePersuasion Collection: Henry III in the Chapter House at Winchester Cathedral, 1250 (1793)

Henry III in the Chapter House at Winchester Cathedral, 1250 (1793)
Henry III in the Chapter House at Winchester Cathedral preaching to the monks to enforce the election of his half-brother Aymer de Valence as bishop, 1250 (1793)

Background imagePersuasion Collection: Consulate, 1882-1884

Consulate, 1882-1884. On 9 November 1799, which was 18 Brumaire, Year VIII under the French Republican Calendar, General Napoleon Bonaparte overthrew the government of the Directory

Background imagePersuasion Collection: The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784

The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Artist: Thomas Rowlandson
The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Illustration from Social Caricature in the Eighteenth Century

Background imagePersuasion Collection: Burke, the Great Orator, 18th century (c1850s)

Burke, the Great Orator, 18th century (c1850s). Edmund Burke (1729-1797) was one of the greatest Parliamentary speakers during the reign of George III



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"Persuasion: A Powerful Tool in Shaping History" From the iconic WW2 poster urging citizens to stand strong with the words "We shall not flag, " to Winston Churchill's rousing speeches that rallied a nation, it has played a pivotal role in shaping our world. In WW1, another poster called upon individuals to "Enlist in the Navy" and showcased Allied sailors of six nationalities standing united as one. This visual representation aimed to evoke a sense of camaraderie and shared purpose. Jane Austen's novel "Persuasion" delves into the complexities of human relationships, portraying characters whose convictions are tested. With faces as pallid as their own, they confront the power and its ability to sway hearts and minds. Recruitment posters for both World Wars enticed young men with promises of adventure and duty. The British Army sought brave souls while another encouraged joining the Navy - emphasizing it as a service for fighting men. Even across borders, propaganda was used effectively during wartime; German cartoons depicted British recruitment techniques in an attempt to undermine their efforts. Beyond war-related contexts, persuasion extends its reach into political campaigns like the Liberal Election Campaign Card from 1909. Such cards were designed strategically to appeal to voters' emotions and beliefs. Meanwhile, public street views capture everyday life in Guanajuato City, Mexico - where persuasive messages can be found on billboards or through charismatic street vendors enticing passersby with their wares or services. One cannot forget how calls for freedom reverberated globally during WW1 through posters like "Pour la Liberte du Monde (For the Freedom of the World). " These powerful images aimed at mobilizing nations towards a common cause against oppression. Lastly, historical figures such as Richard III utilized persuasion within their own narratives - influencing perceptions about themselves and others around them. In this case, Richard III's portrayal alongside Edward IV's sons shaped public opinion and political alliances.