Score Collection (page 10)

Memorial to Austrian Songwriter and Conductor Robert Stolz (1880-1975) next to the Johann Strauss Monument in the City Park (Stadtpark) in Vienna (Wien), Austria

Notes at the Eton and Harrow Cricket-Match (engraving)
1045536 Notes at the Eton and Harrow Cricket-Match (engraving) by English School, (19th century); Private Collection; (add.info.: Notes at the Eton and Harrow Cricket-Match)

Window depicting the Nativity, 16th-20th century (stained glass)
1278956 Window depicting the Nativity, 16th-20th century (stained glass) by French School; Eglise Notre Dame, Rosnay, France; (add.info.: Rosnay, Eglise Notre Dame, France French school); French

Page of musical score of "Fidelio": beginning of act III
LRI3506779 Page of musical score of " Fidelio" : beginning of act III, 1805 (pen & ink on paper) by Beethoven, Ludwig van (1770-1827); Biblioteca del Conservatorio G

Violin score page from "Hungarian Coronation Mass"by Franz Liszt (litho)
LRI3745375 Violin score page from " Hungarian Coronation Mass" by Franz Liszt (litho) by German School, (19th century); Biblioteca del Conservatorio G

Frontispiece of "Hungarian Dances"(Ungarische Tanze
LRI3526022 Frontispiece of " Hungarian Dances" (Ungarische Tanze) by Johannes Brahms (1833-1897) (litho) by German School, (19th century); Biblioteca del Conservatorio G

The Music Lesson, 1788 (oil on panel) (pair to 347760)
3477861 The Music Lesson, 1788 (oil on panel) (pair to 347760) by Garnier, Michel (1753-1819); 14x11.1 cm; Private Collection; (add.info.: La Jeune Musicienne As with most of Garniers paintings)

Autograph music manuscript, Zwei deutsche Kirchenlieder, K
3511956 Autograph music manuscript, Zwei deutsche Kirchenlieder, K.343 (336c), Prague, Jan/Feb 1787 (pen & ink on paper) by Mozart

The Musicians, 1884 (oil on canvas)
659163 The Musicians, 1884 (oil on canvas) by Brown, H. W. Jennings (1862-98); 127x183 cm; Private Collection; Photo eChristies Images; British, out of copyright

The Recital, (oil on panel)
658458 The Recital, (oil on panel) by Garrido, Eduardo-Leon (1856-1906); 61.6x48.8 cm; Private Collection; (add.info.: The Recital. Eduardo Leon Garrido (1856-1949). Oil on panel

Wolfgang Amadeus Mozart, Austrian composer (litho)
2775563 Wolfgang Amadeus Mozart, Austrian composer (litho) by English School, (20th century); Private Collection; (add.info.: Wolfgang Amadeus Mozart, Austrian composer)

Miniature of Judgement Day from a chorale parchment
3574084 Miniature of Judgement Day from a chorale parchment by Italian School, (14th-15th century); Archives of Palazzo Comunale of Stroncone, Province of Terni, Umbria

Illuminated initial with a bishop blessing a church (Corale 2, c. 1), for choir book 2 of Santa Maria degli Angeli
3565255 Illuminated initial with a bishop blessing a church (Corale 2, c. 1), for choir book 2 of Santa Maria degli Angeli by Florentine School, (14th century); Biblioteca Medicea-Laurenziana

St. Michael Archangel defeats the demons. Miniature attributed to Matteo Torelli
3565253 St. Michael Archangel defeats the demons. Miniature attributed to Matteo Torelli, from an antiphonary dating to 1394 (Corale 5, c)

The End of the Cricket Season (engraving)
729128 The End of the Cricket Season (engraving) by English School, (19th century); Private Collection; (add.info.: The End of the Cricket Season. Engravings by Swain)

Lady Golfer Swinging Club (chromolitho)
732905 Lady Golfer Swinging Club (chromolitho) by American School, (19th century); Private Collection; (add.info.: Lady Golfer Swinging Club.); Look and Learn / Barbara Loe Collection

Choral miniature with Pope Alexander II celebrating Mass in the Abbey (pigment on vellum)
704306 Choral miniature with Pope Alexander II celebrating Mass in the Abbey (pigment on vellum) by Italian School; Abbey of Monte Cassino, Cassino, Italy; (add.info.: Pope Alexander II (d.1073)

Mu Ms 88, f. 27v: Save me O God, from an anthology of English anthems in
FIT277702 Mu Ms 88, f.27v: Save me O God, from an anthology of English anthems in the composers own hand, c.1670-80 (ink on paper) by Purcell, Henry (1659-95); 43.6x27.5 cm; Fitzwilliam Museum

18th century harpsichord decorated with grotesque, illustration from the
REV326661 18th century harpsichord decorated with grotesque, illustration from the Dictionnaire de l ameublement et de la decoration by Henry Havard, volume 1, Paris, Maison Quantin

Frontispiece for Apollos Feast, c. 1734 (engraving) (b / w photo)
XJF323067 Frontispiece for Apollos Feast, c.1734 (engraving) (b/w photo) by English School, (18th century); Private Collection; (add.info.: full title reads)

Cover of Sheet Music for Alcina, an Opera by Handel, published in 1735 (engraving
XJF323037 Cover of Sheet Music for Alcina, an Opera by Handel, published in 1735 (engraving) (b/w photo) by English School

Dr Philip Hayes, 1788 (oil on canvas)
NCO324396 Dr Philip Hayes, 1788 (oil on canvas) by Mortimer, John Hamilton (1741-79); Courtesy of the Warden and Scholars of New College

Musical score for Sidney Barnesss song The Pet of the Argyle (colour litho)
585970 Musical score for Sidney Barnesss song The Pet of the Argyle (colour litho) by English School, (19th century); Private Collection; (add.info)

Musical score for The Saturday Half Holiday, words and music by Joseph R W Harding (colour litho)
586617 Musical score for The Saturday Half Holiday, words and music by Joseph R W Harding (colour litho) by Concanen, Alfred (1835-86); Private Collection; (add.info)

Musical score: The Excursion Train Galop by Frank Musgrave (colour litho)
586516 Musical score: The Excursion Train Galop by Frank Musgrave (colour litho) by Concanen, Alfred (1835-86); Private Collection; (add.info.: Musical score)

Musical score for New Leicester Square March by P Mazzoni (colour litho)
586238 Musical score for New Leicester Square March by P Mazzoni (colour litho) by English School, (19th century); Private Collection; (add.info)

Musical score; The Romp; or, The Great Catalani (coloured engraving)
584538 Musical score; The Romp; or, The Great Catalani (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Musical score; The Romp; or)

Musical score: Tis the Best of All Delights, sung by Madame Vestris and Miss Graddon, composed by J A Wade (engraving)
584480 Musical score: Tis the Best of All Delights, sung by Madame Vestris and Miss Graddon, composed by J A Wade (engraving) by English School

Musical score for The Skating Rink Quadrille by J Pridham (colour litho)
602877 Musical score for The Skating Rink Quadrille by J Pridham (colour litho) by English School, (19th century); Private Collection; (add.info)

Musical score for The West End, a polka by Charles D Albert (colour litho)
602569 Musical score for The West End, a polka by Charles D Albert (colour litho) by English School, (19th century); Private Collection; (add.info.: Musical score for The West End)

The Music Mistress (oil on canvas)
BBC200137 The Music Mistress (oil on canvas) by Millais, John Everett (1829-96); Private Collection; English, out of copyright

Mr. John Burton, engraved by James Watson (c. 1740-90), 1775 (mezzotint)
DEC418518 Mr. John Burton, engraved by James Watson (c.1740-90), 1775 (mezzotint) by James, George (fl.1755-95) (after); 34.4x24 cm; Gerald Coke Handel Collection, Foundling Museum

Tenducci, c. 1785 (pencil & wash on paper)
DEC418516 Tenducci, c.1785 (pencil & wash on paper) by Nixon, John (1760-1818); 12.3x8.6 cm; Gerald Coke Handel Collection, Foundling Museum

A Duett at the Hanover Square Concert, 1788 (etching & w / c)
DEC418503 A Duett at the Hanover Square Concert, 1788 (etching & w/c) by Nixon, John (1760-1818); 21x13 cm; Gerald Coke Handel Collection, Foundling Museum

Original score of the beginning of the symphony accompaning the entry of Alcides in
KDC441045 Original score of the beginning of the symphony accompaning the entry of Alcides in Tobias Smolletts play Alcestes, set to music by Handel between 27 December

Near Woodstock Town, song illustration from Pan-Pipes
DGC452050 Near Woodstock Town, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

How Should I Your True Love Know?, Ophelias song from Hamlet
DGC452048 How Should I Your True Love Know?, Ophelias song from Hamlet, Act IV, Scene 5, illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

The Girl I ve Left Behind Me, song illustration from Pan-Pipes
DGC452038 The Girl I ve Left Behind Me, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Michael Kelly, frontispiece from Reminiscences of Michael Kelly
498411 Michael Kelly, frontispiece from Reminiscences of Michael Kelly by Michael Kelly and Theodore Hook, print made by H

Frontispiece of the Messes by Roland de Lassus (1532-94)
XIR182400 Frontispiece of the Messes by Roland de Lassus (1532-94), 1589 (woodcut) (b/w photo) by French School, (16th century); Private Collection; French, out of copyright

Lady playing the portative organ from The Concert at the Fountain
XIR181967 Lady playing the portative organ from The Concert at the Fountain, from the Workshop on the Banks of the Loire (tapestry) by French School; Musee des Tapisseries, Angers, France; French

Sheet music cover for The Log Cabin Song... published by Parker & Ditson
NBY332349 Sheet music cover for The Log Cabin Song... published by Parker & Ditson, Boston, 1840 (litho) by American School, (19th century); Newberry Library, Chicago, Illinois

The Musician (oil on canvas)
TW426621 The Musician (oil on canvas) by Moroni, Giovanni-Battista (c.1525-78) (school of); 95.1x75.7 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; Italian

Young Mozart giving a Recital (oil on canvas)
1197601 Young Mozart giving a Recital (oil on canvas) by Pihnnero, H. (19th century); 73.7x147.3 cm; Private Collection; (add.info.: Pihnnero, H)

Golf in India, playing at Secunderabad, Madras (engraving)
1596621 Golf in India, playing at Secunderabad, Madras (engraving) by English School, (19th century); Private Collection; (add.info.: Golf in India, playing at Secunderabad, Madras)

The three daughters of the composer Joseph-Nicolas-Pancrace Royer (c
CHT165872 The three daughters of the composer Joseph-Nicolas-Pancrace Royer (c.1705-55) playing music from his ballet Zaide, c.1760 (pencil and w/c on paper) by Carmontelle

Young Woman in a Pink Organdie Dress Trimmed with Black
STC94431 Young Woman in a Pink Organdie Dress Trimmed with Black and a Crepe Beret with Satin Ribbons, advertisement from Modes de Paris, c.1825 (engraving) by French School

Portrait of the Musician Francesco dell Ajolle, c. 1518 (oil on panel)
SCP50417 Portrait of the Musician Francesco dell Ajolle, c.1518 (oil on panel) by Pontormo, Jacopo (1494-1557); 88x67 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright

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"Score: A Melodic Tapestry of Triumphs and Tales" In the world of music, a score is not merely a collection of notes on paper; it encapsulates emotions, narratives, and timeless masterpieces. From the enchanting melodies of Giacomo Puccini's "Madame Butterfly" to the heart-wrenching arias in "La Boheme Opera Score, " these scores transport us to ethereal realms where passion and artistry intertwine. But scores extend beyond opera houses and concert halls. They find their place in history as well. Just like Bach's Prelude Score resonates with harmonious precision, Jackie Robinson's legacy echoes through time. As he fearlessly stole home under catcher Andy Seminick's tag during that fateful game against the Philadelphia Phillies in 1950, Robinson etched his name into baseball lore forever. Edward Elgar composed more than just musical notes; his Salut D'Amour score became an emblem of affectionate sentiments shared between lovers. Similarly, when France clashed with Ireland on the rugby field, their fierce rivalry was transcribed onto a different kind of score—one filled with tackles, tries, and triumphs and can also be wielded as tools for propaganda or calls for peace. Soviet propaganda posters declaring "We want Peace" carried messages that reverberated far beyond their visual impact. Meanwhile, cricketing records from 1932 remind us how numbers can immortalize sporting achievements while Wagner's compositions echo alongside Balestrieri's craftsmanship. Even great composers themselves have been captured within scores—Beethoven immortalized by Jk Stieler’s portrait while Schubert breathed life into Goethe’s chilling tale through his Erlkonig composition. Finally, we witness George Mutch scoring for Preston North End at the FA Cup Final—a momentous occasion etched into football folklore forevermore.