Westernart Collection (page 17)

Three Studies of a Ballerina (charcoal rubbed and touched with pink
1217417 Three Studies of a Ballerina (charcoal rubbed and touched with pink and brown pastels on thin, yellowish, oiled paper, laid down on stiff paper) by Degas

Study of a Seated Woman (pen and brown ink with brown wash on white paper)
1217414 Study of a Seated Woman (pen and brown ink with brown wash on white paper) by Bonington, Richard Parkes (1802-28); 15.1x12.8 cm; Ashmolean Museum, University of Oxford

Transept of Tintern Abbey, Monmouthshire, c. 1794 (watercolour over graphite with pen
1217407 Transept of Tintern Abbey, Monmouthshire, c. 1794 (watercolour over graphite with pen and black ink) by Turner, Joseph Mallord William (1775-1851); 35.5x26 cm; Ashmolean Museum

The Monastery of Meteora (watercolour and bodycolour on grey-blue laid paper)
1217405 The Monastery of Meteora (watercolour and bodycolour on grey-blue laid paper) by Lear, Edward (1812-88); 16x25.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Stonehenge during a Thunderstorm, c. 1794 (watercolour over indications in graphite
1217404 Stonehenge during a Thunderstorm, c.1794 (watercolour over indications in graphite, touched with the reed pen) by Girtin, Thomas (1775-1802); 10.5x14.8 cm; Ashmolean Museum

The Carrara Mountains from Pisa, 1845 - 1846 (oil on panel)
1217400 The Carrara Mountains from Pisa, 1845 - 1846 (oil on panel) by Watts, George Frederic (1817-1904); 28x45 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Jacob wrestling with the Angel (oil on canvas, stuck on panel, mounted as a drawing)
1217398 Jacob wrestling with the Angel (oil on canvas, stuck on panel, mounted as a drawing) by Ricketts, Charles (1866-1931); 20x14 cm; Ashmolean Museum, University of Oxford

Prophet Moses, late 12th century (bronze)
1217389 Prophet Moses, late 12th century (bronze) by European School, (12th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous)

Seated Figure of a Woman (dark red chalk on white paper)
1217387 Seated Figure of a Woman (dark red chalk on white paper) by Burne-Jones, Edward Coley (1833-98); 20.2x18.5 cm; Ashmolean Museum, University of Oxford

Mrs Drewry Ottley, 1768 (oil on canvas)
1217383 Mrs Drewry Ottley, 1768 (oil on canvas) by Kettle, Tilly (1735-86); 126x103 cm; Ashmolean Museum, University of Oxford

The Vale of Ffestiniog, Merionethshire (watercolour on paper)
1217356 The Vale of Ffestiniog, Merionethshire (watercolour on paper) by Cox, David (1783-1859); 20.3x27.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

The Return of the Dove to the Ark, 1851 (oil on canvas)
1217354 The Return of the Dove to the Ark, 1851 (oil on canvas) by Millais, John Everett (1829-96); 88.2x54.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

The Sleeping City: the Cemetery of Pera, Constantinople
1217353 The Sleeping City: the Cemetery of Pera, Constantinople, 1856 - 1888 (watercolour on paper) by Hunt, William Holman (1827-1910); 50.4x35.2 cm; Ashmolean Museum, University of Oxford

Madonna and Child under an arch, 1508 (woodcut, overworked with watercolour
1217329 Madonna and Child under an arch, 1508 (woodcut, overworked with watercolour and bodycolour) by Burgkmair, Hans (c.1473-1531); 26.9x19 cm; Ashmolean Museum, University of Oxford

Christ on the mount of olives, 1496 / 99 (woodcut with some old repairings in ink)
1217323 Christ on the mount of olives, 1496/99 (woodcut with some old repairings in ink) by DAorer or Duerer, Albrecht (1471-1528); 39x28 cm; Ashmolean Museum, University of Oxford

A Village Scene: Winter, 16th century (brush and blue watercolour)
1217297 A Village Scene: Winter, 16th century (brush and blue watercolour) by Savery, Jacob I (c.1545-1602); 19.9x31.1 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch

Profile portrait of John Everett Millais, c. 1854 (plaster of Paris)
1217267 Profile portrait of John Everett Millais, c.1854 (plaster of Paris) by Munro, Alexander (1825-71); Ashmolean Museum, University of Oxford

Le Repos Gracieux, c. 1713 (oil on panel)
1216857 Le Repos Gracieux, c.1713 (oil on panel) by Watteau, Jean Antoine (1684-1721); 19.5x11.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Christ Church Meadows, 6 May 1788 (watercolour over graphite, on paper)
1216844 Christ Church Meadows, 6 May 1788 (watercolour over graphite, on paper) by Malchair, John Baptist (1731-1812); 12.5x16.2 cm; Ashmolean Museum, University of Oxford

The entrance to Oxford from London, from recollection, 16 July 1790
1216841 The entrance to Oxford from London, from recollection, 16 July 1790 (watercolour over graphite, on paper) by Malchair, John Baptist (1731-1812); 19.6x32 cm; Ashmolean Museum

A hollow Lane near Harborne, Derbyshire (black chalk with touches of white
1216829 A hollow Lane near Harborne, Derbyshire (black chalk with touches of white and some brown wash) by Cox, David (1783-1859); 24.5x32.8 cm; Ashmolean Museum, University of Oxford

Venice: The Dogana di Mare and S. Maria della Salute (pen and brown ink over black chalk)
1216776 Venice: The Dogana di Mare and S. Maria della Salute (pen and brown ink over black chalk) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 18.3x21.9 cm; Ashmolean Museum

Study of a draped male figure (chalk on paper)
1216760 Study of a draped male figure (chalk on paper) by Carracci, Annibale (1560-1609); 40.8x31.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

South East View of the Taylor Building and University Galleries
1216755 South East View of the Taylor Building and University Galleries (watercolour with bodycolour over graphite) by Mackenzie, Frederick (c.1788-1854); 22.8x35.5 cm; Ashmolean Museum

The Virgin and Child with Angels and Dominican Saints, St Peter (left) and St Paul (right
1216743 The Virgin and Child with Angels and Dominican Saints, St Peter (left) and St Paul (right) (tempera and gilding on panel) by Angelico, Fra (c.1387-1455) (studio of); Ashmolean Museum

Michelangelo Buonarroti, c. 1560-1566 (bronze with a dark brown patina, lost-wax cast)
1216739 Michelangelo Buonarroti, c. 1560-1566 (bronze with a dark brown patina, lost-wax cast) by Daniele da Volterra (Ricciarelli), (1509-66); Ashmolean Museum, University of Oxford

Psyche presenting to Venus the Vase of Proserpine (pen and brown ink over red chalk
1216738 Psyche presenting to Venus the Vase of Proserpine (pen and brown ink over red chalk on brownish paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 10.5x8 cm; Ashmolean Museum

The Coronation of the Virgin (pen and brown ink on off-white paper)
1216730 The Coronation of the Virgin (pen and brown ink on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 35.3x28.9 cm; Ashmolean Museum, University of Oxford

Female Figure Walking to Right (pen and brown ink on off-white paper)
1216708 Female Figure Walking to Right (pen and brown ink on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 27.3x19.4 cm; Ashmolean Museum, University of Oxford

Temperance, late 17th century (oil on canvas)
1216670 Temperance, late 17th century (oil on canvas) by Franco-Flemish School, (17th century); 122.5x102 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous)

Self Portrait, c. 1640-1650 (oil on canvas)
1216663 Self Portrait, c.1640-1650 (oil on canvas) by Walker, Robert (1599-1658); 75x62 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Christ among the Doctors, 16th century (oil on canvas)
AMO96926 Christ among the Doctors, 16th century (oil on canvas) by Bassano, Jacopo (Jacopo da Ponte) (1510-92); 116x174 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Still Life with a Mask (oil on canvas)
AMO96918 Still Life with a Mask (oil on canvas) by Andriessen, Hendrick (1607-55); 48x43 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Flemish, out of copyright

St. Helen, 15th century (oil on panel)
AMO98798 St. Helen, 15th century (oil on panel) by Meloni, Altobello (fl.1497-1517); 112x48 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: St Helen)

The Taming of the Shrew: Katherine and Petruchio, 1855 (oil on canvas)
AMO98797 The Taming of the Shrew: Katherine and Petruchio, 1855 (oil on canvas) by Martineau, Robert Braithwaite (1826-69); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Venice: The Piazzetta with Figures, 18th century (oil on canvas)
AMO98738 Venice: The Piazzetta with Figures, 18th century (oil on canvas) by Carlevaris, Luca (1663-1730/1); 46x39 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Interior with a Still Life and a Young Man Holding a Recorder
AMO98737 Interior with a Still Life and a Young Man Holding a Recorder, 17th century (oil on canvas) by Cecco del Caravaggio (fl.1619) (attr.); 103x138 cm; Ashmolean Museum, University of Oxford

Virgin and Child (The Tallard Madonna), 15th century (oil on panel)
AMO98722 Virgin and Child (The Tallard Madonna), 15th century (oil on panel) by Giorgione, (Giorgio da Castelfranco) (1476/8-1510); 76x60 cm; Ashmolean Museum, University of Oxford

Miss Gainsborough Gleaning, 18th century (oil on canvas)
AMO98716 Miss Gainsborough Gleaning, 18th century (oil on canvas) by Gainsborough, Thomas (1727-88); 73x63 cm; Ashmolean Museum, University of Oxford

Still Life of Pink and Red Roses, 19th century (oil on canvas)
AMO98710 Still Life of Pink and Red Roses, 19th century (oil on canvas) by Fantin-Latour, Ignace Henri Jean (1836-1904); 39x40 cm; Ashmolean Museum, University of Oxford

Portrait of a Young Man With a Dog and a Cat (oil on panel)
AMO98700 Portrait of a Young Man With a Dog and a Cat (oil on panel) by Dossi, Dosso (c.1479-1542); 28x24 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

A Brick-Works Eragny, 1885 (oil on canvas)
AMO99120 A Brick-Works Eragny, 1885 (oil on canvas) by Pissarro, Camille (1830-1903); 38x46 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

London Bridge on the Night of the Marriage of the Prince and Princess of Wales
AMO98773 London Bridge on the Night of the Marriage of the Prince and Princess of Wales, 1863-6 (oil on canvas) by Hunt, William Holman (1827-1910); 65x98 cm; Ashmolean Museum, University of Oxford

Ophelia (oil on panel)
AMO98768 Ophelia (oil on panel) by Hughes, Arthur (1832-1915); 33.3x21.1 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: the " mad scene" from the play " Hamlet")

The Marriage Contract, 1743 (oil on canvas)
AMO98765 The Marriage Contract, 1743 (oil on canvas) by Hogarth, William (1697-1764); 62x75 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

The Forest Fire, 15th century (oil on panel)
AMO98755 The Forest Fire, 15th century (oil on panel) by Cosimo, Piero di (c.1462-1521); 71x203 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Landscape: Le Petit Charville, near Ville d Array, 19th century (oil on canvas)
AMO98754 Landscape: Le Petit Charville, near Ville d Array, 19th century (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 24x33 cm; Ashmolean Museum, University of Oxford

View of Olevano (oil on canvas)
AMO98752 View of Olevano (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 24x44 cm; Ashmolean Museum, University of Oxford

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.