Westernart Collection (page 10)

Yellow Twilight, c. 1830 (pen and Indian ink and wash, with watercolour and bodycolour
1217940 Yellow Twilight, c.1830 (pen and Indian ink and wash, with watercolour and bodycolour and gum arabic, on off-white paper) by Palmer, Samuel (1805-81); 16.4x27.4 cm; Ashmolean Museum

Lamp (or inkwell) in the form of the head of an African boy
1217937 Lamp (or inkwell) in the form of the head of an African boy; hinged lid and angular handle, c. 1510-30 (bronze) by Severo da Ravenna (fl.1496-1543) (workshop of); Ashmolean Museum

Seated Shepherd with Cows and Sheep in a Meadow, 1644 (oil on oak panel)
1217934 Seated Shepherd with Cows and Sheep in a Meadow, 1644 (oil on oak panel) by Cuyp, Aelbert (1620-91); 48.3x74.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch

An Exhibition at the Old Town Hall, Oxford, 1854 (watercolour
1217932 An Exhibition at the Old Town Hall, Oxford, 1854 (watercolour and bodycolour over pencil on stiff paper, laid on original mount) by Pyne, George (1800/01-84); 21.9x35 cm; Ashmolean Museum

Christ Church College, Oxford, 1832 - 1833 (watercolour
1217914 Christ Church College, Oxford, 1832 - 1833 (watercolour and bodycolour over graphite with scratching out) by Turner, Joseph Mallord William (1775-1851); 29.5x41.7 cm; Ashmolean Museum

Head of an Italian Girl in a Mantilla, 1838 (red and black chalk
1217913 Head of an Italian Girl in a Mantilla, 1838 (red and black chalk and indian ink with watercolours and bodycolours on buff board) by Lewis

Viola, 1740 (wood)
1217901 Viola, 1740 (wood) by Wamsley, Peter (fl.1725-45); Ashmolean Museum, University of Oxford, UK; (add.info.: undefined: cm L back: 411mm; upper b: 194 mm; middle b: 143 mm; lower b)

David Garrick, 1762 - 1763 (oil on canvas)
1217898 David Garrick, 1762 - 1763 (oil on canvas) by Zoffany, Johann (1733-1810); 75.2x62.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

A View of a Garden, seen from within a Roman Vault, 1802 - 1824 (oil on canvas)
1217889 A View of a Garden, seen from within a Roman Vault, 1802 - 1824 (oil on canvas) by Granet, Francois-Marius (1775-1849); 47.3x60.9 cm; Ashmolean Museum, University of Oxford

Market Scene (black crayon with pen and black ink, grey wash
1217875 Market Scene (black crayon with pen and black ink, grey wash, and white bodycolour on tracing paper, laid down on stiff white paper) by Pissarro

Philae, Egypt, 1854 (Pen and black ink, graphite and watercolour on brown paper)
1217874 Philae, Egypt, 1854 (Pen and black ink, graphite and watercolour on brown paper) by Lear, Edward (1812-88); 26.9x44.6 cm; Ashmolean Museum, University of Oxford

Montfermeuil, the Brook in the Wood, 1867 (oil on canvas)
1217870 Montfermeuil, the Brook in the Wood, 1867 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 58x49 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Scene before a Maypole with Alkmaar Church in the Background, 1669 (oil on canvas)
1217869 Scene before a Maypole with Alkmaar Church in the Background, 1669 (oil on canvas) by Ruysdael, Jacob Salomonsz. (1630-81); 76x104 cm; Ashmolean Museum, University of Oxford

Landscape with Trees (oil on canvas)
1217867 Landscape with Trees (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 27.5x31.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Bust portrait of Thomas Howard, Earl of Arundel (Carrara marble)
1217862 Bust portrait of Thomas Howard, Earl of Arundel (Carrara marble) by Dieussart, Francois (1600-61); Ashmolean Museum, University of Oxford

The Choice of Hercules, 1712 (oil on canvas)
1217856 The Choice of Hercules, 1712 (oil on canvas) by Matteis, Paolo di (1662-1728); 198.2x256.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Elderly Man in a black Hat, 1588 (oil on card)
1217855 Elderly Man in a black Hat, 1588 (oil on card) by Oliver, Isaac (c.1565-1617); 61.55x49.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Portrait of Gerald Reitlinger, 1926 (Blue chalk)
1217849 Portrait of Gerald Reitlinger, 1926 (Blue chalk) by Wood, Christopher (1901-30); 63x48.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Folder of poetry (pen & ink on paper)
1217846 Folder of poetry (pen & ink on paper) by Siddal, Elizabeth Eleanor (Lizzie) (1834-62); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Elizabeth Siddal playing a Stringed Instrument, c. 1852 (graphite on off-white paper)
1217843 Elizabeth Siddal playing a Stringed Instrument, c.1852 (graphite on off-white paper) by Rossetti, Dante Gabriel Charles (1828-82); 18.4x12.1 cm; Ashmolean Museum, University of Oxford

Studies for The Light of the World (graphite with pen
1217821 Studies for The Light of the World (graphite with pen and brown ink on off-white paper) by Hunt, William Holman (1827-1910); 25.7x35.8 cm; Ashmolean Museum, University of Oxford

Bambourough Castle, 1852 (watercolour with touches of white bodycolour)
1217810 Bambourough Castle, 1852 (watercolour with touches of white bodycolour) by Fielding, Anthony Vandyke Copley (1787-1855); 64.2x98.5 cm; Ashmolean Museum, University of Oxford

Cloister Lilies, 1891 (watercolour on paper)
1217801 Cloister Lilies, 1891 (watercolour on paper) by Stillman, Marie Spartali (1844-1927); 45x36 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

The Weary Ploughman, 1858 (etching and drypoint)
1217796 The Weary Ploughman, 1858 (etching and drypoint) by Palmer, Samuel (1805-81); 13.2x20.121.8x29.3 cm; Ashmolean Museum, University of Oxford

Two Studies of a Cat (graphite on discoloured wove paper)
1217795 Two Studies of a Cat (graphite on discoloured wove paper) by Steinlen, Theophile Alexandre (1859-1923); 13.2x16.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Swiss

Hand-warmer in the form of a book, 1672 (earthenware, tin-glazed, delftware)
1217789 Hand-warmer in the form of a book, 1672 (earthenware, tin-glazed, delftware) by English School, (17th century); Ashmolean Museum, University of Oxford

Pansies, c. 1860 (oil on canvas)
1217785 Pansies, c.1860 (oil on canvas) by Hughes, Arthur (1832-1915); 38x29 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Italianate Landscape with Travellers on a winding Road, 1775 - 1779
1217782 Italianate Landscape with Travellers on a winding Road, 1775 - 1779 (black chalk with watercolour and bodycolour, varnished) by Gainsborough, Thomas (1727-88); 22.5x30.9 cm; Ashmolean Museum

Stonehenge: Stormy Day, 1846 (watercolour over graphite, on paper)
1217771 Stonehenge: Stormy Day, 1846 (watercolour over graphite, on paper) by Turner, William (Turner of Oxford) (1789-1862); 45.7x67.8 cm; Ashmolean Museum, University of Oxford

Young Girlhood, No. 2, 1920 - 1929 (oil on canvas)
1217761 Young Girlhood, No. 2, 1920 - 1929 (oil on canvas) by Gertler, Mark (1891-1939); 13.5x64 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Study of a Woman, seen from the Back (black challk and stump
1217756 Study of a Woman, seen from the Back (black challk and stump, heightened with white on greyish brown paper) by Gainsborough, Thomas (1727-88); 49x30.5 cm; Ashmolean Museum

Crouching by the Marge (pen and black ink on pink paper)
1217752 Crouching by the Marge (pen and black ink on pink paper) by Ricketts, Charles (1866-1931); 20.2x16.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Mariana (pen & black ink)
1217746 Mariana (pen & black ink) by Millais, John Everett (1829-96); 9.6x7.9 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Mariana is the subject of an 1830 poem by Alfred)

Iffley Mill (watercolour with pen and brown ink)
1217745 Iffley Mill (watercolour with pen and brown ink) by Turner, William (Turner of Oxford) (1789-1862); 23.9x32.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Two Acolytes Censing: Pentecost (bodycolour on paper mounted on canvas)
1217743 Two Acolytes Censing: Pentecost (bodycolour on paper mounted on canvas) by Solomon, Simeon (1840-1905); 40.3x34.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Portrait of Frederick Spencer Gore (1878 - 1914) (graphite on paper)
1217731 Portrait of Frederick Spencer Gore (1878 - 1914) (graphite on paper) by Gilman, Harold (1876-1919); 27.5x18.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Gaslight, 1854 (oil over graphite on panel, mounted as a drawing)
1217725 Gaslight, 1854 (oil over graphite on panel, mounted as a drawing) by Lee, William (1808-64); 20x14.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Landscape near Muiderberg, early 1650s (oil on canvas)
1217724 Landscape near Muiderberg, early 1650s (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 66x75 cm; Ashmolean Museum, University of Oxford

Saskia asleep in Bed (pen and brown ink)
1217719 Saskia asleep in Bed (pen and brown ink) by Rembrandt Harmensz. van Rijn (1606-69); 14.4x20.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

Study of Trees, Clovelly Park, 1834 (black chalk on pale greyish paper)
1217718 Study of Trees, Clovelly Park, 1834 (black chalk on pale greyish paper) by Palmer, Samuel (1805-81); 25.5x37.1 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

The Virgin and Child, c. 1567 (oil and tempera on panel)
1217710 The Virgin and Child, c. 1567 (oil and tempera on panel) by Morales, Luis de (1500-86); 43.5x29.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Spanish, out of copyright

St Jerome, 1521 (black chalk with finely hatched brushwork and blue ground)
1217707 St Jerome, 1521 (black chalk with finely hatched brushwork and blue ground) by Leyden, Lucas van (c.1494-1533); 37.6x28.1 cm; Ashmolean Museum, University of Oxford

A Landscape with Horsemen (oil on paper)
1217704 A Landscape with Horsemen (oil on paper) by Gainsborough, Thomas (1727-88); 22.5x31 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

La femme sur la route, 1879 (aquatint and drypoint)
1217692 La femme sur la route, 1879 (aquatint and drypoint) by Pissarro, Camille (1830-1903); 15.4x20.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Compositional study of four female peasants working in an orchard ( Spring ), c
1217690 Compositional study of four female peasants working in an orchard ( Spring ), c. 1894 (red-brown and Indian inks over charcoal on blue paper) by Pissarro

Compositional study of harvesters in a landscape, c. 1893
1217685 Compositional study of harvesters in a landscape, c. 1893 (pen and dark ink over black chalk, faintly squared in black chalk) by Pissarro, Camille (1830-1903); 23.3x30.4 cm; Ashmolean Museum

Portrait of Lucien Pissarro (1863-1944), 1883 (pastel)
1217675 Portrait of Lucien Pissarro (1863-1944), 1883 (pastel) by Pissarro, Camille (1830-1903); 55.2x37.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Peasant woman weeding the grass (pastel heightened in places with a pink wash)
1217669 Peasant woman weeding the grass (pastel heightened in places with a pink wash) by Pissarro, Camille (1830-1903); 59.5x42.5 cm; Ashmolean Museum, University of Oxford

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.