Westernart Collection (page 9)

Head of a Woman, 1890 (pencil on paper)
AMO101403 Head of a Woman, 1890 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 22.7x20.1 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

The Nosegay, 19th century (w / c on paper)
AMO101402 The Nosegay, 19th century (w/c on paper) by Brown, Ford Madox (1821-93); 47.3x32.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Two Sketches of David Garrick in Character, 18th century (oil on canvas)
AMO100876 Two Sketches of David Garrick in Character, 18th century (oil on canvas) by Zoffany, Johann (1733-1810); 33x38 cm; Ashmolean Museum, University of Oxford

Portrait of Mary Thomas, the Artists Wife, 18th century (oil on canvas)
AMO100875 Portrait of Mary Thomas, the Artists Wife, 18th century (oil on canvas) by Zoffany, Johann (1733-1810); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

The Graceful Rest, c. 1713 (oil on canvas)
AMO100870 The Graceful Rest, c.1713 (oil on canvas) by Watteau, Jean Antoine (1684-1721); 20x13 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

The Temptation of St. Anthony, 1556 (pen & Indian ink on paper)
AMO249896 The Temptation of St. Anthony, 1556 (pen & Indian ink on paper) by Bruegel, Pieter the Elder (c.1525-69); 21.6x32.6 cm; Ashmolean Museum, University of Oxford

Thomas Howard (1585-1646) 2nd Earl of Arundel (pencil, pen & ink and wash on paper)
AMO213880 Thomas Howard (1585-1646) 2nd Earl of Arundel (pencil, pen & ink and wash on paper) by Rubens, Peter Paul (1577-1640); Ashmolean Museum, University of Oxford

Beatrice Meeting Dante at a Marriage Feast Denies Him Her Salutation
AMO136296 Beatrice Meeting Dante at a Marriage Feast Denies Him Her Salutation, 1860s (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); Ashmolean Museum, University of Oxford

Portrait of Holman Hunt, 1854 (w / c and pencil on paper)
AMO136295 Portrait of Holman Hunt, 1854 (w/c and pencil on paper) by Millais, John Everett (1829-96); Ashmolean Museum, University of Oxford, UK; (add.info.: Holman Hunt (1827-1910)

Study of a blind Beggar, c. 1511 (chalk on paper)
AMO277377 Study of a blind Beggar, c.1511 (chalk on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Studies for the Pieta Rondanini, c. 1552 (chalk on paper)
AMO276544 Studies for the Pieta Rondanini, c.1552 (chalk on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Study of Apostles, c. 1550-55 (black chalk on paper)
AMO276541 Study of Apostles, c.1550-55 (black chalk on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Fight study for the Cascina Battle, 1504 (pen & ink on paper)
AMO276504 Fight study for the Cascina Battle, 1504 (pen & ink on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Portrait of a Man (red chalk & black lead on paper)
AMO443754 Portrait of a Man (red chalk & black lead on paper) by Zuccaro, Federico (1542-1609); 14.6x11.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Pair-cased verge watch, c. 1685 (silver)
740649 Pair-cased verge watch, c.1685 (silver) by Colston, Richard (c.1682-1709); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Bust of Robert Dundas of Arniston, Lord Chief Baron of the Exchequer of Scotland
1218071 Bust of Robert Dundas of Arniston, Lord Chief Baron of the Exchequer of Scotland (1758-1819), 1817 - 1818 (plaster) by Chantrey, Francis Legatt (1781-1841); 65.8x48.5x27 cm; Ashmolean Museum

Four Studies of Ling, probably 14 September 1869 (watercolour, bodycolour
1218064 Four Studies of Ling, probably 14 September 1869 (watercolour, bodycolour, and pen and ink over graphite on blue wove paper) by Ruskin, John (1819-1900); Ashmolean Museum

Drawing of Abraham parting from the Angels from Benozzo Gozzolis "
1218063 Drawing of Abraham parting from the Angels from Benozzo Gozzolis " Story of Abraham and Hagar" in the Camposanto, Pisa

Lowther Castle, 1809 (graphite on wove paper)
1218060 Lowther Castle, 1809 (graphite on wove paper) by Turner, Joseph Mallord William (1775-1851); 21.9x35.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Study for a Head in "The Days of Creation", c
1218055 Study for a Head in " The Days of Creation", c. 1871 - 1875 (graphite and black chalk on off-white paper) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum

Study of Tintorettos "Saint Sebastian"in the Scuola Grande di San Rocco
1218054 Study of Tintorettos " Saint Sebastian" in the Scuola Grande di San Rocco, 1859 or 1862 (black chalk and graphite on wove paper) by Burne-Jones

Study of a Panel on the Font of the Baptistery, Pisa, 27 - 29 April 1872
1218052 Study of a Panel on the Font of the Baptistery, Pisa, 27 - 29 April 1872 (watercolour and bodycolour over graphite on wove paper) by Ruskin, John (1819-1900); Ashmolean Museum

Recto: The Glacier des Bossons, Chamonix, June 1849 (pen and wash in sepia ink
1218050 Recto: The Glacier des Bossons, Chamonix, June 1849 (pen and wash in sepia ink, and bodycolour, over graphite on wove paper) by Ruskin, John (1819-1900); Ashmolean Museum

The Tomb of Frederick II in the Cathedral of Palermo, 23 - 30 April 1874
1218047 The Tomb of Frederick II in the Cathedral of Palermo, 23 - 30 April 1874 (watercolour and bodycolour over graphite on paper) by Ruskin, John (1819-1900); Ashmolean Museum

The Tomb of Ilaria del Caretto in the Duomo, Lucca, 10 August - 26 September 1874
1218046 The Tomb of Ilaria del Caretto in the Duomo, Lucca, 10 August - 26 September 1874 (watercolour and bodycolour over graphite on paper, some lines ruled) by Ruskin

Study of the Tomb of Can Grande della Scala at Verona, May - August 1869
1218038 Study of the Tomb of Can Grande della Scala at Verona, May - August 1869 (graphite on paper) by Ruskin, John (1819-1900); Ashmolean Museum, University of Oxford

Afternoon in Spring, with south Wind, at Neuchatel, 30 April 1869
1218037 Afternoon in Spring, with south Wind, at NeuchAtel, 30 April 1869 (watercolour and bodycolour over graphite on pale grey wove paper) by Ruskin, John (1819-1900); Ashmolean Museum

Morning in Spring, with north-east Wind, at Vevey, May - June 1849 or 1 May 1869
1218036 Morning in Spring, with north-east Wind, at Vevey, May - June 1849 or 1 May 1869 (watercolour and bodycolour over graphite on pale grey wove paper) by Ruskin

Part of Saint Marks Basilica, Venice: Sketch after Rain
1218032 Part of Saint Marks Basilica, Venice: Sketch after Rain, 27 May 1846 (watercolour and bodycolour and ink over graphite on grey wove paper) by Ruskin, John (1819-1900); Ashmolean Museum

A Turkey, 16th or 17th century (woodcut and letterpress on laid paper)
1218030 A Turkey, 16th or 17th century (woodcut and letterpress on laid paper) by German School; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; out of copyright

Sketch of Lioness and Cubs from Nicola Pisanos Siena Pulpit
1218029 Sketch of Lioness and Cubs from Nicola Pisanos Siena Pulpit, June 1870 (watercolour and bodycolour over graphite on blue-grey wove paper) by Ruskin, John (1819-1900); Ashmolean Museum

The Palazzo Gambacorti, Pisa, 27 - 30 April 1872 (watercolour over graphite on wove paper
1218022 The Palazzo Gambacorti, Pisa, 27 - 30 April 1872 (watercolour over graphite on wove paper) by Ruskin, John (1819-1900); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

The Queen of the Fishes - Girl fishing for eels (wood engraving)
1218014 The Queen of the Fishes - Girl fishing for eels (wood engraving) by Pissarro, Lucien (1863-1944); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

The Apple Harvest, 1889 (woodcut)
1218012 The Apple Harvest, 1889 (woodcut) by Pissarro, Lucien (1863-1944); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Mericourt, 1919 (pen and ink and coloured crayons on white paper)
1218011 Mericourt, 1919 (pen and ink and coloured crayons on white paper) by Pissarro, Lucien (1863-1944); 20.7x25.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Daphnis and Chloe, Longus (print)
1218007 Daphnis and Chloe, Longus (print) by English School; 22.5x13.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

The University Museum: Oxford almanack for 1860, 1860 (engraving)
1218005 The University Museum: Oxford almanack for 1860, 1860 (engraving) by Le Keux, John (1783-1846); 23x34.6 cm; Ashmolean Museum, University of Oxford

Panoramic View of Rome from Monte Janiculus (pen and brown ink over black chalk)
1217999 Panoramic View of Rome from Monte Janiculus (pen and brown ink over black chalk) by Wyngaerde, Anthonis van den (fl.1510-72); 28.9x132.3 cm; Ashmolean Museum, University of Oxford

Panoramic View over the Bay of Gibraltar looking towards the Town
1217995 Panoramic View over the Bay of Gibraltar looking towards the Town and the African Coast beyond (pen and brown ink with blue wash over black chalk) by Wyngaerde

Hampton Court Palace from the North (pen and brown ink and watercolour over faint
1217988 Hampton Court Palace from the North (pen and brown ink and watercolour over faint indications in black chalk) by Wyngaerde, Anthonis van den (fl.1510-72); 30x200 cm; Ashmolean Museum

Leith, 1747 (watercolour and some coloured chalk over indications in graphite)
1217976 Leith, 1747 (watercolour and some coloured chalk over indications in graphite) by Sandby, Paul (1725-1809); 16.2x45.3 cm; Ashmolean Museum, University of Oxford

Study for the left-hand Portion of a View of Bruges from the South-West
1217975 Study for the left-hand Portion of a View of Bruges from the South-West (pen and brown ink over traces of black chalk) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum

John Ruskin, 1854 (oil on canvas)
1217972 John Ruskin, 1854 (oil on canvas) by Millais, John Everett (1829-96); 71.3x60.8 cm; Ashmolean Museum, University of Oxford

Portrait of Mademoiselle Claus, 1868 (oil on canvas)
1217966 Portrait of Mademoiselle Claus, 1868 (oil on canvas) by Manet, Edouard (1832-83); 111x70 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Crucifixion, with the Virgin Mary and Saint John the Evangelist, 1785 (terracotta)
1217964 Crucifixion, with the Virgin Mary and Saint John the Evangelist, 1785 (terracotta) by Clodion, Claude Michel (1738-1814); Ashmolean Museum, University of Oxford

Jerusalem, 1865 (oil on canvas)
1217942 Jerusalem, 1865 (oil on canvas) by Lear, Edward (1812-88); 81x161.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.