Westernart Collection (page 2)

The Wood on the Hill, 1912 (ink, chalk & w / c on paper)
497304 The Wood on the Hill, 1912 (ink, chalk & w/c on paper) by Nash, Paul (1889-1946); Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Recto: The Ruined Arch at Kew (red, black and white chalk on blue paper)
1217823 Recto: The Ruined Arch at Kew (red, black and white chalk on blue paper) by Wilson, Richard (1713/14-82); 24.8x33.4 cm; Ashmolean Museum, University of Oxford

Inkstand: Pan listening to Echo, 1530-1540 (bronze, silver)
1217380 Inkstand: Pan listening to Echo, 1530-1540 (bronze, silver) by Riccio, Andrea (or Briosco, Andrea) (1470-1532); Ashmolean Museum, University of Oxford

Interior of St Pauls Cathedral (oil on canvas laid on board)
1217420 Interior of St Pauls Cathedral (oil on canvas laid on board) by Pittar, J. F. Barry (1880-1947); 60x48 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Luca Carlevarijs, c. 1724 (oil on canvas)
1216877 Luca Carlevarijs, c.1724 (oil on canvas) by Nazari, Bartolomeo (1699-1758); 97x79.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Study for Cicero and his Friends (black, white and brightly coloured chalks on greyish paper)
1216780 Study for Cicero and his Friends (black, white and brightly coloured chalks on greyish paper) by Wilson, Richard (1713/14-82); 20.5x23.6 cm; Ashmolean Museum, University of Oxford

The Rest on the Flight into Egypt, 17th century (oil on copper)
AMO99131 The Rest on the Flight into Egypt, 17th century (oil on copper) by Procaccini, Camillo (c.1560-1629); 23x20 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Cicero and his Friends, Atticus and Quintus, at his Villa at Arpinum, 18th century (oil on canvas)
AMO367645 Cicero and his Friends, Atticus and Quintus, at his Villa at Arpinum, 18th century (oil on canvas) by Wilson, Richard (1713/14-82); Ashmolean Museum, University of Oxford

Rome from the Villa Madama, during or post 1753 (oil on canvas)
1217779 Rome from the Villa Madama, during or post 1753 (oil on canvas) by Wilson, Richard (1713/14-82); 44x53 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Portrait of an Arab, 1934 (black, white and red chalk on grey-buff board)
1217435 Portrait of an Arab, 1934 (black, white and red chalk on grey-buff board) by Laszlo, Philip Alexius de (1869-1937); 58.8x43.4 cm; Ashmolean Museum, University of Oxford

The Lago di Agnano, c. 1752 (oil on canvas)
1216788 The Lago di Agnano, c.1752 (oil on canvas) by Wilson, Richard (1713/14-82); 43x55 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Chess board, 15th century (ivory)
AMO152477 Chess board, 15th century (ivory) by Italian School, (15th century); Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Landscape with a River and Bridge, c. 1830 (oil on canvas)
1217428 Landscape with a River and Bridge, c. 1830 (oil on canvas) by British School, (19th century); 30x39 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Games Board, 1426 - 1450 (bone, horn and wood)
1217562 Games Board, 1426 - 1450 (bone, horn and wood) by Italian School, (15th century); 45.9x11.2 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Portrait of Marie-Amelie, Queen of France (watercolour and bodycolour on cream paper)
1217877 Portrait of Marie-Amelie, Queen of France (watercolour and bodycolour on cream paper) by Bryullov, Aleksandr Pavlovich (1798-1877); 43.1x29.5 cm; Ashmolean Museum, University of Oxford

Landscape with a Horseman and a Bridge (pen and wash in brown ink with some black chalk
1217864 Landscape with a Horseman and a Bridge (pen and wash in brown ink with some black chalk on off-white paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666)

Portrait of a Young Man, post 1560 (oil on panel)
1217857 Portrait of a Young Man, post 1560 (oil on panel) by Allori, Alessandro (1535-1607); 133x140 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Scene on Otmoor, 1912 (oil on canvas)
1217851 Scene on Otmoor, 1912 (oil on canvas) by Carline, George (1855-1920); 42.5x53 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Two Lovers, 1854 (pen and brown ink on off-white paper)
1217844 Two Lovers, 1854 (pen and brown ink on off-white paper) by Siddal, Elizabeth Eleanor (Lizzie) (1834-62); 23.8x29.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Evgenii Sergheevich Mikhailov, the Artists Nephew, 1916 (oil on canvas)
1217840 Evgenii Sergheevich Mikhailov, the Artists Nephew, 1916 (oil on canvas) by Somov, Konstantin Andreevic (1869-1939); 76x57 cm; Ashmolean Museum, University of Oxford

Tile with Kingfisher with Beak through Fish, 1882-88 (red and white lustreware)
1217836 Tile with Kingfisher with Beak through Fish, 1882-88 (red and white lustreware) by Morgan, William De (1839-1917); 15.2x15.2 cm; Ashmolean Museum, University of Oxford

Tile with Dodo, 1882-1888 (red and white lustreware)
1217835 Tile with Dodo, 1882-1888 (red and white lustreware) by Morgan, William De (1839-1917); 15.2x15.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

MS catalogue of the wood engravings of Lucien Pissarro (wood engraving)
1217828 MS catalogue of the wood engravings of Lucien Pissarro (wood engraving) by Pissarro, Lucien (1863-1944); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Verso: Studies of two pairs of legs (pen and brown ink over black chalk)
1217826 Verso: Studies of two pairs of legs (pen and brown ink over black chalk) by Carracci, Ludovico (1555-1619); 35.6x56.7 cm; Ashmolean Museum, University of Oxford

Nelson sealing the Copenhagen letter, c. 1835 (oil on panel, mounted as a drawing)
1217822 Nelson sealing the Copenhagen letter, c. 1835 (oil on panel, mounted as a drawing) by Wilkie, David (1785-1841); 17.4x22.7 cm; Ashmolean Museum, University of Oxford

Studies for The Light of the World (braphite with pen
1217820 Studies for The Light of the World (braphite with pen and brown ink on off-white paper) by Hunt, William Holman (1827-1910); 25.7x35.8 cm; Ashmolean Museum, University of Oxford

Portrait of a young Woman holding a Flower, late 15th century (oil on panel)
1217817 Portrait of a young Woman holding a Flower, late 15th century (oil on panel) by Landshut, Nicolaus Alexander Mair von (c.1450-1520) (attr.); 61x41 cm; Ashmolean Museum, University of Oxford

Staffordshire Group, 1921 (oil on canvas)
1217814 Staffordshire Group, 1921 (oil on canvas) by Gertler, Mark (1891-1939); 56.2x43.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite
1217805 Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite on pale cream paper) by Millais, John Everett (1829-96); 33.7x22 cm; Ashmolean Museum, University of Oxford

Kennack Sands, Cornwall, at Low Tide, 1877 (oil on board, mounted as a drawing)
1217803 Kennack Sands, Cornwall, at Low Tide, 1877 (oil on board, mounted as a drawing) by Brett, John (1848-1900); 17.9x35.4 cm; Ashmolean Museum, University of Oxford

Preliminary Sketch for the Portrait of John Ruskin (graphite on blue paper)
1217800 Preliminary Sketch for the Portrait of John Ruskin (graphite on blue paper) by Millais, John Everett (1829-96); 19.7x12.6 cm; Ashmolean Museum, University of Oxford

Interior with Mrs Mounter in an Overall, 1 December 1918
1217792 Interior with Mrs Mounter in an Overall, 1 December 1918 (pen and black ink and watercolour) by Gilman, Harold (1876-1919); 22.7x19.1 cm; Ashmolean Museum, University of Oxford

Milkmaid with two cows (black chalk and stump heightened with white
1217783 Milkmaid with two cows (black chalk and stump heightened with white, on coarse paper prepared with pink) by Gainsborough, Thomas (1727-88); 24.1x32.3 cm; Ashmolean Museum

The Virgin and Child with the Infant St John (pen and brown ink with brown wash over
1217780 The Virgin and Child with the Infant St John (pen and brown ink with brown wash over black chalk on white paper) by Tiepolo

Field of Rye, Barbizon, c. 1884 (oil on panel)
1217774 Field of Rye, Barbizon, c. 1884 (oil on panel) by Coghill, Egerton Bush (1851-1921); 32x41 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; British, out of copyright

Dieppe from the West, 1910 - 1911 (oil on canvas)
1217772 Dieppe from the West, 1910 - 1911 (oil on canvas) by Gilman, Harold (1876-1919); 45x60 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Study of a Dodo and a Guinea-pig, 1847 (watercolour with pen and ink on off-white paper)
1217768 Study of a Dodo and a Guinea-pig, 1847 (watercolour with pen and ink on off-white paper) by Spencer-Churchill, Charlotte Augusta Duchess of Marlborough (1818-1850)

Design for Anna Pavlovas Costume of Columbine in Arlequinade
1217766 Design for Anna Pavlovas Costume of Columbine in Arlequinade, 1909 (graphite and watercolour on off-white paper) by Somov, Konstantin Andreevic (1869-1939); 30.6x21.8 cm; Ashmolean Museum

Head of a bearded Man (pen and brown ink with brown wash over black chalk on white paper)
1217753 Head of a bearded Man (pen and brown ink with brown wash over black chalk on white paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 24.3x19.5 cm; Ashmolean Museum

The Lord of Burleigh (pen and black ink)
1217749 The Lord of Burleigh (pen and black ink) by Millais, John Everett (1829-96); 8.3x9.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

View of Oxford from Headington (watercolour on paper)
1217744 View of Oxford from Headington (watercolour on paper) by Turner, William (Turner of Oxford) (1789-1862); 26.1x39.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Design for the Counts Costume in Act III of The Sleeping Princess
1217741 Design for the Counts Costume in Act III of The Sleeping Princess, 1922 (watercolour and bodycolour with gold and silver paints over graphite on cream paper) by Bakst

The Flight into Egypt (oil on canvas)
1217727 The Flight into Egypt (oil on canvas) by Zurbaran, Francisco de (1598-1664) (after); 155.5x162.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Spanish, out of copyright

Study for a Knight of Malta (red chalk on off-white paper)
1217726 Study for a Knight of Malta (red chalk on off-white paper) by Preti, Mattia (Il Calabrese) (1613-99); 39.1x25.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Landscape near Appeldoorn, 1680 (pen and brown ink)
1217722 Landscape near Appeldoorn, 1680 (pen and brown ink) by Huygens, Constantijn the Younger (1628-1697); 12.7x22.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch

View of Buildings in a walled Enclosure with Mountains in the Background
1217717 View of Buildings in a walled Enclosure with Mountains in the Background (graphite on white wove paper) by Daubigny, Charles Francois (1817-78); 18.3x33.1 cm; Ashmolean Museum

Landscape with an Obelisk, 1803 (point of the brush in brown ink
1217715 Landscape with an Obelisk, 1803 (point of the brush in brown ink and sepia on off-white paper) by Friedrich, Caspar David (1774-1840); 12.9x20.2 cm; Ashmolean Museum, University of Oxford

The Nativity of Christ (pen and brown ink washed in grey
1217708 The Nativity of Christ (pen and brown ink washed in grey and heightened with white bodycolour on blue-grey paper) by Parmigianino (Francesco Mazzola) (1503-40); 38.5x32 cm; Ashmolean Museum

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.