Westernart Collection (page 14)

A Putto, 1620 - 1624 (red chalk on greyish paper)
1217524 A Putto, 1620 - 1624 (red chalk on greyish paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 18x10.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

View of a Lake with Trees, 1857 (watercolour on paper)
1217522 View of a Lake with Trees, 1857 (watercolour on paper) by Inchbold, John William (1830-88); 25.2x35.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

A Faun (pen and black ink on white paper)
1217513 A Faun (pen and black ink on white paper) by Beardsley, Aubrey (1872-98); 10.6x7.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

The Idolatry of Solomon, c. 1675 - 1695 (oil on canvas)
1217508 The Idolatry of Solomon, c. 1675 - 1695 (oil on canvas) by Florentine School, (17th Century); 90x66 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Nude Figure of a Girl, 1880-89 (oil on canvas)
1217478 Nude Figure of a Girl, 1880-89 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 32x40 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

A Fishermans Hut by the Sea (oil on board)
1217449 A Fishermans Hut by the Sea (oil on board) by Churchyard, Thomas (1798-1865); 14x21.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Caricature of Fra Bonaventura Bisi, 1655 - 1659 (pen and brown ink on off-white paper)
1217448 Caricature of Fra Bonaventura Bisi, 1655 - 1659 (pen and brown ink on off-white paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 19.8x23.7 cm; Ashmolean Museum

View across the Garden of the Villa Loredan (pen and brown ink with brown wash on white
1217438 View across the Garden of the Villa Loredan (pen and brown ink with brown wash on white paper) by Guardi, Francesco (1712-93); 37.5x70.5 cm; Ashmolean Museum, University of Oxford

Still Life: pink, white and yellow Roses, 1894 (oil on canvas)
1217434 Still Life: pink, white and yellow Roses, 1894 (oil on canvas) by Fantin-Latour, Ignace Henri Jean (1836-1904); 35x40 cm; Ashmolean Museum, University of Oxford

The Chess Players, pre 1902 (oil on canvas)
1217422 The Chess Players, pre 1902 (oil on canvas) by Orpen, William (1878-1931); 92x71 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Irish, out of copyright

Esneh, Egypt, 1854 (pen and brown ink with watercolour over graphite on off-white paper)
1217413 Esneh, Egypt, 1854 (pen and brown ink with watercolour over graphite on off-white paper) by Lear, Edward (1812-88); 22.3x42.8 cm; Ashmolean Museum, University of Oxford

Sonning Bridge, c. 1882 (watercolour on paper)
1217412 Sonning Bridge, c. 1882 (watercolour on paper) by Hunt, Alfred William (1830-96); 36.1x51.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

The Love Letter, 1834 (oil on canvas)
1217384 The Love Letter, 1834 (oil on canvas) by Sully, Thomas (1783-1872); 64x76 cm; Ashmolean Museum, University of Oxford

Dish with the Flight into Egypt, 1526, Castel Durante (tin-glazed earthenware maiolica)
1217382 Dish with the Flight into Egypt, 1526, Castel Durante (tin-glazed earthenware maiolica) by Italian School, (16th century); Ashmolean Museum, University of Oxford

Horse and Rider falling, c. 1537 (black chalk on grey paper)
1217360 Horse and Rider falling, c. 1537 (black chalk on grey paper) by Titian (Tiziano Vecellio) (c.1488-1576); 27.4x26.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

A converted British Family sheltering a Christian Missionary from the Persecution of
1217351 A converted British Family sheltering a Christian Missionary from the Persecution of the Druids, 1850 (oil on canvas) by Hunt, William Holman (1827-1910); 111x141 cm; Ashmolean Museum

The Entombment, 1592-1607 (woodcut)
1217341 The Entombment, 1592-1607 (woodcut) by Scolari, Giuseppe (fl.1550-1610); 66x44 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

The Virgin and Child surrounded by a Border with a Hunter and some Rabbits (woodcut
1217337 The Virgin and Child surrounded by a Border with a Hunter and some Rabbits (woodcut, overworked in watercolour, printed on parchement) by Beham

The Agony in the Garden (engraving)
1217310 The Agony in the Garden (engraving) by Schongauer, Martin (1440-91); 16.2x11.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Jacques de Balaguier (black, red and yellow chalks on paper)
1217294 Jacques de Balaguier (black, red and yellow chalks on paper) by Clouet, Jean (c.1485-1541) (follower of); 28.7x19.8 cm; Ashmolean Museum, University of Oxford

Anne d Este (chalks)
1217291 Anne d Este (chalks) by Clouet, Jean (c.1485-1541) (follower of); 28.7x19.8 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Black)

Beaugency, c. 1830 (watercolour with bodycolour and pen and reddish-brown ink)
1217283 Beaugency, c. 1830 (watercolour with bodycolour and pen and reddish-brown ink) by Turner, Joseph Mallord William (1775-1851); 11.8x17.5 cm; Ashmolean Museum, University of Oxford

Man on Crutches (graphite with reed pen and black ink on fine-textured white paper)
1216909 Man on Crutches (graphite with reed pen and black ink on fine-textured white paper) by Manet, Edouard (1832-83) (attr)

Bolton Castle, Yorkshire (watercolour over indications in graphite)
1216899 Bolton Castle, Yorkshire (watercolour over indications in graphite) by Girtin, Thomas (1775-1802); 16.9x21.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Costume Design (watercolour over graphite on off-white card)
1216893 Costume Design (watercolour over graphite on off-white card) by Ricketts, Charles (1866-1931); 37.5x26.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Venus and Cupid, c. 1624 (ivory)
1216884 Venus and Cupid, c.1624 (ivory) by Petel, Georg (c.1601-c.1634); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Pastoral with a Horse Chestnut Tree, c. 1830-31 (watercolour and bodycolour)
1216876 Pastoral with a Horse Chestnut Tree, c.1830-31 (watercolour and bodycolour) by Palmer, Samuel (1805-81); 33.4x26.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Christian Descending into the Valley of Humiliation (from The Pilgrim
1216875 Christian Descending into the Valley of Humiliation (from The Pilgrims Progress ), 1848 (watercolour and bodycolour) by Palmer, Samuel (1805-81); 51.9x71.4 cm; Ashmolean Museum

On the Eve of Separation, 1830 (oil and watercolours on panel)
1216874 On the Eve of Separation, 1830 (oil and watercolours on panel) by Richmond, George (1809-96); 49x36 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Pembroke Coll. Oxon. 9 November 1786 (grey and bistre washes over graphite)
1216868 Pembroke Coll. Oxon. 9 November 1786 (grey and bistre washes over graphite) by Malchair, John Baptist (1731-1812); 20.7x32.3 cm; Ashmolean Museum, University of Oxford

Sun Setting seen from the Observatory at Oxford, 20 December 1784
1216867 Sun Setting seen from the Observatory at Oxford, 20 December 1784 (watercolour over graphite, on paper) by Malchair, John Baptist (1731-1812); 19x27.8 cm; Ashmolean Museum

Victory (bronze)
1216861 Victory (bronze) by Gilbert, Alfred (1854-1934) (after); Ashmolean Museum, University of Oxford, UK; (add.info.: Foundry of the Compagnie des Bronzes, Brussels height: 48.5 cm inc)

Portrait of Charles Francis Bell, 1913 (coloured crayons on a pale ochre preparation)
1216860 Portrait of Charles Francis Bell, 1913 (coloured crayons on a pale ochre preparation) by Strang, William (1859-1921); 41.6x26.8 cm; Ashmolean Museum, University of Oxford

Mr Suett as Dicky Gossip in My Grandmother, 1797 (oil on canvas)
1216838 Mr Suett as Dicky Gossip in My Grandmother, 1797 (oil on canvas) by Wilde, Samuel de (1748-1832); 74x58 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Magdalen College and the Eastern End of the High Street, Oxford
1216837 Magdalen College and the Eastern End of the High Street, Oxford, 1795 (watercolour over indications in graphite) by Nixon, Robert Revd (18th century); 30.9x38.8 cm; Ashmolean Museum

Holy Island Castle, Northumbria, c. 1882-3 (watercolour on paper)
1216828 Holy Island Castle, Northumbria, c.1882-3 (watercolour on paper) by Hunt, Alfred William (1830-96); 27.9x38.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

A View of Dolo on the Brenta Canal, c. 1725-29 (oil on canvas)
1216785 A View of Dolo on the Brenta Canal, c.1725-29 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 63x96 cm; Ashmolean Museum, University of Oxford

Two Vessels in a Storm (oil on panel, mounted as a drawing)
1216784 Two Vessels in a Storm (oil on panel, mounted as a drawing) by Guardi, Francesco (1712-93); 19.6x15.1 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

St Clare of Assisi, c. 1620 (oil on panel)
1216783 St Clare of Assisi, c.1620 (oil on panel) by Rubens, Peter Paul (1577-1640); 14.6x22 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Flemish, out of copyright

Venice: St Marks and the Loggetta (pen and brown ink)
1216778 Venice: St Marks and the Loggetta (pen and brown ink) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 8.8x12.2 cm; Ashmolean Museum, University of Oxford

Watermill among Trees, c. 1635-38 (pen and black ink with grey wash over black chalk
1216772 Watermill among Trees, c.1635-38 (pen and black ink with grey wash over black chalk on white paper) by Claude Lorrain (Claude Gellee) (1600-82); 14.2x19.9 cm; Ashmolean Museum

Modello for the monument to George Frideric Handel in Westminster Abbey
1216741 Modello for the monument to George Frideric Handel in Westminster Abbey (terracotta and plaster of Paris) by Roubillac (Roubiliac), Louis-Francois (1702-62); 122x59x33.5 cm; Ashmolean Museum

The Holy Family with St John the Baptist, c. 1540 (brush and brown wash on panel)
1216740 The Holy Family with St John the Baptist, c.1540 (brush and brown wash on panel) by Buonarroti, Michelangelo (1475-1564); 62x49.5 cm; Ashmolean Museum, University of Oxford

Christ and the Saints in Glory (Study for the Disputa) (brush drawing in brown ink)
1216721 Christ and the Saints in Glory (Study for the Disputa) (brush drawing in brown ink) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 23.3x40 cm; Ashmolean Museum, University of Oxford

Study for the Figure Virgil (pen and brown ink on off-white paper)
1216720 Study for the Figure Virgil (pen and brown ink on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 33x21.9 cm; Ashmolean Museum, University of Oxford

Group of Musicians (pen and brown ink on white paper)
1216706 Group of Musicians (pen and brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 23.2x18.5 cm; Ashmolean Museum, University of Oxford

Nude male Torso (pen and brown ink with black chalk on off-white paper
1216686 Nude male Torso (pen and brown ink with black chalk on off-white paper) Verso: Black chalk) by Buonarroti, Michelangelo (1475-1564); 26.2x17.3 cm; Ashmolean Museum, University of Oxford

Bust of Thomas Dundas, 1st Baron Dundas of Aske (1741-1820), 1819 - 1820 (plaster)
1218070 Bust of Thomas Dundas, 1st Baron Dundas of Aske (1741-1820), 1819 - 1820 (plaster) by Chantrey, Francis Legatt (1781-1841); 68.1x45x28 cm; Ashmolean Museum, University of Oxford

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.