Westernart Collection (page 21)

The Two Wives of Jason, before 1872 (watercolour and bodycolour over black chalk on paper
1218066 The Two Wives of Jason, before 1872 (watercolour and bodycolour over black chalk on paper) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum, University of Oxford

Study of the Marble Inlaying on the Front of the Casa Loredan, Venice
1218057 Study of the Marble Inlaying on the Front of the Casa Loredan, Venice, September - October 1845 (watercolour, bodycolour and pen and ink over graphite on pale grey wove paper) by Ruskin

Distant View of Lowther Castle (Park Scene), 1809 (graphite on wove paper)
1218027 Distant View of Lowther Castle (Park Scene), 1809 (graphite on wove paper) by Turner, Joseph Mallord William (1775-1851); 21.3x35.6 cm; Ashmolean Museum, University of Oxford

A Window of the Palazzo Tolomei, Siena, showing the rude
1218023 A Window of the Palazzo Tolomei, Siena, showing the rude and unsymmetrical Placing of massy Stones, 25 - 27 June 1870 (watercolour and bodycolour over graphite on blue wove paper) by Ruskin

The Palazzo Gambacorti, Pisa, 27 - 30 April 1872 (watercolour over graphite on wove paper
1218021 The Palazzo Gambacorti, Pisa, 27 - 30 April 1872 (watercolour over graphite on wove paper) by Ruskin, John (1819-1900); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

The Story of Cupid and Psyche: The Black Water, c. 1864 - c
1218019 The Story of Cupid and Psyche: The Black Water, c. 1864 - c. 1868 (graphite, with an ink border, on tracing paper) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum

Ivy-Leaved Toadflax ( Oxford Ivy ), 1852 (watercolour
1218018 Ivy-Leaved Toadflax ( Oxford Ivy ), 1852 (watercolour, bodycolour and pen and ink over graphite on blue wove paper) by Ruskin, John (1819-1900); Ashmolean Museum, University of Oxford

A Wild Strawberry Plant, 5 - 6 June 1873 (watercolour and bodycolour over graphite
1218017 A Wild Strawberry Plant, 5 - 6 June 1873 (watercolour and bodycolour over graphite on blue wove paper) by Ruskin, John (1819-1900); Ashmolean Museum, University of Oxford

The Tower of London (pen and brown ink over faint indications in black chalk)
1217983 The Tower of London (pen and brown ink over faint indications in black chalk) by Wyngaerde, Anthonis van den (fl.1510-72); 19.8x30.7 cm; Ashmolean Museum, University of Oxford

View across the Thames towards the Church of St Magnus and the Monument with London
1217980 View across the Thames towards the Church of St Magnus and the Monument with London Bridge on the right (pen and black ink with watercolour and white bodycolour on pale cream wove paper)

Study for St Botolph s, Boston, 1924 (graphite on laid paper
1217963 Study for St Botolph s, Boston, 1924 (graphite on laid paper, laid down on stiff card backing) by Griggs, Frederick Landseer Maur (1876-1938); 42.1x31.7 cm; Ashmolean Museum

Landscape with a Bridge, c. 1760 (red chalk on off-white paper)
1217962 Landscape with a Bridge, c.1760 (red chalk on off-white paper) by Fragonard, Jean-Honore (1732-1806); 23.4x37.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Urn, c. 1778 (stoneware)
1217956 Urn, c. 1778 (stoneware) by Wedgwood, Josiah (1730-95); Ashmolean Museum, University of Oxford, UK; (add.info.: Josiah Wedgwood height)

Hamlet and Ophelia, 1866 (watercolour and gum arabic on paper)
1217951 Hamlet and Ophelia, 1866 (watercolour and gum arabic on paper) by Rossetti, Dante Gabriel Charles (1828-82); 38x27.8 cm; Ashmolean Museum, University of Oxford

Music, 1877 (oil on canvas)
1217950 Music, 1877 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 68x44 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Landscape with a Farmyard, 1830 (oil on panel)
1217943 Landscape with a Farmyard, 1830 (oil on panel) by Cals, Adolphe-Felix (1810-80); 24.6x32.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Sir Dudley Carleton, 1628 (oil on panel)
1217931 Sir Dudley Carleton, 1628 (oil on panel) by Miereveld, Michiel Jansz. van (1567-1641); 64.5x53.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

Charles I and the Knights of the Garter in Procession, 1638
1217916 Charles I and the Knights of the Garter in Procession, 1638 (oil over silverpoint on panel) by Dyck, Anthony van (1599-1641); 29.2x130.8 cm; Ashmolean Museum, University of Oxford

Village of Lauris, in Vaucluse on the Banks of the River Durance, 1868 (oil on canvas)
1217910 Village of Lauris, in Vaucluse on the Banks of the River Durance, 1868 (oil on canvas) by Guigou, Paul Camille (1834-71); 25x40.1 cm; Ashmolean Museum, University of Oxford

Viola by Simon Andrew Forester (wood)
1217903 Viola by Simon Andrew Forester (wood) by Forster, Simon Andrew (1739-1808); Ashmolean Museum, University of Oxford, UK; (add.info.: length: 42.3 cm ); eAshmolean Museum; British

Violin (wood)
1217902 Violin (wood) by Lupot, Nicolas (1758-1824); Ashmolean Museum, University of Oxford, UK; (add.info.: Nicolas Lupot undefined: cm L back: 357 mm; upper bout: 168 mm; middle bout)

Ideal Head, 1816 (marble)
1217885 Ideal Head, 1816 (marble) by Canova, Antonio (1757-1822); Ashmolean Museum, University of Oxford, UK; (add.info.: Antonio Canova height: 53 cm marble); eAshmolean Museum; Italian

Plate imitating Turkish (Iznik) pottery, 1600-1650 (tin-glazed earthenware, maiolica)
1217882 Plate imitating Turkish (Iznik) pottery, 1600-1650 (tin-glazed earthenware, maiolica) by Italian School, (17th century); Ashmolean Museum, University of Oxford

Three little Children on the wide wide Earth (pen and black ink on off-white paper)
1217880 Three little Children on the wide wide Earth (pen and black ink on off-white paper) by Hughes, Arthur (1832-1915); 8.7x8.1 cm; Ashmolean Museum, University of Oxford

Still Life of Roses in a Vase, 1880s and 1890s (oil on canvas)
1217866 Still Life of Roses in a Vase, 1880s and 1890s (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 29x37 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

The Holy Family with Joseph cutting wood (w / c on paper)
1217861 The Holy Family with Joseph cutting wood (w/c on paper) by Maes, Nicolaes (1634-93); 22.8x27.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

Blaise Pascal, c. 1784 (porcelain (hard paste), biscuit)
1217860 Blaise Pascal, c. 1784 (porcelain (hard paste), biscuit) by Pajou, Augustin (1730-1809) (after); 32.1x29.8 cm; Ashmolean Museum, University of Oxford

Recto: The Birth of the Baptist (black chalk with pen and brown ink and grey wash
1217825 Recto: The Birth of the Baptist (black chalk with pen and brown ink and grey wash, heightened with white on pale buff paper; indented for transfer and squared in black chalk) by Carracci

Street Scene in Rouen (watercolour over graphite, on paper)
1217811 Street Scene in Rouen (watercolour over graphite, on paper) by Prout, Samuel (1783-1852); 28.4x22.1 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Study of a Greyhound (graphite on off-white paper)
1217807 Study of a Greyhound (graphite on off-white paper) by Brown, Ford Madox (1821-93); 15.3x38.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Gabrielle and Rosemary, 1928 (oil on canvas)
1217804 Gabrielle and Rosemary, 1928 (oil on canvas) by Philpot, Glyn Warren (1884-1937); 143x112 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Study of a Cat, 1817 (oil on panel, mounted as a drawing)
1217802 Study of a Cat, 1817 (oil on panel, mounted as a drawing) by Cooper, Abraham (1787-1868); 16.7x17.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Evening at Bas Meudon, 1874 (oil on panel)
1217790 Evening at Bas Meudon, 1874 (oil on panel) by Daubigny, Charles Francois (1817-78); 38x67 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Study of Rocks and Foliage, Agrigento (Girgenti), Sicily
1217787 Study of Rocks and Foliage, Agrigento (Girgenti), Sicily, 1847 (oil on shiny off-white paper) by Lear, Edward (1812-88); 24x38 cm; Ashmolean Museum, University of Oxford

Drawing Room Scene with a young Priest at the Piano (pastels and oils)
1217786 Drawing Room Scene with a young Priest at the Piano (pastels and oils) by Armstrong, Thomas (1835-1911); 22.1x31.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

The Almonry, 1925 (etching)
1217784 The Almonry, 1925 (etching) by Griggs, Frederick Landseer Maur (1876-1938); 24.3x16.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Portrait of a Young Man (oil on copper)
1217777 Portrait of a Young Man (oil on copper) by Dujardin, Karel (1626-1678) (style of); 14x10 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

A Castle by a River, 1647 (oil on oak panel)
1217776 A Castle by a River, 1647 (oil on oak panel) by Goyen, Jan Josephsz van (1596-1656); 36x30 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

In the Downs near Lewes, 1906 (oil on canvas)
1217769 In the Downs near Lewes, 1906 (oil on canvas) by Bevan, Robert Polhill (1865-1925); 34x46 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Trees, Provence, 1912 (oil on board)
1217760 Trees, Provence, 1912 (oil on board) by Lees, Derwent (1885-1931); 25x35.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Australian, out of copyright

Outside the Wine Shop (black chalk with watercolour)
1217757 Outside the Wine Shop (black chalk with watercolour) by Bevan, Robert Polhill (1865-1925); 58.8x40.4 cm; eAshmolean Museum; English, out of copyright

Teapot and lid, 1772, Worcester Porcelain Factory (steatitic porcelain)
1217736 Teapot and lid, 1772, Worcester Porcelain Factory (steatitic porcelain) by Duvivier, Fidelle (b.1740, fl.1799); Ashmolean Museum, University of Oxford

The Chestnut Tree, 1916-1919 (oil on canvas)
1217732 The Chestnut Tree, 1916-1919 (oil on canvas) by Bevan, Robert Polhill (1865-1925); 50x60 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Path through woods to a thatched house, 1866 (graphite, pen, and brown ink on paper)
1217714 Path through woods to a thatched house, 1866 (graphite, pen, and brown ink on paper) by Millet, Jean-Francois (1814-75); 17.4x23.5 cm; Ashmolean Museum, University of Oxford

Crepuscule (avec Meules), 1879 (etching, aquatint, drypoint and sandpaper)
1217693 Crepuscule (avec Meules), 1879 (etching, aquatint, drypoint and sandpaper) by Pissarro, Camille (1830-1903); Ashmolean Museum, University of Oxford

Studies of a male and a female harvester (grey wash over pencil on paper)
1217671 Studies of a male and a female harvester (grey wash over pencil on paper) by Pissarro, Camille (1830-1903); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Study of a female peasant carrying a load of hay in the farmyard at Foucault, c
1217668 Study of a female peasant carrying a load of hay in the farmyard at Foucault, c. 1875 (charcoal) by Pissarro, Camille (1830-1903); 23.9x30.5 cm; Ashmolean Museum, University of Oxford

Jeanne-Rachel Pissarro seated at a table, c. 1872 (watercolour over black chalk)
1217666 Jeanne-Rachel Pissarro seated at a table, c. 1872 (watercolour over black chalk) by Pissarro, Camille (1830-1903); 24.5x19.2 cm; Ashmolean Museum, University of Oxford

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.