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Elizabeth Street, Melbourne, Victoria, Australia, 1886. Artist: W Mollier

Elizabeth Street, Melbourne, Victoria, Australia, 1886. Artist: W Mollier


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Elizabeth Street, Melbourne, Victoria, Australia, 1886. Artist: W Mollier

Elizabeth Street, Melbourne, Victoria, Australia, 1886. Wood engraving from Picturesque Atlas of Australasia, Vol I, by Andrew Garran, illustrated under the supervision of Frederic B Schell, (Picturesque Atlas Publishing Co, 1886)

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Media ID 14909028

© The Print Collector / Heritage-Images

Andrew Andrew Garran Australasia Australia Australian Busy Carriage Clock Tower Frederic B Frederic B Schell Garran Melbourne Pedestrian Schell Traffic Victoria Elizabeth Street Horse Drawn Vehicle Print Collector2 Wood Engraving


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> Architecture > Towers > Victoria Tower

> Oceania > Australia > Melbourne

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EDITORS COMMENTS
This print takes us back to the bustling streets of Elizabeth Street in Melbourne, Victoria, Australia, during the year 1886. The artist behind this wood engraving is W Mollier, who skillfully captures the essence of a vibrant city in the late 19th century. The scene depicted showcases a snapshot of daily life at that time. The street is teeming with activity as pedestrians navigate their way through a sea of horse-drawn carriages and other forms of road transport. The buildings lining both sides of Elizabeth Street stand tall and proud, showcasing architectural styles typical of that era. In the distance, we catch sight of an impressive clock tower rising above the cityscape, serving as a landmark for locals and visitors alike. This image perfectly encapsulates the concept of a busy metropolis thriving with movement and energy. As we gaze upon this monochrome masterpiece from Andrew Garran's Picturesque Atlas Publishing Co. , we are transported to another time and place. It offers us a glimpse into Australia's rich history while highlighting Melbourne's growth as an important cultural hub within Australasia. With its intricate details captured through wood engraving techniques by W Mollier under Frederic B Schell's supervision, this print serves as both artistry and historical documentation—a testament to our ever-evolving transportation systems and urban landscapes throughout centuries gone by.

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