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The further we go, the less we penetrate the horrible mystery of which the unfortun
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The further we go, the less we penetrate the horrible mystery of which the unfortun
The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim from Scenes from the Private and Public Life of Animals, ca. 1837-47
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Media ID 23860101
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A B L Andrew Best Leloir Anthropomorphic Anthropomorphism Balzac Honore De Honore Balssa Best Andrew L Court Case Dead Gerard Jean Ignace Isidore Grandville Grandville Jj Granville J J Honore Balssa Honore De Balzac Investigation J J Grandville J J Granville Jean Ignace Isidore Gerard Jj Grandville Jj Granville Judge L Andrew Best Leloir Andrew Best Mystery Toad Wood Engraving
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The Further We Go, the Less We Penetrate - Unraveling the Horrible Mystery of the Unfortunate Toad
EDITORS COMMENTS
. In this 19th-century print titled "The Further We Go, the Less We Penetrate" artist Andrew Best Leloir skillfully captures a profound sense of intrigue and mystery. Taken from his renowned series "Scenes from the Private and Public Life of Animals" (ca. 1837-47), this wood engraving transports us to a world where animals are anthropomorphized, allowing us to delve into their enigmatic existence. At first glance, our attention is drawn to a solemn courtroom scene. A judge presides over an investigation surrounding the untimely demise of a hapless toad – its life cut short by an unknown force. The somber atmosphere is heightened by Leloir's masterful use of black and white tones, evoking a sense of foreboding. As we gaze upon this thought-provoking artwork, we are reminded that despite our progress in unraveling life's mysteries, there will always be depths left unexplored. The intricate details within each stroke invite contemplation on humanity's eternal quest for knowledge and understanding. Leloir's work serves as a poignant reminder that even with advancements in science and technology, some secrets remain elusive. It urges us to embrace curiosity while acknowledging that certain truths may forever lie beyond our grasp. Displayed at The Metropolitan Museum of Art, this print stands as both
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