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Loyal Addresss & Radical Petitions... 1819. Artist
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Loyal Addresss & Radical Petitions... 1819. Artist
Loyal Addresss & Radical Petitions, or the R-ts most gracious answer to both sides of the question at once, 1819. The Prince Regent standing on a dais, facing City aldermen and other subjects who are kneeling obsequiously to present loyal addresses. Radical petitioners are staggering back from the blast issuing from the Regents posterior
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Media ID 15178622
© London Metropolitan Archives (City of London) / Heritage-Images
Alderman Alderman Of London Backside Cruikshank Disgust George Cruikshank George Iv George Iv Of The United Kingdom Georgian Horror King George Iv King Of Great Britain Loyalty Petition Prince Of Wales Prince Regent Prinnie Prinny Radical Radicalism Smelly Bad Manners Farting Flatulence Metaphor Obsequious
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EDITORS COMMENTS
An Unconventional Royal Response: A Satirical Take on Loyalty and Radicalism in 19th Century Britain". This print, titled "Loyal Addresss & Radical Petitions. . . 1819" offers a humorous yet thought-provoking glimpse into the political climate of early 19th century Britain. Created by an anonymous artist, possibly George Cruikshank, it showcases the Prince Regent standing tall on a dais while facing a group of City aldermen and other subjects who kneel before him with utmost obsequiousness. However, what truly sets this artwork apart is its unconventional twist. As the loyal addresses are presented to the Prince Regent, we witness radical petitioners recoiling in shock from an unexpected blast emanating from his posterior. This clever metaphorical representation highlights the tension between loyalty and radicalism during that era. The vibrant colors and intricate details bring this caricature to life, capturing both the grandeur of royal attire and the disgust on people's faces as they experience this unseemly moment. The artist skillfully uses satire to comment on societal norms, bad manners, and perhaps even political hypocrisy. Preserved at Guildhall Library and Art Gallery, this print serves as a testament to Georgian-era humor and social commentary. It reminds us that even in times of great loyalty or radicalism, there is always room for laughter amidst serious matters. Let it be a reminder that politics can sometimes be smelly but should never lose sight of good manners or open dialogue.
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