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On the Rails, plate eight from On Death, Part I, 1889. Creator: Max Klinger

On the Rails, plate eight from On Death, Part I, 1889. Creator: Max Klinger


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On the Rails, plate eight from On Death, Part I, 1889. Creator: Max Klinger

On the Rails, plate eight from On Death, Part I, 1889

Heritage Images features heritage image collections

Media ID 36211364

© Heritage Art/Heritage Images

Klinger Max Max Klinger Railway Line Railway Track Railway Tracks Railways Skeleton Symbolist Tied Up Train Track Aquatint Symbolism


FEATURES IN THESE COLLECTIONS

> Arts > Artists > K > Max Klinger

> Arts > Realistic drawings > Portrait drawings > Fine art

> Europe > Germany > Railways

> Popular Themes > Railway Posters

> Posters > Railway Posters

> Transportation > Trains


EDITORS COMMENTS
On the Rails, plate eight from On Death, Part I" is an evocative and enigmatic etching and aquatint on cream wove paper created by Max Klinger in 1889. This 19th-century German masterpiece is currently housed at the Art Institute of Chicago, and is a testament to the artist's innovative use of the printmaking process. The image depicts a skeleton, tied up and lying on the ground, next to a railway track. The skeleton gazes up at the barren, rocky mountains in the distance, with a train passing by on the railway line. The scene is rendered in exquisite detail, from the intricate textures of the skeleton's bones to the sinuous curves of the railway track. The use of black and white in the print adds to the sense of melancholy and introspection, while the contrast between the stillness of the skeleton and the motion of the train creates a dynamic tension. The railway, a symbol of modern transportation and progress, is juxtaposed with the timeless and universal symbol of death. The location of the scene is not explicitly stated, but the mountainous geography suggests a remote and rugged landscape. The image invites the viewer to contemplate the passage of time, the transience of life, and the inexorable march of progress. Max Klinger's "On the Rails, plate eight from On Death, Part I" is a masterful work of art that continues to captivate and inspire viewers, and is a valuable addition to the collections of the Art Institute of Chicago and the world of heritage art.

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